Medium: digital
Protected: The Grandest Form: Architects on Instruction-Based Art
13 November 2024
Protected: The Grandest Form: Architects on Instruction-Based Art13 November 2024
There is no excerpt because this is a protected post.
DMJ – Devices of Dream-Like Precision: Tracing the Streets of Kyoto using Photogrammetry and Layered Drawing
24 October 2024
DMJ – Devices of Dream-Like Precision: Tracing the Streets of Kyoto using Photogrammetry and Layered Drawing24 October 2024
There have been frequent attempts to represent the city of Kyoto as a coherent whole, from the cloud-swept panorama of the 17th-century Rakuchu Rakugai zu (Scenes In and Around Kyoto) folding screen paintings to the digital diorama of the GIS-driven Virtual Kyoto Project. Whilst these portraits of the city have relied on… Read More
Relics of Electronic Hallucinations
11 July 2024
Relics of Electronic Hallucinations11 July 2024
During the 1950s and 1960s, the T-3 research group at the Los Alamos Nuclear Research Center produced the first drawings of what is now known as computational fluid dynamics. Using the prowess of early electronic computers—initially developed for the Manhattan Project, the T-3 lab, working under the auspices of the… Read More
OMA: Rotterdam—Child’s Crusade
28 June 2024
OMA: Rotterdam—Child’s Crusade28 June 2024
This is the third post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More
DMJ – Burning Drawing
6 June 2024
DMJ – Burning Drawing6 June 2024
This article documents a series of material studies of prepared surfaces that use laser cutters as instruments of drawing—and, at times, of weathering. They are part of a study that explores, through texts and images, the role that islands have played as topoi of imagination and experimentation. I begin these island stories… Read More
DMJ – Pencils, Computers, Cameras
19 January 2024
DMJ – Pencils, Computers, Cameras19 January 2024
Is distance the raw material of architecture? The early work of Itsuko Hasegawa seems to address this question. In her own words, these projects allowed human beings and architecture to ‘come close and react to each other’, by setting up ‘long distances’. She developed an array of representation techniques through… Read More
Visualizing the Renaissance Worksite and the problems of graphic translation
17 January 2024
Visualizing the Renaissance Worksite and the problems of graphic translation 17 January 2024
– Jarne Geenens and Elizabeth Merrill
Francesco di Giorgio’s autograph manuscript of machine design, the Opusculum de architectura is among the most enigmatic records of early modern architecture.[1] Dedicated to Duke Federico da Montefeltro, the compact vellum manuscript celebrates the art and ingenuity of technical design, while simultaneously capturing the energy and ambition of the fabled… Read More
Return to the Archive
12 January 2024
Return to the Archive12 January 2024
In the mellow warmth of September 2023, I, in my capacity as the Director of the Museum of Architecture at the Technical University Berlin, found myself in the unpretentious village of Mikoszewo, Poland. There, where the Vistula River gracefully concludes its journey into the arms of the sea, I stood,… Read More
Elbe and Marte
13 September 2023
Elbe and Marte13 September 2023
– Karen Lohrmann and Stefano de Martino
Elbe and Marte is the spatial and ecological adjustment of a 16th-century rural complex and experimental landscape in the Gulf of Naples. Set deep into the coastal hillside, it encompasses a massive work of geo-engineering with rock and stone walls across 30 vertical terraces. It is a survey of time… Read More
Trevor Dannatt: St Mary’s Grove — Hook & Extension
28 August 2023
Trevor Dannatt: St Mary’s Grove — Hook & Extension28 August 2023
Liza Fior, whose phone was used to take these snaps (I still refuse the portable-telephone obligation), was particularly taken by this hook for the garage door, the way it hangs, the perhaps deliberate chipping into the stone, ‘I am sure he planned it’. That minute attention to the smallest thing,… Read More
Learning From Machine Learning, on designer trees and architectural historiographies of the digital
11 July 2023
Learning From Machine Learning, on designer trees and architectural historiographies of the digital11 July 2023
