Period: c20th

Drawings’ Conclusions

Drawings’ Conclusions

Stan Allen

The Campo Marzio project had its origins in a series of drawings done as far back as 1979, when I was a student at Cooper Union. I entered Cooper as a transfer student with a BA already in hand. I was originally placed in second year, but after a semester… Read More

Better with Sun from West: US Embassy Moscow, The Commons

Better with Sun from West: US Embassy Moscow, The Commons

Tim Abrahams

In an interview for the Chicago Architects Oral History Project, architect Charles Edward Bassett, the design lead in SOM’s San Francisco office, was asked by Betty J. Blum how architectural education changed in the US when modernism became accepted in architectural schools and the Beaux-Arts tradition side-lined. What happened when the… Read More

Dom Hans Van Der Laan Saint Benedictusberg Abbey at Vaals

Dom Hans Van Der Laan Saint Benedictusberg Abbey at Vaals

The following text is excerpted from an interview with Hans Van der Laan and Antoine Bodar, broadcast by Nederlandse Omroep Stichting (NOS), 24 December 1988. Given that we have reduced architecture to proportions – to a matter of measurements, which is akin to solving a mathematical problem, the design has not been created visually. This… Read More

A Blueprint is… Blue

A Blueprint is… Blue

Neil Bingham

A common error in looking at architectural drawings is to mistake mechanical reproductions for originals. Original and copy drawings both physically consist of two elements: the material (like ink) and the support (usually paper). But – and it may seem obvious to say – lines on paper are made by… Read More

Florian Beigel & Kisa Kawakami

Florian Beigel & Kisa Kawakami

Florian Beigel and Philip Christou

Yokohama International Port Terminal Design Competition, Yokohama, Japan, 1994 The 500-metre-long, gently sloping body of the new pier lifts itself up over the water. It glows from the inside like the body of a transparent fish with all its internal organs visible. A model was made with clear perspex and… Read More

Studio Mumbai: Saatrasta-Mahindra Tape Drawing

Studio Mumbai: Saatrasta-Mahindra Tape Drawing

Studio Mumbai Bijoy Jain

The idea of using tape drawings originated for climatic reasons: India goes through a five-month monsoon season each year, and during this time it is very humid. For us this meant that the drawings we were producing, which were printed on paper, had a very short lifespan. Lines would slowly… Read More

Yona Friedman: Space-chain Structures

Yona Friedman: Space-chain Structures

Manuel Orazi

‘Proteinic structures’, ‘proteinic chains’, ‘space chains’ and ‘iconostase’ are different names for similar structures, proposed and varied over the years by Yona Friedman. [1] They originally have in common a single material, metal, and a principle: the possibility of an infinite architecture. Such an unrealistic but visionary use of giant… Read More

The Politics of the Image

The Politics of the Image

Maria S. Giudici, Joseph Mercer, Florian Scheucher, Keranie Theodosiou, Livia Wang, Sophie Williams and Feifei Zhou

My course, The Politics of the Image at the Royal College of Art, drew on the Drawing Matter Collection amongst others to explore the construction of images since the Renaissance. This construction has allowed a crafty lie to evolve, be challenged and ultimately influence reality – albeit not always in straightforward ways.… Read More

Parataxis

Parataxis

Matthew Wells

‘Whatever elements that may come to hand or that are selected from the profusion of materials within reach, are combined with words to create a simple poetic image. This should amuse, disturb, mystify or provoke reflection. These images above all should entertain – the only sure road to appreciation.’ Man… Read More

Behind the Lines 2

Behind the Lines 2

Philippa Lewis

An idle (and very fanciful) speculation on the origin of a drawing Gloria Gigliotti, hosiery buyer at Saks Fifth Avenue, looked at the drawing that Paddy O’Neil from the Art Department had bought in to her office that morning. She had asked him, for a quick $5.00 on the side,… Read More

Herbert Matter

Herbert Matter

Nicholas Olsberg

This is the work of the Swiss photographer and designer Herbert Matter, who after a short career in New York had moved to California in 1943 with his wife, the American painter and art critic Mercedes Carles. Both were friends and associates of Fernand Leger, with whom Herbert had been… Read More

