Category: Drawing Matter archive: research & collecting

Aldo & Adolf

Aldo & Adolf

Aldo Rossi

And architecture itself? Architecture is still the central theme of Loos’s thought, and among his essays is a piece on the competition sponsored by the Chicago Tribune, a piece, which, like the one on the Michaelerhaus and ‘Ornament and Crime,’ is essential to the understanding of the meaning of architecture. This… Read More

James Gowan Millbank: Sketches and Comments

James Gowan Millbank: Sketches and Comments

Matt Page

The following text was first published in 1977 in an issue of AD Profiles dedicated to the Millbank Housing Competition. Run by the Crown Estate, the competition to develop a site adjacent to Vauxhall Bridge attracted nearly five hundred entries, including proposals from Alison and Peter Smithson, Richard Rogers and Renzo Piano,… Read More

The Difficulty of Designing Furniture

The Difficulty of Designing Furniture

Álvaro Siza

I Architecture: a tree here, a house there, or a temple; on the right a hill, or plain, sea, river; a bridge, regular outline of this street, the irregularity of another; colour, rhythms, climate, this client; yellowing photograph, parchment, power, marginality.Not as a matrix. Provocation, hence vocation to distort, to… Read More

Giò Ponti: Plan chest designs, c.1955

Giò Ponti: Plan chest designs, c.1955

Francesco Milizia on Maderno, Posi and Jonson

Francesco Milizia on Maderno, Posi and Jonson

Francesco Milizia

The first edition of Francesco Milizia’s Le vite de’ più celebri architetti d’ogni nazione e d’ogni tempo, known in English as The Lives of the Celebrated Architects, Ancient and Modern, was published in Rome by Paolo Giunchi in 1768. Clearly an eighteenth-century incarnation of Vasari’s Lives of the Most Excellent Painters, Sculptors, and… Read More

Fontaine: Hide-and-Seek

Fontaine: Hide-and-Seek

Iris Moon

Republished to celebrate the release of Architecture through Drawing, edited by Desley Luscombe, Helen Thomas and Niall Hobhouse, published by Lund Humphries. Order your copy through our webshop or purchase directly from the publisher. The square and compass have long been architecture’s symbols of the trade, but practitioners sometimes used scissors to shape space.… Read More

What Lies Beneath

What Lies Beneath

Sarah Handelman

‘The people of Sydney ought to be afraid of the sharks, but for some reason they do not seem to be,’ recalled Mark Twain in his 1897 Following the Equator. The travelogue was the result of an 1895 lecture tour that Twain, by then 60, had made of the British Empire… Read More

The Office Copier and Baptism by Colour: Working for Rossi in the 1990s

The Office Copier and Baptism by Colour: Working for Rossi in the 1990s

Maurizio Diton

Aldo made this drawing when the Bonnefanten Museum in Maastricht was already realised. I would say that it is typical for the kind of drawing he would make when he was bored, done with the first pencil and sheet of paper to hand. It is a drawing that already evokes… Read More

Tales from the crypt

Tales from the crypt

Stephen Bayley

The great mysteries are not the invisible things, but the visible ones. And to me, it is a great and fascinating mystery that the same architect, Giles Gilbert Scott, designed one of the world’s most awe-inspiring large buildings and one of its most exquisite small ones: Liverpool’s Anglican Cathedral and… Read More

Behind the Lines 13

Behind the Lines 13

Philippa Lewis

I selected a distant meadow in the midst of an empty landscape, barren and forlorn, to make a retreat for myself…. No sooner was the house completed than I knew it was not far enough away from everything I wished to leave behind…Later I sold the house and grounds for… Read More

Geoffrey Goes to Basildon

Geoffrey Goes to Basildon

Gillian Darley

Charley in New Town is the peerless Halas and Batchelor film made for the government’s Central Office of Information in 1948, offering a utopian vision of new town living to the dazed postwar urban public. There is something of Charley, pedalling around the streets of the immaculately clean, smoke-free, Neo-Garden City,… Read More

Gio Ponti: un disegno è un idea

Gio Ponti: un disegno è un idea

Niall Hobhouse

Signora Onvoloni, here is a drawing that might find a place in your cabinet of ideas: ‘a drawing is an idea’ – Gio Ponti, translated by Guido Beltramini [1] All seems simple enough on the face of it, and of course one smiles, just as Gio hoped we might. But… Read More

