Tag: presentation

Architectural Drawing (1983)

Architectural Drawing (1983)

George Collins

This essay was first published in the catalogue for Drawings by Architects (25 February – 3 April 1983), held at the ICA in London. A period piece, for sure, the text sits at the cusp of changing attitudes to the display and value attributed to architect’s drawings.  In recent years… Read More

André Arbus: Details Matter

André Arbus: Details Matter

Anna Healy

These presentation drawings – polished, finished, complete – were drawn by André Arbus in the 1950s. They are of a compact, open-plan apartment. Although they are not design drawings, they reveal a lot about the process of design. They communicate thought and care and suggest many drawings have come before them.… Read More

Make me Hyper-Real: Image Ethics and the Architectural Visualisation

Make me Hyper-Real: Image Ethics and the Architectural Visualisation

Daniel Innes

Architectural visualisations sell us the image of a new reality. In depicting a building that is designed, rather than completed, they constitute a kind of spatial hypothesis: a temptation of a happier, wealthier, and more connected world. By constructing these fictions through the means of the image, they sell us the notion that the project it depicts will improve our lives for the better. … Read More

Architecture at the Edge

Architecture at the Edge

Craig Moller and Marco Moro

The following is a conversation between Marco Moro and Craig Moller, New Zealand-born architect and author of the drawing pictured above. Moller made the drawing while in a design studio taught by Mark Wigley in 1985, while the latter was about to finish his doctoral thesis within the newly established… Read More

Aldo Rossi: The First Sketch and the Final Drawing

Aldo Rossi: The First Sketch and the Final Drawing

Andrea Leonardi

The following letter was sent to the Drawing Matter editors by Andrea Leonardi, a member of Rossi’s office for nine years.   A few days ago my dear friend Maurizio Diton, sent me an article he wrote for you in October 2019, ‘The Office Copier and Baptism by Colour: Working… Read More

Venice Biennale (1985)

Venice Biennale (1985)

Dario Passi

The third edition of the Venice Biennale in 1985, ‘Progetto Venezia’, directed by Aldo Rossi, had two major themes: the priority given to the moment of planning and the comparison with the Venetian landscape. For the 1985 exhibition, architects were invited to display their designs for the ‘requalification or the… Read More

Notes on Port Royal, Jamaica

Notes on Port Royal, Jamaica

Paul Cox

My parents Oliver and Jean Cox were devoted ‘Jamaicophiles’, having worked on many projects in the country since the 1960s. One of the most enduring and absorbing was a proposed redevelopment of Port Royal as a renewal and upgrade of the historic city, rebuilding and restoring while making an interesting… Read More

Mies: The Berlin Building Expostition (1974)

Mies: The Berlin Building Expostition (1974)

Philip Johnson

The following text is excerpted from Oppositions 2 (1974): 86–91. The Berlin Building Exposition of 1931 was the largest of its kind ever to be held. With Teutonic thoroughness every material, every method, every theory that had to do with building was shown in the Exposition. The result of this thoroughness, plus… Read More

Thomas Henry Wyatt’s Brook House

Thomas Henry Wyatt’s Brook House

Andrew Jones

There is no building that tells the social and aesthetic story of Park Lane better than Brook House. From its beginnings as a scrappy country lane (‘Tyburn Lane’) in the eighteenth century, Park Lane rose to become the millionaires’ row of the Victorian and Edwardian eras and went on in… Read More

Welfare Palace Hotel (1978)

Welfare Palace Hotel (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More

New Welfare Island (1978)

New Welfare Island (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More

Eisenman: House VI (1985)

Eisenman: House VI (1985)

Kathleen Enz Finken

The design of House VI was partly the result of Eisenman’s attempt to reconcile linguistic theories with architectural design. His interest in the work of Noam Chomsky, especially his theories of syntax, led to the investigation of possible analogies between language and architecture, and particularly the syntactic aspects of architectural… Read More

