Showing 433–444 of 481 results for in the archive ordered by relevancy

Superstudio: Cinematography

Superstudio: Cinematography

Markus Lähteenmäki

Superstudio, Frames 15–22 from Un Viaggio nelle Regioni della Ragione, 1966–1968. Ink and adhesive on trace. DMC 2130.15. It is distinctive that in Superstudio’s practice, the search for the means…

Michael Webb

Michael Webb

Mark Dorrian

Michael Webb (1937), Plan of 90 Deg. and Elevation of 450 Deg. of Circular Car Ramp, Sin Centre, 1975. Ink and graphite line on mylar, 230 × 330 mm. DMC…

Ange-Jacques Gabriel

Ange-Jacques Gabriel

Niall Hobhouse

Ange-Jacques Gabriel (1698–1782), plan, front and side elevations, Design for a building for Maria Theresa Rafaela of Spain (Madame la Dauphine), c.1745. Black ink, black and coloured washes on paper,…

Paolo Soleri

Paolo Soleri

Tim Abrahams

Paolo Soleri (1919–2013), Cosanti Poster, 1958–1963. Numbered art print. DMC 2027r. Over an advertisement for a series of workshops in the Arizona desert in 1979 ran the legend: ‘Soleri is…

Carlos Diniz: Weyerhaeuser Project

Carlos Diniz: Weyerhaeuser Project

Tim Abrahams

Carlos Diniz (1928–2001), Weyerhaeuser Headquarters, 1969. Black ink on trace, 735 × 1370 mm. DMC 2045. Building design: SOM San Francisco (Edward C.Bassett, architect) This remarkable drawing is a rendering…

James Gowan: Inside the sketchbook

James Gowan: Inside the sketchbook

Ellis Woodman

James Gowan (1923–2015), From Sketchbook: Engineering building, Leicester University, 1976. Pen and ink with colour pencil on paper. © Estate of James Gowan. DMC 2660.18v-19r. While typically, the architect employs…

On Architectural Drawing: Lina Bo Bardi and Beyond

On Architectural Drawing: Lina Bo Bardi and Beyond

Marcelo Ferraz

Lina Bo Bardi, Marcelo Ferraz and Marcelo Suzuki, Girafa Chair, Brazil, 1987. Freijo wood. Manufactured by Barauna. Please, draw a hand with three fingers folded and the index finger pointing,…

The Clandeboye Drawings

The Clandeboye Drawings

Peter Wilson

Peter Wilson, Clandeboye Landscape with Bridgebuildings, 1984. Print, 350 × 350 mm. DMC 2902.6.1. The seven Clandeboye drawings, each 35 × 35 cm and on A2 trace, were produced in…

Michael Gold: Crossed Swords

Michael Gold: Crossed Swords

Michael Gold, perspective, Crossed Swords, Gateway to Mecca, 1979. Crayon, pastel and pencil on board, 475 × 700 mm. DMC 2929.1. Michael Gold, elevation and plan, Crossed Swords, Gateway to…

Behind the Lines 7

Behind the Lines 7

Philippa Lewis

A. Tod, Mr Tassie’s House, Leicester Square, 1806. Pen, ink and wash on paper, 362 × 250 mm. DMC 2247. Mr. Tassie’s House On June 27th 1807 William Tassie scratched…

Yacht Club Path

Yacht Club Path

Alberto Ponis

Alberto Ponis, Yacht Club Path, 1965. Coloured ink over print base on pink paper, 363 × 1015 mm. DMC 2921.1. I The drawings have different stories. They don’t have a…

Empathy

Empathy

Andrew Clancy

Being that can be understood is language. – Hans-Georg Gadamer Álvaro Siza (1933), page from the Royal Academy Columns sketchbook, 2013. Pen and ink on paper, 295 × 210 mm….