Michael Gold: Crossed Swords

Michael Gold: Crossed Swords

Alvar Aalto’s city

Alvar Aalto’s city

Markus Lähteenmäki

For whatever reason it is produced, a blueprint solidifies a moment in the design process and further solidifies the project. It is not necessarily the final moment, and often after the blueprints have been produced they might be annotated by one or the other master, resulting in new drawings from… Read More

The Clandeboye Drawings

The Clandeboye Drawings

Peter Wilson

The seven Clandeboye drawings, each 35 × 35 cm and on A2 trace, were produced in 1984. The year is significant. Then the AA was busy maintaining a posture of indifference to Jenksian postmodernism, while the possibly visionary (at least in the case of architectural speculation) and certainly introspective 1970s… Read More

Peter Smithson: Obelisk

Peter Smithson: Obelisk

Peter Smithson’s influence predates slightly that of Cedric Price. It has also migrated to Shatwell, most notably in the recent re-erection of his wooden obelisk that first stood at Hadspen, commanding the view across the countryside. At Shatwell the obelisk takes on a more urban role (the design was originally… Read More

Cedric Price: FIR Project

Cedric Price: FIR Project

Tim Abrahams observed in his AR article, Shatwell Farm: Reshaping the Rural: ‘Looking into the background of the Shatwell project it is evident that one of Hobhouse’s most important relationships was with the late Cedric Price who, among other things, helped him find the intellectual and architectural grounding to imagine a… Read More

James Wines: Ghost Parking Lot

James Wines: Ghost Parking Lot

Christina Gray

This drawing depicts a site-specific public art project, commissioned by the retail developer David Burmant, which entombed twenty junked cars under a layer of asphalt in a suburban shopping plaza. James Wines was interested in upending expectations about common iconographic elements of suburbia by inverting the relationship between such objects… Read More

Aldo Rossi

Aldo Rossi

Jesse Reiser

In the spring of 1979 John Hejduk invited Aldo Rossi to teach at Cooper Union. I’m not certain when he met Rossi, but Rossi was crucial, I would say, to John’s last major shift in his work. He saw something in Rossi’s analogical project that would allow him to transition… Read More

Behind the Lines 1

Behind the Lines 1

Philippa Lewis

I look at this drawing and imagine the following scenario: Rex Savidge, architect, is running short of time. He must submit his plan for a commercial development in Newcastle the following day. Giving it a last look over, he is generally pleased with it: he has taken particular care with the… Read More

The Drawing as Actor

The Drawing as Actor

In two publications about post-war reconstruction, How should we rebuild London? (J.M. Dent & Sons Ltd, London, 1945) and Die Stalinallee Nationales Aufbauprogramme (Verlag Der Nation Berlin, 1952), the planning ferment in London and Berlin becomes a performance in itself, revealed through the choice of the media and subjects which they each adopt for illustration.… Read More

USSR in Construction No. 9 1931

USSR in Construction No. 9 1931

Marie Collier

Constructing a Fantasy of the New Moscow through Architectural Photographs In June 1931 Lazar Kaganovich, the Secretary of the Communist Party Central Committee gave a speech to the Moscow plenum entitled, Za sotsialisticheskuiu rekonstruktsiyu Moskvy i gorodov SSSR (On the Socialist Reconstruction of Moscow and other Socialist Cities of the USSR). The… Read More

Child’s Play: Adolfo Natalini’s ‘Disegni Per Bambini’

Child’s Play: Adolfo Natalini’s ‘Disegni Per Bambini’

Sophia Banou

In 1972 Adolfo Natalini spent a few months in the United States. The main event of his visit was the seminal exhibition Italy: The New Domestic Landscape in New York MoMA (May 26 – September 11, 1972). Nevertheless, Natalini spent these months not only working on perhaps the most existential project of… Read More

Salvador Dalí

Salvador Dalí

There is evidence that Salvador Dalí’s enigmatic study for a building facade is part of a real project, but we don’t know what that might be. The sketch resists interpretation and association, far different from anything else Dalí produced at the time: 1939 – a year in which he has… Read More

Dissecting

Dissecting

Andrew Clancy

Programme Notes: Drawing Matter, Royal Fine Art Commission Trust, Kingston School of Art Summer School. The impossible whole It might be best to start this Summer School with a big question – what is the value of architecture? One way to think about such a general question might be to… Read More