Medium: drawing

Behind the Lines 10

Behind the Lines 10

Philippa Lewis

It was undoubtedly the doing of that ancient buffer Lutyens, Samuel Hardy reflected sourly, as he stared at the pages of the September 1932 issue of The Builder and saw an illustration of the winning entry. It showed Mr Edward H Banks of ‘Villa Desiré’, Downlands Road, Purley, Surrey’s awful concoction of… Read More

On Cornices, Part I

On Cornices, Part I

Emma Letizia Jones

In 1806, the civil servant Karl Tilebein and his wife were looking for an architect to design their new country house in Züllchow, Pomerania. They contacted the young Prussian architect Karl Friedrich Schinkel, who, having recently returned from a two-year grand tour of Italy, was back in Berlin eking out… Read More

Informal Housing in Fars (Iran) and Kuwait, 1974

Informal Housing in Fars (Iran) and Kuwait, 1974

Eric Parry

This is another world – Yazd, a desert town really. It is troglodytic – a response to a hot, dry climate, so it is cut into the ground using mud brick, the wind catchers and domes create the silhouettes. So these pages are about the visit to Yazd – getting… Read More

Zaha and Aldo Self reflections

Zaha and Aldo Self reflections

Drawing with Rafael Moneo, Madrid 1984

Drawing with Rafael Moneo, Madrid 1984

Stan Allen

I arrived in Rafael Moneo’s Madrid office in early 1984. I had graduated from Cooper Union two years earlier and spent 18 months working for Richard Meier in New York.  I met Moneo in 1978 when he was teaching at the Institute for Architecture and Urban Studies, but I don’t… Read More

Zaha Hadid: Kurfürstendamm

Zaha Hadid: Kurfürstendamm

Michael Wolfson

This is all Zaha’s hand. When she is drawing there is a directionality – you are looking from the top, at a plan, extruded or in perspective. These sketches are relatively preliminary but certainly not initial – they are too defined. She is developing a composition, but already thinking about… Read More

Gowan and Stirling

Gowan and Stirling

Fred Scott

This odd-shaped, yellowed analysis drawing by James Gowan, drawn directly onto heavy paper isn’t dated, and was probably added to years after the drawing was nearly complete. Ellis Woodman describes the drawing as ‘that drawing that James always kept in the box with his sketchbooks’. Unusually, when I first saw… Read More

Boompjes II

Boompjes II

Stefano de Martino

Triptych This ink drawing was to be printed as a silkscreen and that is when the conversation with Bernard Ruygrok, the printer, started. His place in Amsterdam was amazing. We had several meetings to discuss colors because he had to do everything by hand. At some point I had a smaller version of the ink drawing printed on clear… Read More

Boompjes I

Boompjes I

Stefano de Martino

In the 1980s, the city of Rotterdam asked OMA to study its high-rise building and to illustrate their findings in a planning proposal. The site, selected in consultation with the Rotterdam Planning Department, was situated on Maasboulevard, near the Maasbridge – an angle between the river and the lower city grid, a ‘hinge’… Read More

Roosevelt Island

Roosevelt Island

Zoe Zenghelis

The Roosevelt Island competition was sponsored by New York State Urban Development Corporation for the urbanisation of an island in the East River of Manhattan. The city grid served as a formal generator for the building types, adapted with controlling geometry to the proportions of the island’s topography. There are… Read More

Zaha Hadid: Azabu-Juban

Zaha Hadid: Azabu-Juban

Michael Wolfson

Zaha Hadid’s sketches during mid-1980s for projects often unknown and unbuilt mark a transitional period in her drawing and thinking, from the early work inspired by the programme briefs and axonometric drawing style of OMA. Often she sketches in plan, her line moving right to left, discernable through an initial… Read More

Eric Parry: Iran, 1974

Eric Parry: Iran, 1974

Eric Parry

If I now open the page – this sketchbook is different to rest because at that time, one had time. There was no planning to any of these. No A to Z or intention of a grand plan. For the months involved there is not much evidence, only a hint… Read More

Schinkel

Schinkel

Kurt Forster

Schinkel’s architecture is of a piece with his life, yet in various ways, by picturing and publishing the work, he took himself out of it. He wanted to make sure that his architecture could stand on its own, however deeply it had been a part of him. He was, in… Read More

