Category: design methodologies
Drawing Out, Drawing In: Cartographies for ‘Out of the Sea’
24.03.2022
Drawing Out, Drawing In: Cartographies for ‘Out of the Sea’24.03.2022
The provocation for this essay is Drawing Matter’s own: ‘we take the word “drawing” to be as much a verb as a noun…’ Drawing describes an act and a thing: both a process and the outcome of that process. There aren’t many English words like it, and many of them… Read More
Exhibition Design: Charging the Void
09.03.2022
Exhibition Design: Charging the Void09.03.2022
Last year at Cornell University, five students in Alessandra Cianchetta’s design studio Global Artscapes worked on designs for a gallery in the valley at Shatwell. For this, they used photographs and videos in default of a site visit. The brief was for an exhibition space to accommodate the display of… Read More
What’s a Bludder Sketch?
28.02.2022
What’s a Bludder Sketch?28.02.2022
As a timid foreigner in the Swedish Centre for Architecture and Design, shuffling through hundreds of important-looking drawings, I stumbled across a funny little sketch in whose lines I found some humanity. It was made by Bengt Lindroos in 1981 and is an imagined view of his office with the… Read More
Sigurd Lewerentz: Punctum. Seeing the Detail
14.02.2022
Sigurd Lewerentz: Punctum. Seeing the Detail14.02.2022
In his book on photography, Camera Lucida, Roland Barthes introduces the concept of ‘the Punctum’. The Punctum is something in a photograph that etches itself in the consciousness of the viewer. It is often a small detail that evokes emotions long after the gaze has left the picture: an experience that is born in the viewer’s… Read More
The Measure of It: An Essay on Measured Drawings
31.01.2022
The Measure of It: An Essay on Measured Drawings31.01.2022
As a classical architect, George Saumarez Smith not only believes in producing something that is pleasing to the eye, but in the importance of precise measuring in architectural practice, that ‘…the important part of an architect’s role is to produce drawings as instructions to a builder’. The following excerpt is… Read More
Charles Jencks: Architect in the Jumping Universe
25.01.2022
Charles Jencks: Architect in the Jumping Universe25.01.2022
Gardens have always been the location to contemplate and speculate on man’s place in nature. Gardens bring the macrocosm into the microcosm by the necessity of being a living place, connecting to the wider rhythms, ecological networks, or the even more abstract forces that create our world. When Charles and… Read More
Montage-Entourage; Or The Politics Of The Seam
24.01.2022
Montage-Entourage; Or The Politics Of The Seam24.01.2022
The following text is a version of chapter three from Reality Modeled After Images: Architecture and Aesthetics after the Digital Image by Michael Young, published by Routledge © 2021. Available from Routledge. Portions of this chapter were initially developed in the essay ‘The Aesthetic Recycling of Cultural Refuse’ published in Writing Architectures: Ficto-Critical Approaches… Read More
Álvaro Siza: The Adoration of the Magi
19.01.2022
Álvaro Siza: The Adoration of the Magi19.01.2022
Our story opens at the close of the Christmas season. It quite literally starts with an Epiphany, both chronologically and figuratively, a glimpse of Three Kings prompted by Niall Hobhouse’s holiday greetings. His somewhat precarious nativity scene, charmingly set upon Álvaro Siza’s yellow columns, reminded me of Sandro Botticelli’s Adoration… Read More
Decoding Wittgenstein’s Stonborough Villa
18.01.2022
Decoding Wittgenstein’s Stonborough Villa18.01.2022
God does not reveal himself in the world. The facts all belong only to the task and not to its performance. — Ludwig Wittgenstein [1] In the 1980s, the beginning of widespread personal computing, we didn’t buy readymade software like today. Every night found me frantically writing a thousand lines… Read More
Between the Layers: Transparent Paper as a Modernist Architectural Design Environment
06.01.2022
Between the Layers: Transparent Paper as a Modernist Architectural Design Environment06.01.2022
The following is an excerpt from Fabio Colonnese’s essay, ‘Between the Layers: Transparent Paper as a Modernist Architectural Design Environment’, published in Digital Modernism Heritage Lexicon (Springer Tracts, 2021). The editors have prefaced this with a short summary of the full essay. The essay describes transparent paper and its operative… Read More
