Tag: DMC
Lapo Binazzi: Casa a Diacceto
10.06.2024
Lapo Binazzi: Casa a Diacceto10.06.2024
The design of Casa a Diacceto responds to the principle of ‘discontinuity’ theorised by Lapo Binazzi at the beginning of the 1970s: architecture can only be thought of and realised in fragments and pieces, there is no longer a coherent unity. The pieces are never invented, but are taken from… Read More
Begin again. Fail Better: Pichler and Hollein
29.05.2024
Begin again. Fail Better: Pichler and Hollein29.05.2024
This text by Matt Page will be included in the exhibition catalogue for Begin again. Fail Better: Preliminary drawings in architecture (and art). The exhibition opens on the 31st May 2024 at the Kunstmuseum Olten, and includes nearly 100 drawings from the Drawing Matter Collection. More information about the exhibition… Read More
Louis-Hippolyte Lebas at Drawing Matter
27.05.2024
Louis-Hippolyte Lebas at Drawing Matter27.05.2024
– Editors and Nicholas Olsberg
French architect Louis-Hippolyte Lebas (1782–1867) trained with Percier and Fontaine, whose assistant he remained for some years; working in Paris, both independently and in collaboration with Éloi Labarre and others from the mid 1820s; professor of history of architecture at the École des Beaux-Arts from 1840; and leader of an… Read More
Peter Wilson in the Empire of Signs
22.05.2024
Peter Wilson in the Empire of Signs22.05.2024
‘Geometric, rigorously drawn, and yet always signed somewhere with an asymmetrical fold or knot.’[1] While this could be a concise description of Peter Wilson’s work, it is in fact Roland Barthes writing in his book Empire of Signs (1970) about what he described as the Japanese ‘ecstasy of the package’.[2] Barthes was struck by… Read More
Architectural Models and the Oriental Ideal of the Alhambra
20.05.2024
Architectural Models and the Oriental Ideal of the Alhambra20.05.2024
The Alhambra architectural models reflect the circumstances in which they were created, during the last years of the Romantic movement, when artists and patrons were fascinated by the diffuse idea of the ‘Orient’, somewhat embodied by the Alhambra. This part-myth, part-real palace was the ultimate destination for Romantic travellers and… Read More
Giuseppe Terragni’s Primordial Architecture
06.05.2024
Giuseppe Terragni’s Primordial Architecture06.05.2024
What does the bozzetto that the young Giuseppe Terragni made in 1926, together with Pietro Lingeri, for the competition for the Monumento ai Caduti (War Memorial) in Como have to tell us? It speaks to us of the complexity of its creator, a complexity that Terragni shares with Italian art… Read More
In the Archive: New and Found 3
03.05.2024
In the Archive: New and Found 303.05.2024
– Editors
Click on drawings to move and enlarge. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New There was excitement when Enzo Mari’s resin… Read More
Sugimoto and Architecture
29.04.2024
Sugimoto and Architecture29.04.2024
The early twentieth century saw a multifaceted blossoming of the avant-garde in Europe, with Dadaism, Futurism, Constructivism, De Stijl… These movements also had an influence on architecture. Until the nineteenth century, people’s way of living was centred around religion. Much architectural decoration was developed in order to express the magnificence… Read More
A Bath for Immortality
24.04.2024
A Bath for Immortality24.04.2024
It is 1971 and the city is Graz. ‘If we look at the city as a set of artefacts that can be modified over time, homogeneous and isotropic, correlated to the physical reality of the landscape and the territory, and at the same time if we refuse to take part… Read More
Hans Hollein at Drawing Matter
23.04.2024
Hans Hollein at Drawing Matter23.04.2024
– Editors and Nicholas Olsberg
The Austrian architect Hans Hollein (1934–2014) studied under Clemens Holzmeister at the Academy of Fine Arts in Vienna, and then at the Illinois Institute of Technology and the College of Environmental Design at the University of California Berkeley. With the sculptor and designer Walter Pichler he introduced a body of… Read More
OMA: London—Foreplay
19.04.2024
OMA: London—Foreplay19.04.2024
This is the first post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More
Mies van der Rohe: Clarity as the Aim
17.04.2024
Mies van der Rohe: Clarity as the Aim17.04.2024