Ink on his Hands: Montano’s Visceral Roman Architectures

Ink on his Hands: Montano’s Visceral Roman Architectures

Dijana O. Apostolski

When he sat down to make the drawings that form this eight-page album of Roman buildings, Giovanni Battista Montano began by embossing lines onto the sheet with a stylus, straightedge and compass. Using natural black chalk, he then lightly sketched the principal parts and main particularities of the selected edifices.… Read More

L’Invasion de la Viande (1980)

L’Invasion de la Viande (1980)

Elie Delamare-Debouteville

As part of an imagined intervention in the subterranean spaces of the redeveloped Les Halles, Jean Criton’s project describes the new Metro station invaded, in a sinister process of parthenogenesis, by the meat from the Pavillon de la Boucherie, which had stood on the site until its controversial demolition eight… Read More

Wright & Lautner: The Divorce

Wright & Lautner: The Divorce

Nicholas Olsberg

Wright’s Eaglefeather (1941) – hilltop Malibu extravaganza for the filmmaker Arch Oboler – was running into trouble. Lloyd Wright, Frank Lloyd Wright’s son, oversaw construction drawings and supervision, but Lloyd was fired by Oboler in March 1941. Wright came to Los Angeles and arranged for Lautner to complete the project… Read More

The Decline of Architectural Drawing (1859)

The Decline of Architectural Drawing (1859)

C. H. Smith

The Royal Academy’s 1859 summer exhibition, combined with a number of architectural drawings on display in Conduit Street, left a less than positive impression on critic C. H. Smith. In an article published by The Builder, Smith describes what he sees as a decline in the quality of the architectural… Read More

The Ultimate Climes of John Lautner (1986)

The Ultimate Climes of John Lautner (1986)

Esther McCoy

Extracted, with permission, from Piecing Together Los Angeles: An Esther McCoy Reader, published by East of Borneo Books © 2012. The publication is available at East of Borneo.

Allies & Morrison: The Art of Architecture

Allies & Morrison: The Art of Architecture

Gabor Gallov

Allies and Morrison is an office that has held onto its identity throughout its growth. When I entered the firm, the culture of the office was steeped in a careful, polite and thoughtful style of drawings. The muted drawing style could be observed in the early sketches of the partners… Read More

Charles Barry: Good and Bad Manners in Architecture

Charles Barry: Good and Bad Manners in Architecture

David Blissett

Architectural manners are […] known by a quality which money cannot buy, and which can le­nd distinction not only to the greatest building but to the smallest. T. A. Edwards, Good and Bad Manners in Architecture, 1924, Preface, vi. There is often an elegance in architectural simplicity that goes unrecognised… Read More

The Garden of Earthly Delights

The Garden of Earthly Delights

Hamed Khosravi

The essay is an excerpt from Gabriel Guevrekian: The Elusive Modernist, by Hamed Khosravi, published by Hatje Cantz. Pre-order through the publisher’s website or visiting www.guevrekian.org.

Postcard from Nowhere (Counterswimming)

Postcard from Nowhere (Counterswimming)

Teresa Stoppani

Sixteen swim in synchrony. Bright red trunks, blue swim caps, in a perfectly choreographed 4 x 4 grid of bodies in motion. They swim in the shallow pale blue pool that contains them, as it floats in the ocean. They are about to collide with a dock that is too… Read More

Web of Intrigue

Web of Intrigue

Michael Webb

Searching the internet for the drawings of Michael Sorkin, one comes across a lengthy list of the projects that have emerged from his eponymously titled studio. Halfway down the list can be found an exotic beauty of a drawing soberly captioned thus: House of the Future. 1999. Coloured Pencil, Hand… Read More

Retail Therapy

Retail Therapy

A. Trystan Edwards

In architectural design the size of the human unit must always be borne in mind. It is nowhere more necessary to observe this maxim than in the determination of the scale of shop fronts, for here not only is the tendency to an undue magnification of parts most strongly encouraged… Read More

Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art

Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More