The Rural Homes of Marcelo Ferraz and Francisco Fanucci
13.12.2021
The Rural Homes of Marcelo Ferraz and Francisco Fanucci13.12.2021
Where our sertão remainsEvery happy little houseStill neighbors a streamAnd still harbors its arbors Where our sertão remainsEvery happy little homeCooks on the coal cookerThe wood stove’s still blown[…] Where sertão remainsEvery little house is gladfor on the evenings we get our Hail-MaryAnd the pleasure of being alone ‘Casinha feliz’,… Read More
Drawing Parallels: John Hejduk’s Wall House 1
06.12.2021
Drawing Parallels: John Hejduk’s Wall House 106.12.2021
The following text is extracted, with permission, from Drawing Parallels: Knowledge Production in Axonometric, Isometric and Oblique Drawings by Ray Lucas, published by Routledge © 2020. Available here. Drawing Parallels explores the uses of parallel projection in the work of five twentieth century architects: James Stirling, JJP Oud, Peter Eisenman, John Hejduk,… Read More
The Philips Pavilion: Models as Structural Expression
23.11.2021
The Philips Pavilion: Models as Structural Expression23.11.2021
The following text discusses the use of models as an integral part of the architectural process. It is excerpted from Matthew Mindrup’s article on the roles of models in the design of the Sydney Opera House and Iannis Xenakis and Le Corbusier’s Philips Pavilion for the 1958 World’s Fair (arq:… Read More
Álvaro Siza: Seven Early Sketchbooks
22.11.2021
Álvaro Siza: Seven Early Sketchbooks22.11.2021
– Niall Hobhouse, Manuel Montenegro and Álvaro Siza
These films were made over four hours on the afternoon of Sunday 25 March 2018 in Álvaro Siza’s studio in Rua do Aleixo outside Porto. I had flown to Portugal that morning with the seven sketchbooks which we were to look through with Manuel Montenegro. Manuel and I had conceived… Read More
The Pursuit of Gothic
10.11.2021
The Pursuit of Gothic10.11.2021
William Gilpin notoriously suggested that the ruins of Tintern Abbey could be improved by ‘a mallet judiciously used’. [1] The next generation saw in the architecture of the Middle Ages something more than an assortment of ornamental landscape features, but it did not begin to understand it. Uvedale Price, whose… Read More
Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance
04.11.2021
Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance04.11.2021
Negatives Of the 120,027 items included in the archives of the Centre Pompidou in Paris, 16,010 are part of the collection called ‘Architecture’, and 22,877 are filed as ‘Negative film’. Astonishingly, only one entry sits in both: ‘Ensemble de 12 négatifs couleur (4 pour le projet Bizan, 6 pour le… Read More
Drawing Powers: Introduction
02.11.2021
Drawing Powers: Introduction02.11.2021
This text is the first in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. There is an enormous difference between seeing a thing without a pencil in your… Read More
Drawing Powers 2: The Object in the Drawing
02.11.2021
Drawing Powers 2: The Object in the Drawing02.11.2021
This text is the second in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. First, I consider drawing as an adequate medium… Read More
Drawing Powers 3: The Drawing in the Object
02.11.2021
Drawing Powers 3: The Drawing in the Object02.11.2021
This text is the third in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. It was the drawing that led me to architecture,… Read More
Drawing Powers 4: The Drawing-object
02.11.2021
Drawing Powers 4: The Drawing-object02.11.2021
This text is the fourth in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. After I have developed a feel for the programme,… Read More
Drawing Powers: Conclusions
02.11.2021
Drawing Powers: Conclusions02.11.2021
This text is the conclusion to a series of essays in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. What surprises me most in architecture, as in other… Read More
The Iterative Power of Architecture’s Absence
07.04.2022
The Iterative Power of Architecture’s Absence07.04.2022
– Peter Sealy
In 1991, the Swiss architects Herzog & de Meuron prepared a submission with the artist Remy Zaugg for the Berlin Morgen (‘Berlin Tomorrow’) exhibition organised by the Deutsches Architekturmuseum in Frankfurt, Germany. By surrounding Berlin’s Tiergarten with four new buildings, they proposed to restructure the park – then perceived as… Read More
exhibition design DMC theoretical & imaginary housing religion urban form competition