What does it mean for scholars to collaborate with contemporary knowledge machines? In this article, Sylvia Lavin reflects on the failures, successes, and potentialities of a machine learning tool designed to identify trees in architectural drawings. This project, which she initiated in 2022, was undertaken by Princeton University and the… Read More
Instagram, Indifference, and Postcritique in US Architectural Discourse
5 July 2023
Instagram, Indifference, and Postcritique in US Architectural Discourse5 July 2023
The following text is reproduced from The Hybrid Practitioner: Building, Teaching, Researching Architecture (2022), edited by Caroline Voet, Eireen Schreurs, and Helen Thomas. The publication is available in print or as an ebook, here. You can find Joseph Bedford on Instagram here. From the 1970s through the 1990s, many architects… Read More
John Hejduk’s Bye House: An Object in the Landscape
29 June 2023
John Hejduk’s Bye House: An Object in the Landscape29 June 2023
– Stan Allen and Marina Correia
‘Life has to do with walls; we are continuously going in and out back and forth and through them; a wall is the quickest, the thinnest, the thing we’re always transgressing, and that is why I see it as the present, the most surface condition.’ — John Hejduk[1] The series… Read More
Nuno Melo Sousa: authority
26 May 2023
Nuno Melo Sousa: authority26 May 2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. there is no authority.there is no gravity.there is no fee.there is no programme.there is no agenda.there is no time.there is no client.there is no plot. Creatures.… Read More
On Authority
26 May 2023
On Authority26 May 2023
Following our recent series with fala we decided to approach some other practices who have themselves developed their design process through particular drawing ‘types’, challenging our expectation of the usage and forms traditionally associated with drawing in an architecture studio. We are very grateful to fala for introducing us to Nuno Melo Sousa… Read More
The Sasada Lab
16 January 2023
The Sasada Lab16 January 2023
For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More
The City of Design
9 January 2023
The City of Design9 January 2023
Italy has remained a federation of city-states. There are museum cities and factory cities. There is a city whose streets are made of water and another where all streets are hollowed walls. There is a city where all its inhabitants work on the manufacture of equipment for amusement parks, a… Read More
Queensway, Hong Kong
4 November 2022
Queensway, Hong Kong4 November 2022
What I knew of Hong Kong before I moved here came from film and photography. It was a dense, post-modern city that in earlier decades had been characterised by its economic success. Since the turn of the century, the city has been pummelled by shocks and anxieties. Life in Hong… Read More
fala: renders
28 October 2022
fala: renders28 October 2022
– fala
This is the fourth of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Low-resolution images are humble and straightforward. The textures are blunt and the colours are strong. Ambient occlusion is mostly off. Light, shadows and reflections are rarely under… Read More
How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing
21 October 2022
How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing21 October 2022
– Federica Goffi and Devon Moar
The bee drawing(s) by Devon Moar illustrate that changes in scale imply a passage of time. One drawing here becomes many drawings, each marking a different moment of discovery unfolding a process. One could say that when it comes to architectural media, there are two types of scales dealing with… Read More
fala: wireframes
17 October 2022
fala: wireframes17 October 2022
– fala
This is the third of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Wireframes are snapshots of three-dimensional models built solely from lines. Single-line plans and sections are extruded to form a light envelope. Its colours dismantle the… Read More
PostDigital Collage: Naivety as an ideo-aesthetic technique
7 November 2024
PostDigital Collage: Naivety as an ideo-aesthetic technique7 November 2024
– Alejandro Carrasco Hidalgo
It was 2005, a moment of crescent belief in technical progress and modernity prior to the upcoming financial crisis that took place two years later. The early 2000s saw the progressive implementation of photorealistic modes of architectural representation through which firms were able to intensify the instrumentalisation of spatial design.… Read More
competition presentation Open Call: Storytellers, Observed