Category: project & building histories

Protected: Richard Neutra at Drawing Matter

Protected: Richard Neutra at Drawing Matter

Editors and Nicholas Olsberg

There is no excerpt because this is a protected post.

The Utzons go to Stockholm

The Utzons go to Stockholm

Jørn Utzon

‘…my parents went to visit the grand exhibition in Stockholm in 1930. Here the Scandinavian functionalism had its breakthrough in a society of exceedingly ornate style. Here [in Stockholm] they were exposed to a new and simple, white architecture that drew in light and air, one that let in the… Read More

E. W. Godwin and the Mild Mild West

E. W. Godwin and the Mild Mild West

Matt Page

From this drawing it would seem unlikely that the side wall at its centre would one day be photographed thousands of times, and attract the interest of people from all over the world. Here, it appears unremarkable, especially when compared to the gutsy brick detailing and gothic flourishes of the… Read More

Protected: Adolf Loos: House Tzara, Paris, 1925-27

Protected: Adolf Loos: House Tzara, Paris, 1925-27

Ralf Bock

There is no excerpt because this is a protected post.

Two lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop

Two lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop

Sergio Kopinski Ekerman

The following text is a brief reflection on two lectures delivered at Shatwell Farm in August 2024 as part of the ENAC EPFL Drawing Research Platform. To read the students’ reflections and view their drawings, click here. To read an account of the week, click here. The two lectures at… Read More

Drawing as Signature: Paul Rudolph and the Perspective Section

Drawing as Signature: Paul Rudolph and the Perspective Section

Timothy M. Rohan

The following text delves into the drawing of the perspective section—a spatial and structural design tool as well as a specific type of architectural representation—through the drawings of Paul Rudolph, while also reflecting on a post-war Modern era of architectural design-thinking. The text is included in Reassessing Rudolph, ed. by… Read More

Protected: Buffington & Mies: Skyscrapers on Paper

Protected: Buffington & Mies: Skyscrapers on Paper

Niall Hobhouse

There is no excerpt because this is a protected post.

The improvising bouwmeester,* or: how Raymaekers’ buildings got built 

The improvising bouwmeester,* or: how Raymaekers’ buildings got built 

Arne Vande Capelle, Stijn Colon, Lionel Devlieger and James Westcott

The following text first appeared in Arne Vande Capelle, Stijn Colon, Lionel Devlieger, and James Westcott, Ad Hoc Baroque: Marcel Raymaekers’ Salvage Architecture in Postwar Belgium (Brussels: Rotor, 2023), 168, 174-178. *Master builder, from the middle ages, responsible for materials, design, construction, workforce, and client liaison.[1] Raymaekers rejected the modern diminution of the architect’s… Read More

Protected: Drawing on Ideas

Protected: Drawing on Ideas

Stan Allen

There is no excerpt because this is a protected post.

Swimming in pixel fuzz

Swimming in pixel fuzz

Will Fu

In 1979, the community of Riehen in Switzerland toured an indoor and outdoor swimming pool proposal by Herzog & de Meuron in the comfort of their private dwellings. Shared as a TV still of a video simulation, the shadowy figures and pliable ceiling surfaces, finished with a grainy wash of… Read More

JOSÉ OUBRERIE, IN MEMORIAM

JOSÉ OUBRERIE, IN MEMORIAM

Luis Burriel Bielza

Very few contemporary buildings take nearly 50 years to be finished. Just this fact tells us a lot about the intensity, resilience, passion and patience of José Oubrerie, who passed away on March 10th, at 91. Aged only 27 when joining the atelier Le Corbusier in 1959, the church of… Read More

Cedric Price: Parc de la Villette

Cedric Price: Parc de la Villette

Ana Bonet Miró

The following account looks into the drawing DMC 1438 related to Price’s Parc de la Villette competition entry, to quest for the modes in which this media object resituates his design approach of design for pleasure, not only as the evolution of his practice, but crucially as part of an… Read More

On origins and originality

On origins and originality

Niall Hobhouse

The following text by Niall Hobhouse is included in the exhibition catalogue for Begin Again. Fail Better: Preliminary Drawings in Architecture. The exhibition, previously shown at the Kunstmuseum in Olten, opened at EPFL on the 5th of November and will close on the 2nd of December 2024. It includes nearly 100 drawings from… Read More