Mies’s work is an exemplary embodiment of the idea of architectural abstraction. His buildings are free of all the ‘figurative’ ingredients that characterise traditional architecture. They are made up of materials or constructive elements given cohesion and structure by a series of visual devices. But, although his language is so… Read More
DMJ – Enzo Mari, Formazione Dinamica di una Sfera Reticolata
10.04.2024
DMJ – Enzo Mari, Formazione Dinamica di una Sfera Reticolata10.04.2024
Enzo Mari’s Formazione Dinamica di una Sfera Reticolata (Dynamic Formation of a Reticulated Sphere), one of a series of objects produced under the title Relatione tra Contenuto e Contenitore (Relation between Content and Container), was manufactured by the Milanese company Danese between 1959 and 1963. It is a transparent polyester… Read More
C.S. Peach and the Cruciform Design of the Cathedral
05.04.2024
C.S. Peach and the Cruciform Design of the Cathedral05.04.2024
In view here is a startling watercolour by Charles Stanley Peach, titled Plan of a Church Constructed on Divine Principles (1910)—his pictorial articulation of the cruciform layout of the Christian Cathedral. Architectural aspects are overlayed upon two images of Jesus. The first with his arms splayed wide, hands pinned to… Read More
Trevor Dannatt: St Mary’s Grove — Through the Door
03.04.2024
Trevor Dannatt: St Mary’s Grove — Through the Door03.04.2024
This is the sixth part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, here. Entering the house the first thing one sees is the entrance door to my… Read More
Erik Gunnar Asplund at Drawing Matter
02.04.2024
Erik Gunnar Asplund at Drawing Matter02.04.2024
– Editors and Nicholas Olsberg
Erik Gunnar Asplund (1885–1940), trained first at the Royal Institute of Technology (where he would teach from 1931), and then at the Royal Academy of Fine Arts in Stockholm, undertook an extensive study tour of Greece and Italy, and opened his own practice around 1913, working entirely in Sweden, and… Read More
Artful Trades: Into a Market of Consumables
06.03.2024
Artful Trades: Into a Market of Consumables06.03.2024
The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Despite predictions of the… Read More
Nobuo Sekine: The Weight of Things
04.03.2024
Nobuo Sekine: The Weight of Things04.03.2024
‘A stone yearning for the sky.’[1] Such was the sort of rock Nobuo Sekine sought out at a quarry near Udine in the months prior to the opening of the 1970 Venice Biennale. A hulking, oblong piece of unfinished stone perched precariously upon a stainless-steel pillar, Sekine’s sculpture Phase of… Read More
Tim Robinson: Deep Mapping
26.02.2024
Tim Robinson: Deep Mapping26.02.2024
This text is an excerpt from Shallow Time: The Burren (Dpr-Barcelona and Irish Architecture Foundation, 2023), 73-74, written by Tom Cookson. The text is reproduced with permission from the Irish Architecture Foundation. How to communicate the topographic nature of landscape and lived experience on a map reproduced on paper? The composition… Read More
Houses for Printing: A Microcosm of the World
21.02.2024
Houses for Printing: A Microcosm of the World21.02.2024
The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Caterina Pincioni, secretary at… Read More
Architectural Covers: A Site of Design
07.02.2024
Architectural Covers: A Site of Design07.02.2024
The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Between 1971 and 1973,… Read More
Careful Crudeness
31.01.2024
Careful Crudeness31.01.2024
At first glance, this image is a mess. An aerial photograph onto which a pen drawing of an undistinctive, modernist building structure has been mounted. Gouache is smeared in a few places in a seemingly half-hearted attempt to hide parts of the photograph and soften the collision of the two… Read More
Peter Wilson and Mark Dorrian in Conversation – Part 1
20.06.2024
Peter Wilson and Mark Dorrian in Conversation – Part 120.06.2024
– Mark Dorrian and Peter Wilson
This is the first part of an edited transcript of a conversation held in Thurloe Sq, London, on 25 July 2020. Peter Wilson’s exhibition ‘Indian Summer and Thereafter’ had opened at Betts Project the previous evening. Mark Dorrian: What led you to architecture to begin with, Peter? You began studying… Read More
sketch theoretical & imaginary urban form DMC