Category: uncategorised
Leonora Oppenheim: Shatwell Edition Print
05.06.2023
Leonora Oppenheim: Shatwell Edition Print05.06.2023
‘There is a time in the early dawn when we parade through the fields, taking possession of the landscape that was once ours. Only the intrepid few might catch a glimpse of this spectacle before they awake. Let us reveal our splendour on the threshold. Let us float through this… Read More
Nuno Melo Sousa: on big papers
26.05.2023
Nuno Melo Sousa: on big papers26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. First, there were a couple of tense drawings.One, two, three. At the very third second, it quickly escalated to a nonstop dry pastel scratch on A2… Read More
Nuno Melo Sousa: on small papers
26.05.2023
Nuno Melo Sousa: on small papers26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. Kept behind the scenes, singing like mantras: voices in low tune. They flourish and are planted like small seeds.Their synthesis is colourful and schematic.They are all… Read More
Nuno Melo Sousa: on walls
26.05.2023
Nuno Melo Sousa: on walls26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. Liberation.When I was a kid, I could not draw on walls. It was forbidden in my parents’ house. At school, we could pin pieces of paper.… Read More
Nuno Melo Sousa: authority
26.05.2023
Nuno Melo Sousa: authority26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. there is no authority.there is no gravity.there is no fee.there is no programme.there is no agenda.there is no time.there is no client.there is no plot. Creatures.… Read More
Nuno Melo Sousa: in cahiers
25.04.2023
Nuno Melo Sousa: in cahiers25.04.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. As we travel, sitting, walking, flying, and running, we can look at the world.As we sit, eating, we can look at a small cahier also sitting,… Read More
Protected: Collection News: Binazzi and UFO, Burton, Gounod, Siza, Visconti and more
13.03.2023
Protected: Collection News: Binazzi and UFO, Burton, Gounod, Siza, Visconti and more13.03.2023
– Editors
There is no excerpt because this is a protected post.
Alison and Peter Smithson’s Collages as Reinventing Established Reality
24.02.2023
Alison and Peter Smithson’s Collages as Reinventing Established Reality24.02.2023
Alison and Peter Smithson often introduced figures that were protagonists in the news, such as Marilyn Monroe and Joe DiMaggio, French actor Gérard Philipe, and the first prime minister of Independent India, Jawaharlal Nehru into their architectural drawings for social housing projects—as in the case of their collages for the… Read More
Shatwell farm open day – 18 June 2022
11.05.2022
Shatwell farm open day – 18 June 202211.05.2022
Drawing Matter is holding its annual Open Day on Saturday 18 June, 11am-7pm. Visitors will be invited to explore the site of Shatwell Farm, which includes completed buildings by Hugh Strange, Stephen Taylor, David Grandorge, and Skene Catling de la Pena architects, a conversion by Clancy Moore Architects, and a variety of… Read More
Design Starts: Loughborough School of Architecture at Shatwell Farm
03.05.2022
Design Starts: Loughborough School of Architecture at Shatwell Farm03.05.2022
The following is an account of a visit to Drawing Matter in March 2022 made by Benjamin Machin and his students at the Loughborough School of Architecture, Building and Civil Engineering – Alina Abdulwahid, Nyewuna Amadi, Jemima Dabell, Beckie Downs, Lewis Foster-Jeapes, Will Jones, Will Mennell, Danielle Riley, Joe Tolley,… Read More
An Artist Browsing the Collection
03.05.2022
An Artist Browsing the Collection03.05.2022
My visits to the archive happened during the summer of 2021 in a gap between lockdowns. Shatwell Farm is a haven of contemporary buildings sitting alongside tumbling and restored farm buildings, an obelisk, pillars, corrugated materials, stone, sleepers, silos, a library, and a gallery. Amongst all this is the Drawing… Read More
Reflections on my Internship
27.04.2022
Reflections on my Internship27.04.2022
In April 2021, I hesitantly emailed the editors at Drawing Matter to ask if they were currently accepting internship applications. Why would the Drawing Matter team want to burden themselves with an inexperienced and most likely unhelpful American intern? They had no established internship program, Covid-19 cases were on the… Read More
Signature
15.02.2021
Signature15.02.2021
It’s just a small loose sheet of paper ripped off a notepad. Along its margins, an elegant round-cornered brown border, once enclosing an anonymous blank space of empty expectancy, now ceremoniously frames a mysteriously attractive, harmonious, yet utterly cryptic mark, struck and left upon its surface: a signature. By whose… Read More
Collection of Sections
02.12.2020
Collection of Sections02.12.2020
The following drawings and commentaries have been excerpted from Visual Discoveries: A Collection of Sections (Oro Editions, 2020). The publication surveys the use of section drawings in the histories of architecture and other professions, from the 17th century to the present. More information on the book can be found here.… Read More
Alternative Histories: Hild und K Architekten on James Gowan
10.08.2019
Alternative Histories: Hild und K Architekten on James Gowan10.08.2019
“Form follows fender” In James Gowan’s parallel projections we were particularly interested in their spatial qualities, and how the form could develop. Seen as a negative space, it could be a staggered courtyard. James Gowan used a car shape as a reference. By extracting the theme and duplicating the shape… Read More
Alternative Histories: Sam Jacob Studio on Archizoom
31.07.2019
Alternative Histories: Sam Jacob Studio on Archizoom31.07.2019
What might the purpose of an alternative history be? How might we collaborate with the past? What passes from one generation to another or from one hand to another? Is the construction of a (new) model of an (old) project a way of producing an alternative past? Or different present?… Read More
Alternative Histories: Veldwerk Architecten on Gabriel Pierre Martin Dumont
31.07.2019
Alternative Histories: Veldwerk Architecten on Gabriel Pierre Martin Dumont31.07.2019
Paper Mountain Like the models it displays, the paper mountain exhibition scenography finds its origins in a historic drawing from the Drawing Matter archive. Gabriel Dumont’s section of a theatre auditorium and balcony seating, drawn c.1770, proposes a structure that holds the audience as if they were godly statues of a stacked temple, suspended… Read More
Alternative Histories: Nikolaus Bienefeld on James Gowan
30.07.2019
Alternative Histories: Nikolaus Bienefeld on James Gowan30.07.2019
Die ersten Modelle einer Entwurfsskizze verkörpern den architektonischen Gedanken.So, wie die Skizze durch die Art des Striches, der Farbigkeit, der Detaillierung eine oder viele Interpretationen ermöglicht, so eröffnet die Wahl und der Umgang mit dem Material des Modells eine größtmögliche Offenheit im architektonischen Prozess. The first models of a design sketch… Read More
Alternative Histories: NoAarchitecten on Álvaro Siza
30.07.2019
Alternative Histories: NoAarchitecten on Álvaro Siza30.07.2019
When we look at Siza’s drawing we try to forget the project we know. We see the beautiful irregularity of a pencil perimeter, defined by obstacles of all sorts. Within it, the architect added straight lines, an attempt to bring order and create a place to dwell, to find shelter.… Read More
Nuno Melo Sousa: weight
26.05.2023
Nuno Melo Sousa: weight26.05.2023
– Nuno Melo Sousa
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. They dance.They stand.They stare.They bend.They underline.They comply.They don’t comply.They question.They agree.They dismiss.They provoke.They ignore. Each and every one of them keeps a continuous movement between what… Read More