Category: drawing histories
Scanning Shatwell
30.04.2020
Scanning Shatwell30.04.2020
Every image you see on your screen is known as a raster image. Every image is made up of millions of squares of colour, or pixels. Each file has a particular size, height and width, and within that frame, each pixel has a particular size, colour, intensity and location in… Read More
Plan with the form of a growling dog
29.04.2020
Plan with the form of a growling dog29.04.2020
I was drawing, endlessly it seemed, a hotel for a competition in Switzerland – fruitlessly as it turned out. I cheered myself along by seeing in the plan the face of an animal, a friendly bear, or more likely a dog. James’ ‘building with the form of a howling dog,’ which he… Read More
Shape
28.04.2020
Shape28.04.2020
Shape calls attention to things and their meanings. Architects, whether they mean to or not, give shape to things, and the people who see or inhabit those things, whether in full consciousness or not, respond to these shapes. The dimensions of this response are somewhat difficult to measure, since they… Read More
Space
27.04.2020
Space27.04.2020
Space in architecture is a special category of free space, phenomenally created by the architect when he gives a part of free space shape and scale. Its first two dimensions – width and breadth – are responsive mainly to functional imperatives in the narrow sense, but the manipulation of its… Read More
Daria’s Aria
23.04.2020
Daria’s Aria23.04.2020
Between 1939 and 1941 the French-born, Milan-based editor Daria Guarnati published seven volumes of a series called Aria d’Italia. Each issue formed a substantial monograph on a distinct facet of Italian life and culture. The inaugural Christmas edition was followed by the evocatively titled issues ‘Italy through Colour’, ‘Mediterranean Summer’, ‘The… Read More
One Thing Leads to Another
23.04.2020
One Thing Leads to Another23.04.2020
Architecture rarely results from a singular eureka moment or a spontaneous act of genius. The myth of the napkin sketch is precisely a myth. The lucidity it suggests is essential, but it is seldom instantaneous or hermetic. It comes from work. In architecture, this work is of a special kind,… Read More
BV Doshi: Drawn Closer
23.04.2020
BV Doshi: Drawn Closer23.04.2020
– Balkrishna Vithaldas Doshi and Sarah Handelman
I was fifty years old when I started designing Sangath, my office in Ahmedabad. In India, when you cross fifty, suddenly – biologically, psychologically – you start to think about what in your life you have discovered. When I made the first drawings, I was thinking about many things: although… Read More
The San Cataldo Ossuary in the Age of Hyper-Objects
16.04.2020
The San Cataldo Ossuary in the Age of Hyper-Objects16.04.2020
I An abandoned house – a derelict phantom with no roof and no windows – reveals the twofold condition of architecture as image and as form. In San Cataldo, the image and form of death. As image: from afar, a metaphysical de Chirican presence, suspended between Adolf Loos’s project in… Read More
Where Words Fail
06.04.2020
Where Words Fail06.04.2020
– Cyril Babeev and Matt Page
This drawing, a sketched site plan annotated in cursive old-Russian, was published in May 1903 in the Saint Petersburg-based architecture magazine Zodchiy (Зодчій). [1] The plan describes a nearly-square plot sited perpendicular to a street (ulitza, улица) and divided into three areas: a house, represented by a white void; a garden in the… Read More
Web of Intrigue
03.04.2020
Web of Intrigue03.04.2020
Searching the internet for the drawings of Michael Sorkin, one comes across a lengthy list of the projects that have emerged from his eponymously titled studio. Halfway down the list can be found an exotic beauty of a drawing soberly captioned thus: House of the Future. 1999. Coloured Pencil, Hand… Read More
Drawing Culture at SOM New York
03.04.2020
Drawing Culture at SOM New York03.04.2020
When I joined SOM in 1963, design drawings were done in pencil on yellow tracing paper with occasional use of coloured pencils. In the mid-60s this changed to magic markers. When working on a project under Sherwood Smith for a college campus, we drew the site plans with thin pen… Read More
Houses of Work and Play
30.03.2020
Houses of Work and Play30.03.2020
The Faculty of Architecture at the University of Porto (FAUP), designed by Álvaro Siza, is set on a hillside, close to a road bridge at the mouth of the river Douro. The bridge seems to be part of the extended composition of the campus; the school-city a gateway to the… Read More
Behind the Walls
23.03.2020
Behind the Walls23.03.2020
Albert, an artist known only by his first name, thinks about buildings in ways similar to an architect. As he draws, he imagines the structures on the page having a future life in bricks and mortar, considering as he does so whether the audience for his drawings will ask themselves,… Read More
Aalto on Asplund: Stockholm Exhibition (1930)
09.03.2020
Aalto on Asplund: Stockholm Exhibition (1930)09.03.2020
Alvar Aalto, from an interview for the Swedish newspaper Åbo Underrättelser, May 22, 1930. Reprinted in Göran Schildt, ed., Alvar Aalto: Sketches, trans. Stuart Wrede (London: MIT Press, 1979), 16.
