Tag: detail
Leicester Engineering Building: Un-detailing
21.03.2025
Leicester Engineering Building: Un-detailing21.03.2025
The building is in many ways as extraordinary as its details. At ground-floor level it confronts the visitor with a blank wall of hard-faced red brick, which is occasionally pierced with a rather private-looking doorway, except at the point where the glazed main-entrance lobby splits this defensive podium into two… Read More
Broadcasting Norwegian Time
13.03.2025
Broadcasting Norwegian Time13.03.2025
All drawings were done by Nils Holter Office during the NRK project period 1941-47, each made in pencil on paper with the initials of the draughtsman who drew it. Drawings from Nils Holter’s archives/Jan Bauck Arkitektkontor. Photographs courtesy of Jørgen Johan Tandberg. In the summer of 2024, and after several… Read More
Two Lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop
19.12.2024
Two Lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop19.12.2024
The following text is a brief reflection on two lectures delivered at Shatwell Farm in August 2024 as part of the ENAC EPFL Drawing Research Platform. To read the students’ reflections and view their drawings, click here. To read an account of the week, click here. The two lectures at… Read More
In the Archive: New and Found 3
03.05.2024
In the Archive: New and Found 303.05.2024
– Editors
Click on drawings to move and enlarge. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New There was excitement when Enzo Mari’s resin… Read More
Trevor Dannatt: St Mary’s Grove — Through the Door
03.04.2024
Trevor Dannatt: St Mary’s Grove — Through the Door03.04.2024
This is the sixth part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, here. Entering the house the first thing one sees is the entrance door to my… Read More
Trevor Dannatt: St Mary’s Grove — I’m Going to Get Medieval on Your Ass!
16.11.2023
Trevor Dannatt: St Mary’s Grove — I’m Going to Get Medieval on Your Ass!16.11.2023
‘I’m going to get medieval on your ass!’ Any analogy between the hefty massing of the middle-ages and soi-disant Brutalism is here revived in the bold metal hinges of our garage door, worthy of some château fort. Likewise the solid lead parapet of the roof could well guard a fortress, if also reminiscent of the… Read More
Work with your hands: AUB Summer School 2023
21.09.2023
Work with your hands: AUB Summer School 202321.09.2023
‘Work with your hands, so that your daily life may win the respect of outsiders and so that you will not be dependent on anybody.’1 Thess. 4:11-12 All architecture begins with our hands. We make physical what we understand in order to communicate the invisible to the outside world. The translation… Read More
Trevor Dannatt: St Mary’s Grove — Garage door trio
18.09.2023
Trevor Dannatt: St Mary’s Grove — Garage door trio18.09.2023
No sooner had I written about the door hook than my mother, sharp as ever at 98, revealed that the original had been stolen, along with parts of the front gate, presumably for their metal value. This hook was definitely her replacement, from Franchi on the Holloway Road, whilst the first… Read More
Trevor Dannatt: St Mary’s Grove — Hook & Extension
28.08.2023
Trevor Dannatt: St Mary’s Grove — Hook & Extension28.08.2023
Liza Fior, whose phone was used to take these snaps (I still refuse the portable-telephone obligation), was particularly taken by this hook for the garage door, the way it hangs, the perhaps deliberate chipping into the stone, ‘I am sure he planned it’. That minute attention to the smallest thing,… Read More
Diplomatics and Instrumentality of the Drawing / William Butterfield
21.08.2023
Diplomatics and Instrumentality of the Drawing / William Butterfield21.08.2023
This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. In… Read More
Trevor Dannatt: St Mary’s Grove — Stone Head & Slab
26.07.2023
Trevor Dannatt: St Mary’s Grove — Stone Head & Slab26.07.2023
A carved stone head by Theo Crosby, given as a moving-in gift back in the mid-fifties and much weathered ever since, amongst the bosky foothills of the front steps. For aesthetic law insists that ‘outdoor’ sculpture must be shown as such and allowed to return to nature, obeying its original… Read More
Trevor Dannatt: St Mary’s Grove — House Number & Gate
04.07.2023
Trevor Dannatt: St Mary’s Grove — House Number & Gate04.07.2023
This is the second part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, and the first text, here. The other sign on the street—blue baked enamel as ur-signifier… Read More
Trevor Dannatt: St Mary’s Grove — Gap and Sign
13.06.2023
Trevor Dannatt: St Mary’s Grove — Gap and Sign13.06.2023
When my parents bought the house in 1955—for £1,000—one of the first things Trevor did was design this distinctive gap in the wall of the front garden, a modest modernist castle crenelation. This was deliberately aligned with the edge of the house, on a line with the front steps, so… Read More
Hardman & Co.
