Medium: collage

Protected: Anton Markus Pasing

Protected: Anton Markus Pasing

Peter Wilson

There is no excerpt because this is a protected post.

Protected: Drawing on Ideas

Protected: Drawing on Ideas

Stan Allen

There is no excerpt because this is a protected post.

PostDigital Collage: Naivety as an ideo-aesthetic technique

PostDigital Collage: Naivety as an ideo-aesthetic technique

Alejandro Carrasco Hidalgo

It was 2005, a moment of crescent belief in technical progress and modernity prior to the upcoming financial crisis that took place two years later. The early 2000s saw the progressive implementation of photorealistic modes of architectural representation through which firms were able to intensify the instrumentalisation of spatial design.… Read More

OMA: Rem Koolhaas—Initiative

OMA: Rem Koolhaas—Initiative

Richard Hall

This is the sixth and final post, in the series titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Goldfinger—Planning Your Neighbourhood

Goldfinger—Planning Your Neighbourhood

Erin McKellar

At first glance Planning Your Neighbourhood appears as a series of prints in a case, and its use is unclear. This series of twenty prints was created by modernist architect Ernö Goldfinger, artist Ursula Blackwell, illustrator Shiela Hawkins, landscape architect Peter Shepheard and their assistant Martin Cobbett. Rather than solely… Read More

OMA: Collaborators—Allies

OMA: Collaborators—Allies

Richard Hall

This is the fifth post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Wolkenbügel: El Lissitzky as Architect

Wolkenbügel: El Lissitzky as Architect

Richard Anderson and Markus Lähteenmäki

It was in a room without windows and walls of bare concrete, in the basement of one of the ETH buildings on its suburban campus in Hönggerberg Zürich, where I first heard about this book project from its author. Not another book on El Lissitzky, I remember thinking, when he… Read More

OMA: Big Competitions—Reorienting the Modern Project

OMA: Big Competitions—Reorienting the Modern Project

Richard Hall

This is the fourth post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Adolfo Natalini with Superstudio at Drawing Matter

Adolfo Natalini with Superstudio at Drawing Matter

James Dunbar and Editors

Adolfo Natalini (1941–2020) was an Italian architect. A member of the ‘School of Pistoia’ Pop Art group in the early 1960s, Natalini combined his Pop aesthetic with critique and irony in his thesis work at the University of Florence School of Architecture, graduating in 1966.[1] Soon after, he co-founded Superstudio… Read More

OMA: Rotterdam—Child’s Crusade

OMA: Rotterdam—Child’s Crusade

Richard Hall

This is the third post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Protected: A Will to the City

Protected: A Will to the City

Lars Lerup

There is no excerpt because this is a protected post.

The Poetry of Concrete

The Poetry of Concrete

Lina Bo Bardi

The following text is reproduced from the catalogue to Lina Bo Bardi: The Poetry of Concrete, an exhibition of the architect’s drawings at the Tchoban Museum for Architectural Drawing, Berlin (1.06.2024 – 22.09.2024). Find more information, and purchase the catalogue, here. I was born in Rome, in Prati di Castello,… Read More

O.M. Ungers: Drawing a metaphor

O.M. Ungers: Drawing a metaphor

Diogo Lopes and Fanny Noël

This drawing emerged within the framework of a summer school in Berlin, organized by Oswald Mathias Ungers for his Cornell students in 1977. The project was developed by the German architect together with his assistants, Peter Riemann, Rem Koolhaas, Hans Kolhoff and Arthur Ovaska and it offers a vision for… Read More

Hermann Czech: Approximate Line of Action

Hermann Czech: Approximate Line of Action

Mikael Bergquist

Hermann Czech: Ungefähre Hauptrichtung (Approximate Line of Action) is on show at Fanz-Josef-Kai 3, Vienna, from 16 March – 9 June, 2024. On 15 March 2024, an exhibition on the Austrian architect Hermann Czech’s work opened in Vienna at the exhibition space Franz-Josefs-Kai 3 (fJk3). It is the first retrospective… Read More

Giuseppe Terragni’s Primordial Architecture

Giuseppe Terragni’s Primordial Architecture

Valerio Paolo Mosco

What does the bozzetto that the young Giuseppe Terragni made in 1926, together with Pietro Lingeri, for the competition for the Monumento ai Caduti (War Memorial) in Como have to tell us? It speaks to us of the complexity of its creator, a complexity that Terragni shares with Italian art… Read More

A Bath for Immortality

A Bath for Immortality

Clara Maria Puglisi

It is 1971 and the city is Graz. ‘If we look at the city as a set of artefacts that can be modified over time, homogeneous and isotropic, correlated to the physical reality of the landscape and the territory, and at the same time if we refuse to take part… Read More

OMA: London—Foreplay

OMA: London—Foreplay

Richard Hall

This is the first post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Architectural Covers: A Site of Design

Architectural Covers: A Site of Design

Sarah Hearne

The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Between 1971 and 1973,… Read More

In the Archive: Alejandro Carrasco Hidalgo

In the Archive: Alejandro Carrasco Hidalgo

Alejandro Carrasco Hidalgo

In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. During the peaceful and beautiful train ride that goes from London Paddington to Castle Cary, I dedicated time to thinking about what… Read More

Careful Crudeness

Careful Crudeness

Karen Olesen

At first glance, this image is a mess. An aerial photograph onto which a pen drawing of an undistinctive, modernist building structure has been mounted. Gouache is smeared in a few places in a seemingly half-hearted attempt to hide parts of the photograph and soften the collision of the two… Read More

Instagram, Indifference, and Postcritique in US Architectural Discourse

Instagram, Indifference, and Postcritique in US Architectural Discourse

Joseph Bedford

The following text is reproduced from The Hybrid Practitioner: Building, Teaching, Researching Architecture (2022), edited by Caroline Voet, Eireen Schreurs, and Helen Thomas. The publication is available in print or as an ebook, here. You can find Joseph Bedford on Instagram here. From the 1970s through the 1990s, many architects… Read More

John Hejduk’s Bye House: An Object in the Landscape

John Hejduk’s Bye House: An Object in the Landscape

Stan Allen and Marina Correia

‘Life has to do with walls; we are continuously going in and out back and forth and through them; a wall is the quickest, the thinnest, the thing we’re always transgressing, and that is why I see it as the present, the most surface condition.’ — John Hejduk[1] The series… Read More

Peter Wilson: Ponte dell’Accademia

Peter Wilson: Ponte dell’Accademia

Adrian Hawker

In the years prior to the commencement of his major built works, Bridgebuilding No.4 Ponte dell’Accademia holds a critical position within the formative projects of the architect Peter Wilson. The design was prepared in response to an open international architecture competition that was launched under Aldo Rossi’s directorship of the… Read More

Nancy Goldring: Drawings and Foto-Projections

Nancy Goldring: Drawings and Foto-Projections

Leann Davis Alspaugh and Nancy Goldring

The following interview is reproduced from the publication Distillations: Nancy Goldring, Drawings and Foto-Projections, 1971–2021, published by ORO Editions. The interview was conducted by Leann Davis Alspaugh for The Hedgehog Review. The Hedgehog Review: In the 2014 summer issue of The Hedgehog Review, we ran two of your works ‘The… Read More