Colin Rowe: Piazza Augusto Imperatore (1995)
05.03.2020
Colin Rowe: Piazza Augusto Imperatore (1995)05.03.2020
– Colin Rowe, 1995. Excerpted from Colin Rowe, As I Was Saying: Recollections and Miscellaneous Essays, ed. Alexander Caragonne (London: MIT Press, 1996).
Biba Dow on Giorgio Morandi: Group and Threshold
03.03.2020
Biba Dow on Giorgio Morandi: Group and Threshold03.03.2020
– Biba Dow
Giorgio Morandi’s work focused on studying again and again a small group of domestic objects – vases, jugs, bottles – in his home in Bologna. During his adult life, he produced a large quantity of paintings and etchings which together build up a shimmering representation of his field of focus.… Read More
Seeing, and Disbelieving
02.03.2020
Seeing, and Disbelieving02.03.2020
It is easy enough to say that the analysis of any architectural drawing begins with asking what it is for. But trying to answer this innocent question, which applies equally to the purpose for which the drawing was intended and for which we are now looking at it, presents many… Read More
Ronchamp: ‘Rough to the Touch’
28.02.2020
Ronchamp: ‘Rough to the Touch’28.02.2020
– Robin Evans, excerpted from ‘Comic Lines,’ in The Projective Cast: Architecture and its Three Geometries (London: MIT Press, 1995), 282.
Leto Litho Leningrad
20.02.2020
Leto Litho Leningrad20.02.2020
Joseph Brodsky, in his short essay ‘A Guide to a Renamed City’ (1979), wrote: The characteristic features of Leningraders are: bad teeth (because of lack of vitamins during the siege), clarity in pronunciation of sibilants, self-mockery, and a degree of haughtiness towards the rest of the country. Mentally this city… Read More
The Iconography of Desolation
17.02.2020
The Iconography of Desolation17.02.2020
‘We now discover an iconoscope that shall forgive the divorce of heaven and hell while it flashes before us for our selective graces – the bits and pieces of Divine Catastrophe. Such a scope has lost all division and order. One must pick over the scattered icons the way a… Read More
Next Year in Yemen
09.02.2020
Next Year in Yemen09.02.2020
‘Next year, there will be a civil war in Yemen. Please lend me the money so I can go now,’ I had the wit to ask my parents. It was after my first year in architecture school, not knowing that this journey would come to define me as an architect.… Read More
Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library
07.02.2020
Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library07.02.2020
– Editors
Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More
Tony Fretton: Drawn Closer
06.02.2020
Tony Fretton: Drawn Closer06.02.2020
– Tony Fretton and Sarah Handelman
Sometimes you make drawings to tell yourself the project is going okay. Well, that’s what I do. This drawing came quite late in the design of the first Lisson Gallery. In the way I used to work, you would reach a point where you’d have a very thorough sense of… Read More
Grounded: Plans & Planning
29.04.2020
Grounded: Plans & Planning29.04.2020
– Richard Hall and Niall Hobhouse
The following is part of an email exchange between Niall Hobhouse and Richard Hall in response to Richard’s text on James Gowan and John Hejduk, One Thing Leads to Another. Niall Hobhouse: When you have time, I thought it would be interesting to encourage you to think about why it is… Read More
sketch plan DMC