09.06.2023
Hardman & Co.09.06.2023
My interest in seeing the Hardman & Co. drawings at Drawing Matter was quite personally motivated as I feel a connection to the company. Partially, because I come from Birmingham where the company was based, and because I visited the studios informally in the 1980s with my parents. I was… Read More
Materia 5: Timber
18.04.2023
Materia 5: Timber18.04.2023
This text is the final instalment in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products. The language of architectural drawing, although appearing to promise an infinite arena for self-projection, ultimately fails to contain and express… Read More
W. R. Lethaby: The Church of Sancta Sophia, Constantinople
28.11.2022
W. R. Lethaby: The Church of Sancta Sophia, Constantinople28.11.2022
This is the third text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. William Lethaby’s second book, The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building, published in 1894, could hardly have started on its subject more emphatically, ‘Sancta Sophia is the most… Read More
fala: execution drawings
07.11.2022
fala: execution drawings07.11.2022
– fala
This is the fifth of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Construction documents include an array of scales. General drawings, partials, maps, details, and indexes are loaded with intentions and manic descriptions. They are supposed to… Read More
W. R. Lethaby: The Builder’s Art and the Craftsman
24.10.2022
W. R. Lethaby: The Builder’s Art and the Craftsman24.10.2022
This is the second text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Dissatisfied with his first book, Architecture, Mysticism and Myth, a year later William Lethaby indicated a significant shift in thinking with the essay, ‘The Builder’s Art and the Craftsman’. The text… Read More
How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing
21.10.2022
How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing21.10.2022
– Federica Goffi and Devon Moar
The bee drawing(s) by Devon Moar illustrate that changes in scale imply a passage of time. One drawing here becomes many drawings, each marking a different moment of discovery unfolding a process. One could say that when it comes to architectural media, there are two types of scales dealing with… Read More
Turning Point: The US Embassy in Dublin
17.08.2022
Turning Point: The US Embassy in Dublin17.08.2022
This is an extract of the construction drawings produced by John M. Johansen’s office in 1963 for the cylindrical US Embassy in Dublin. It is a three-dimensional ink drawing of the external precast concrete structure, describing two single-storey bays in isolation. Viewed abstractly it could almost be an anatomical study,… Read More
‘For the Curiosity of the Article’: Excerpts from Architectural Drawing (1870)
19.04.2022
‘For the Curiosity of the Article’: Excerpts from Architectural Drawing (1870)19.04.2022
The following introductory text and drawings are reproduced from William Burges’ Architectural Drawing (1870). Each of the drawings has been chosen for its graphic interest or for the content of Burges’ commentary – which covers the problems of surveying buildings, the limits of nineteenth-century book printing, and his personal curiosity in… Read More
Torrentius, or The Visage of Time
03.03.2025
Torrentius, or The Visage of Time03.03.2025
– Pierre Chabard
Tête-à-tête Charles Vandenhove’s transformation of the Hôtel Torrentius in Liège’s Rue Saint-Pierre between 1977 and 1981 marked a crucial point in the trajectory of both the building and the architect. When, in November 1977, Vandenhove purchased the mansion to set up his architectural practice and city home, the building was… Read More
record detail survey