Fuglsang Kunstmuseum: Facts and interpretation in staging a museum

Fuglsang Kunstmuseum: Facts and interpretation in staging a museum

Tony Fretton

The following text was first published in OASE #111: Staging the Museum (2022). Drawing Matter would like to thank Tony Fretton and the issue’s editors Aslı Çiçek, Jantje Engels, and Maarten Liefooghe, for allowing us to reproduce the text. Purchase a copy of OASE #111 here. Fuglsang Kunstmuseum is located on the… Read More

In the Archive: Riefenstahl, Hitler, Ebhardt, Sironi, Brasini

In the Archive: Riefenstahl, Hitler, Ebhardt, Sironi, Brasini

Editors

Click on drawings to move and enlarge. Premiered at this year’s La Biennale di Venezia, was Andres Veiel’s documentary on Leni Riefenstahl, the German film director known for Olympia (1936) and Triumph des Willens (1935). Framed through archival material Veil’s Riefenstahl (2024) demonstrates how her work was inextricably linked to… Read More

OMA: Rem Koolhaas—Initiative

OMA: Rem Koolhaas—Initiative

Richard Hall

This is the sixth and final post, in the series titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Goldfinger—Planning Your Neighbourhood

Goldfinger—Planning Your Neighbourhood

Erin McKellar

At first glance Planning Your Neighbourhood appears as a series of prints in a case, and its use is unclear. This series of twenty prints was created by modernist architect Ernö Goldfinger, artist Ursula Blackwell, illustrator Shiela Hawkins, landscape architect Peter Shepheard and their assistant Martin Cobbett. Rather than solely… Read More

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 3

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 3

Nicholas Olsberg

This post concludes Nicholas Olsberg’s series on William Butterfield’s Heath’s Court project, the text of which is included in his new book The Master Builder: William Butterfield and his Times to be published by Lund Humphries in October 2024. ‘Sounding corridors’: entry and sequence The driveway brings us into a… Read More

Streetscapes: Bath

Streetscapes: Bath

Ptolemy Dean

The following text is excerpted from Ptolemy Dean’s new book Streetscapes: Navigating Historic English Towns, published by Lund Humphries. Find out more about the book and purchase a copy here. ‘Bath is, beyond any question, the loveliest of English cities’, wrote Walter Ison, whose 1948 work on the city continued:… Read More

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 2

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 2

Nicholas Olsberg

This post continues with the second part of Nicholas Olsberg’s text on William Butterfield’s Heath’s Court project, included in his new book The Master Builder: William Butterfield and his Times to be published by Lund Humphries in October 2024.   ‘Cycles of the human tale’: the library The elevation of the… Read More

OMA: Collaborators—Allies

OMA: Collaborators—Allies

Richard Hall

This is the fifth post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 1

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 1

Nicholas Olsberg

William Butterfield’s architectural practice, spanning the entire Victorian era, is the focus of Nicholas Olsberg’s new book The Master Builder: William Butterfield and his Times to be published by Lund Humphries in October 2024.  Over the next three weeks, Drawing Matter will reproduce a chapter within The Master Builder that focuses… Read More

A Poetic Peak: Architecture and planning at the AA in the 1930s

A Poetic Peak: Architecture and planning at the AA in the 1930s

Editors and John Summerson

In 2022, Drawing Matter acquired nearly 100 drawings by the architect and urban planner Elizabeth Chesterton. Mostly for projects done while studying at the Architectural Association (1933–38), the group includes drawing exercises, such as colour theory, sciography and graphic design, and a wide variety of buildings at different scales, from… Read More

DMJ – Sir John Soane’s Office

DMJ – Sir John Soane’s Office

Helen Dorey

Sir John Soane’s drawing offices at Nos 12 and 13 Lincoln’s Inn Fields were the fulcrum of his practice between 1794 and his retirement in 1833. His unique surviving ‘upper’ office was restored in 2022–23. In this article, I will trace the history of the office and recount its use… Read More