Architect: James Wines
The Edge of Architecture: Cornices in the Drawing Matter collection
21 February 2022
The Edge of Architecture: Cornices in the Drawing Matter collection21 February 2022
By Editors
The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.
Writing Prize 2020: Held Fast: SITE’s Ghost Parking Lot
3 November 2020
Writing Prize 2020: Held Fast: SITE’s Ghost Parking Lot3 November 2020
By Anna Renken
The scene might not appear unusual at first: cars are parked in a row near a commercial building with pedestrians passing on a sidewalk. On closer examination, though, the edges of the finely crosshatched cars appear softer than those of the building and roads. The cars seem to be draped… Read More
Writing Prize 2020: The Best Future
2 November 2020
Writing Prize 2020: The Best Future2 November 2020
When James Wines was commissioned to design a series of big-box-retail sheds for ‘Best Products’ – a now defunct chain of mail-order catalogue showrooms – it couldn’t have seemed illustrious. A shed’s objective is to enclose maximum space for minimum cost. The only real design element is the front facade,… Read More
James Wines: Ghost Parking Lot
5 October 2017
James Wines: Ghost Parking Lot5 October 2017
This drawing depicts a site-specific public art project, commissioned by the retail developer David Burmant, which entombed twenty junked cars under a layer of asphalt in a suburban shopping plaza. James Wines was interested in upending expectations about common iconographic elements of suburbia by inverting the relationship between such objects… Read More
Architectural anxiety
28 September 2011
Architectural anxiety28 September 2011
By Niall Hobhouse and Nicholas Olsberg
This instalment explores the rich pathologies of architectural anxiety: the nagging pressure of what architects know and admire, or have seen and rejected. Or of what it is in the work of other architects, and in their own past practice, which they are driven always to acknowledge in the buildings… Read More
The Politics of the Image
5 January 2018
The Politics of the Image5 January 2018
By Maria S. Giudici, Joseph Mercer, Florian Scheucher, Keranie Theodosiou, Livia Wang, Sophie Williams and Feifei Zhou
My course, The Politics of the Image at the Royal College of Art, drew on the Drawing Matter Collection amongst others to explore the construction of images since the Renaissance. This construction has allowed a crafty lie to evolve, be challenged and ultimately influence reality – albeit not always in straightforward ways.… Read More
plan section elevation projection (axonometric isometric) interior shatwell farm (project) Teaching (project)