Behind the Lines 12

Behind the Lines 12

Philippa Lewis

1870Colonel James Clifton-Brown, newly established at Holmbush, his Regency country house in Colgate, West Sussex, has political ambitions – namely, the parliamentary seat for Horsham. He observes that the villagers have only a small cramped chapel in which to fulfil their ambitions to be good Christians. The chapel is not… Read More

John Hejduk’s Axonometric Degree Zero

John Hejduk’s Axonometric Degree Zero

Stan Allen

Sometime in 1981, while I was working on my final thesis project at the Cooper Union, John Hejduk set me a drawing exercise. We had been discussing the spatial implications of the 90-degree axonometric. [1] Hejduk had a very particular understanding of this drawing type, which involved folding or hinging… Read More

Gio Ponti: ‘Come for Porchetta’

Gio Ponti: ‘Come for Porchetta’

Niall Hobhouse

The Milanese architect Gio Ponti typically arrived at his office very early in the morning and would use the quiet interlude before his colleagues appeared to write a succession of letters – to friends and associates, to clients and contractors, to his associate editors at Domus or Stile, to his fellow architects Le… Read More

Alternative Histories: Hild und K Architekten on James Gowan

Alternative Histories: Hild und K Architekten on James Gowan

“Form follows fender” In James Gowan’s parallel projections we were particularly interested in their spatial qualities, and how the form could develop. Seen as a negative space, it could be a staggered courtyard. James Gowan used a car shape as a reference. By extracting the theme and duplicating the shape… Read More

Alternative Histories: Knapkiewicz & Fickert on Charles Barry

Alternative Histories: Knapkiewicz & Fickert on Charles Barry

Axel Fickert and Kaschka Knapkiewicz

Even though we live in a different culture and the world has changed, our rites and experiences have evolved. The incredible might and strength of these spaces touches us deeply. It is a splendid sequence of spaces that leads to the inner sanctuary of the temple of Amon. A sequence… Read More

Alternative Histories: Professur Lehnerer ETH & Klara Bindl On SUperstudio

Alternative Histories: Professur Lehnerer ETH & Klara Bindl On SUperstudio

Alternative Histories: Raamwerk on Tony Fretton

Alternative Histories: Raamwerk on Tony Fretton

Alternative Histories: Sam Jacob Studio on Archizoom

Alternative Histories: Sam Jacob Studio on Archizoom

What might the purpose of an alternative history be? How might we collaborate with the past? What passes from one generation to another or from one hand to another? Is the construction of a (new) model of an (old) project a way of producing an alternative past? Or different present?… Read More

Alternative Histories: Veldwerk Architecten on Gabriel Pierre Martin Dumont

Alternative Histories: Veldwerk Architecten on Gabriel Pierre Martin Dumont

Paper Mountain Like the models it displays, the paper mountain exhibition scenography finds its origins in a historic drawing from the Drawing Matter archive. Gabriel Dumont’s section of a theatre auditorium and balcony seating, drawn c.1770, proposes a structure that holds the audience as if they were godly statues of a stacked temple, suspended… Read More

Alternative Histories: Nikolaus Bienefeld on James Gowan

Alternative Histories: Nikolaus Bienefeld on James Gowan

Die ersten Modelle einer Entwurfsskizze verkörpern den architektonischen Gedanken.So, wie die Skizze durch die Art des Striches, der Farbigkeit, der Detaillierung eine oder viele Interpretationen ermöglicht, so eröffnet die Wahl und der Umgang mit dem Material des Modells eine größtmögliche Offenheit im architektonischen Prozess. The first models of a design sketch… Read More

Alternative Histories: NoAarchitecten on Álvaro Siza

Alternative Histories: NoAarchitecten on Álvaro Siza

When we look at Siza’s drawing we try to forget the project we know. We see the beautiful irregularity of a pencil perimeter, defined by obstacles of all sorts. Within it, the architect added straight lines, an attempt to bring order and create a place to dwell, to find shelter.… Read More

Alternative Histories: Noreile Breen on Louis Kahn

Alternative Histories: Noreile Breen on Louis Kahn

Kahn’s drawing is composed of solid and dotted hard pencil lines with red hatching on coloured paper; conventions representing elements above, below and through a cut line. Parallel lines and breaks between lines give an indication of scale. Curious, massive, triangular, hollow and inaccessible forms meet broken lines in a… Read More