Category: design methodologies
The Measure of It: An Essay on Measured Drawings
31 January 2022
The Measure of It: An Essay on Measured Drawings31 January 2022
As a classical architect, George Saumarez Smith not only believes in producing something that is pleasing to the eye, but in the importance of precise measuring in architectural practice, that ‘…the important part of an architect’s role is to produce drawings as instructions to a builder’. The following excerpt is… Read More
Montage-Entourage; Or The Politics Of The Seam
24 January 2022
Montage-Entourage; Or The Politics Of The Seam24 January 2022
The following text is a version of chapter three from Reality Modeled After Images: Architecture and Aesthetics after the Digital Image by Michael Young, published by Routledge © 2021. Available from Routledge. Portions of this chapter were initially developed in the essay ‘The Aesthetic Recycling of Cultural Refuse’ published in Writing Architectures: Ficto-Critical Approaches… Read More
Álvaro Siza: The Adoration of the Magi
19 January 2022
Álvaro Siza: The Adoration of the Magi19 January 2022
Our story opens at the close of the Christmas season. It quite literally starts with an Epiphany, both chronologically and figuratively, a glimpse of Three Kings prompted by Niall Hobhouse’s holiday greetings. His somewhat precarious nativity scene, charmingly set upon Álvaro Siza’s yellow columns, reminded me of Sandro Botticelli’s Adoration… Read More
Decoding Wittgenstein’s Stonborough Villa
18 January 2022
Decoding Wittgenstein’s Stonborough Villa18 January 2022
God does not reveal himself in the world. The facts all belong only to the task and not to its performance. — Ludwig Wittgenstein [1] In the 1980s, the beginning of widespread personal computing, we didn’t buy readymade software like today. Every night found me frantically writing a thousand lines… Read More
Between the Layers: Transparent Paper as a Modernist Architectural Design Environment
6 January 2022
Between the Layers: Transparent Paper as a Modernist Architectural Design Environment6 January 2022
The following is an excerpt from Fabio Colonnese’s essay, ‘Between the Layers: Transparent Paper as a Modernist Architectural Design Environment’, published in Digital Modernism Heritage Lexicon (Springer Tracts, 2021). The editors have prefaced this with a short summary of the full essay. The essay describes transparent paper and its operative… Read More
The Rural Homes of Marcelo Ferraz and Francisco Fanucci
13 December 2021
The Rural Homes of Marcelo Ferraz and Francisco Fanucci13 December 2021
Where our sertão remainsEvery happy little houseStill neighbors a streamAnd still harbors its arbors Where our sertão remainsEvery happy little homeCooks on the coal cookerThe wood stove’s still blown[…] Where sertão remainsEvery little house is gladfor on the evenings we get our Hail-MaryAnd the pleasure of being alone ‘Casinha feliz’,… Read More
Drawing Parallels: John Hejduk’s Wall House 1
6 December 2021
Drawing Parallels: John Hejduk’s Wall House 16 December 2021
The following text is extracted, with permission, from Drawing Parallels: Knowledge Production in Axonometric, Isometric and Oblique Drawings by Ray Lucas, published by Routledge © 2020. Available here. Drawing Parallels explores the uses of parallel projection in the work of five twentieth century architects: James Stirling, JJP Oud, Peter Eisenman, John Hejduk,… Read More
The Philips Pavilion: Models as Structural Expression
23 November 2021
The Philips Pavilion: Models as Structural Expression23 November 2021
The following text discusses the use of models as an integral part of the architectural process. It is excerpted from Matthew Mindrup’s article on the roles of models in the design of the Sydney Opera House and Iannis Xenakis and Le Corbusier’s Philips Pavilion for the 1958 World’s Fair (arq:… Read More
Álvaro Siza: Seven Early Sketchbooks
22 November 2021
Álvaro Siza: Seven Early Sketchbooks22 November 2021
– Niall Hobhouse, Manuel Montenegro and Álvaro Siza
These films were made over four hours on the afternoon of Sunday 25 March 2018 in Álvaro Siza’s studio in Rua do Aleixo outside Porto. I had flown to Portugal that morning with the seven sketchbooks which we were to look through with Manuel Montenegro. Manuel and I had conceived… Read More
The Pursuit of Gothic
10 November 2021
The Pursuit of Gothic10 November 2021
William Gilpin notoriously suggested that the ruins of Tintern Abbey could be improved by ‘a mallet judiciously used’. [1] The next generation saw in the architecture of the Middle Ages something more than an assortment of ornamental landscape features, but it did not begin to understand it. Uvedale Price, whose… Read More
Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance
4 November 2021
Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance4 November 2021
Negatives Of the 120,027 items included in the archives of the Centre Pompidou in Paris, 16,010 are part of the collection called ‘Architecture’, and 22,877 are filed as ‘Negative film’. Astonishingly, only one entry sits in both: ‘Ensemble de 12 négatifs couleur (4 pour le projet Bizan, 6 pour le… Read More
Drawing Powers: Introduction
2 November 2021
Drawing Powers: Introduction2 November 2021
This text is the first in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. There is an enormous difference between seeing a thing without a pencil in your… Read More
Drawing Powers 2: The Object in the Drawing
2 November 2021
Drawing Powers 2: The Object in the Drawing2 November 2021
This text is the second in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. First, I consider drawing as an adequate medium… Read More
Drawing Powers 3: The Drawing in the Object
2 November 2021
Drawing Powers 3: The Drawing in the Object2 November 2021
This text is the third in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. It was the drawing that led me to architecture,… Read More
Drawing Powers 4: The Drawing-object
2 November 2021
Drawing Powers 4: The Drawing-object2 November 2021
This text is the fourth in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. After I have developed a feel for the programme,… Read More
Drawing Powers: Conclusions
2 November 2021
Drawing Powers: Conclusions2 November 2021
This text is the conclusion to a series of essays in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. What surprises me most in architecture, as in other… Read More
Álvaro Siza: Fast and Slow Lines
20 October 2021
Álvaro Siza: Fast and Slow Lines20 October 2021
Álvaro Siza began working on the ‘Quinta da Malagueira’ project in 1977. In his sketchbooks, he would doodle iterations of the proposal over and over, together with other observational scenes, figures, calculations, and schedules. The sketches have various line qualities. Some are steadier, thicker in the middle, and thinner at… Read More
Lines, Drawings, the Human Condition
13 October 2021
Lines, Drawings, the Human Condition13 October 2021
– Tim Ingold, Momoyo Kaijima, Andreas Kalpakci and Anh-linh Ngo
This conversation between Tim Ingold, Momoyo Kaijima, Andreas Kalpakci and Anh-linh Ngo was first published, in German translation, in issue 238 of ARCH+ (March 2020). Drawing Matter would like to thank the editors of ARCH+ for allowing us to publish the original English version of the text. Momoyo Kaijima: With… Read More
R for Representation
27 September 2021
R for Representation27 September 2021
When it comes to analysing the status and function of architectural and design models, the concept of representation is central because it underlines the core idea of what these artefacts are: they stand for something else. They are a symbol, a first materialisation, a placeholder for abstract ideas, for constructions… Read More
Disney: The Architecture of Staged Realities
10 September 2021
Disney: The Architecture of Staged Realities10 September 2021
‘Project Life Cycle’ provides a brief look into the complex work behind the scenes of a Walt Disney Company production. It is a meticulous formalisation that maps the industrial-organisational apparatus of the life cycle of a Disney project. The creative process is abstracted into a sequence of decisions, a neatly… Read More
Cosmos Street Revisited
31 August 2021
Cosmos Street Revisited31 August 2021
This response relates to a text by Oscar Binder and Nicholas Podlanha published by Drawing Matter in July 2021, which described and reconstructed (badly) a lost project by the deceased architect James Clark. In fact I am James Clark (decidedly not dead) and the project parodied in this less than… Read More
Charles Jencks: Architect in the Jumping Universe
25 January 2022
Charles Jencks: Architect in the Jumping Universe25 January 2022
– Lily Jencks
Gardens have always been the location to contemplate and speculate on man’s place in nature. Gardens bring the macrocosm into the microcosm by the necessity of being a living place, connecting to the wider rhythms, ecological networks, or the even more abstract forces that create our world. When Charles and… Read More
landscape interior DMC theoretical & imaginary