Eric Parry: India, 1975

Eric Parry: India, 1975

Eric Parry

This sketchbook results from a journey through west and northwest India focussed on the study of low-cost settlements in Bombay and Ahmedabad. It followed a seven-month period of research around nomadic environments in Iran and Kuwait. This mind- and eye-opening time was spent with colleague Andrew Thorne. Going back to… Read More

Drawing, Movement and Medium: Mark Dorrian in conversation with Michael Webb, Episode 3

Drawing, Movement and Medium: Mark Dorrian in conversation with Michael Webb, Episode 3

Mark Dorrian and Michael Webb

The third episode of Michael Webb’s conversation with Mark Dorrian resumes with the fate of the Sin Centre model. The piece is published to mark the entry of the first part of a new model of the Sin Centre into the Drawing Matter collection. The conversation took place on Wednesday,… Read More

Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 2

Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 2

Mark Dorrian and Michael Webb

Mark Dorrian: I’ve loaded some images – Michael, by the way, doesn’t know what’s coming up. After showing this, the drawing of the building, I thought it would be useful to show a couple of slides about the context in which this project then appeared. The Furniture Manufacturers Building is… Read More

Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 1

Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 1

Mark Dorrian and Michael Webb

Mark Dorrian: Hello everyone – it’s a real pleasure to welcome Professor Michael Webb, our George Simpson Visiting Professor this year. Michael is a very important and interesting architect, closely associated with Archigram, of which he was a member. He has a fascinating architectural trajectory and development, which involves the early… Read More

Dance Dance Revolution

Dance Dance Revolution

Iris Moon

In 1788, the art theorist and critic Quatremère de Quincy devoted a long entry of the Encyclopédie méthodique to the arabesque, ‘forms of ornament that are often the most capricious, fantastical, and imaginary, whether in sculpture or painting, that architecture employs in the decoration of walls, panels, door-frames, pilasters, friezes, and sometimes even… Read More

Superstudio: In Yesterday’s Tomorrow

Superstudio: In Yesterday’s Tomorrow

Eszter Steierhoffer

‘Metamorphoses become frequent when a culture does not have sufficient courage to commit suicide (to eliminate itself) and has no clear alternatives to offer either‘ – Adolfo Natalini Following social and economic upheaval, there is often a retreat to the home. Traditionally, the ‘home’ is identified with a site of… Read More

Behind the Lines 8

Behind the Lines 8

Philippa Lewis

Annette Berthe Schlegel, wife of Adalbert, mother of Mariana, Friedrich, Werner and Elmira, and grandmother to little Wilhelm and Lydia, died peacefully in her cherry wood bed at home in Marienstrasse, Stuttgart, on March 29th, 1812. Adalbert, a successful watchmaker, had held Annette dear, and two weeks after the funeral… Read More

Zaha Hadid

Zaha Hadid

Desley Luscombe

When, in January 1983, Peter Cook reviewed a recently held exhibition for Zaha Hadid’s 59 Eaton Place, he spoke of the resonance between the individual and their education in developing an architectural identity. [1] He pondered on the development of Hadid over that period,     What if fate had led her… Read More

Lina Bo Bardi: Public Plaza and Museum of Art São Paolo

Lina Bo Bardi: Public Plaza and Museum of Art São Paolo

Helen Thomas

This text is excerpted from Drawing Architecture (Phaidon, 2018) by Helen Thomas, which brings together over 250 drawings, with short narratives for each one about the circumstances in which they were made, the techniques used to produce them, and the realities that they were depicting.

Mussolini and the Tomb of Augustus in the Spring of 1935

Mussolini and the Tomb of Augustus in the Spring of 1935

John David Rhodes

Fascist urban planning was animated by the fear that one might be looking at the wrong thing. Too many buildings from too many periods stopped vision from apprehending what ought to have interested it most, the monuments bequeathed to posterity by the classical past. Phrased differently: these monuments, or their… Read More

TEd’A Arquitectes

TEd’A Arquitectes

Jaume Mayol and Irene Pérez

‘…In that Empire, the Art of Cartography attained such Perfection that the map of a single Province occupied the entirety of a City, and the map of the Empire, the entirety of a Province. In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guilds struck a Map of… Read More