Medium: digital
Cartography of a Wound
06.08.2026
Cartography of a Wound06.08.2026
How do you draw a diamond mine? How do you depict a wound on the terrain, a spiral of extraction so powerful that it reorganises entire territories? On the sheet, the mine becomes a self-contained world—a floating territory of pits, conveyor belts, processing sheds, and housing blocks—but it also acts… Read More
Three Drawings
24.07.2026
Three Drawings24.07.2026
This first drawing is not ours. It is a clumsy sketch that clients brought to our first meeting. Although not particularly legible, let alone well-proportionated, it carried the noble ambition of speaking about many things at once: it addressed everything, everywhere, all at once. Close inspection revealed three floor plans,… Read More
Yes, And
20.07.2026
OPEN-GROUND
10.07.2026
OPEN-GROUND 10.07.2026
– Daniel Jacobs and Brittany Utting
Architecture often treats the surface of the Earth as a liminal plane to break and excavate, cut and fill, and ultimately smooth into a neutral line. Even one of architecture’s most geological of drawing types, the worm’s-eye, typically eradicates any vestiges of earthly matters, reducing the underworld to an empty… Read More
Mapping Water
26.06.2026
Mapping Water26.06.2026
Some years ago, I travelled to Egypt and visited the Suez Canal—the international water passage that connects the Mediterranean with the Red Sea. While standing on a small pier in Ismailia, I watched the huge cargo ships passing; the canal seemed more like a water highway. At the same time,… Read More
Collection Guide: Peter Wilson & BOLLES+WILSON
22.06.2026
Collection Guide: Peter Wilson & BOLLES+WILSON22.06.2026
– Editors
Peter Wilson and Julia Bolles are the founding partners of Architekturbüro BOLLES+WILSON. Peter Wilson was born in Australia, he studied architecture at the University of Melbourne and the Architectural Association, where he later taught from 1974–1988 (Diploma Unit Master 1980–88). Julia Bolles was born in Münster and graduated from the Karlsruhe Institute of… Read More
Unseen Bodies
19.06.2026
Unseen Bodies19.06.2026
This drawing explores how the human body has been depicted, understood, and imagined in Danish architectural and design education over the past 270 years. It represents a study of more than two hundred public and private archival materials sourced from various contemporary educational institutions, libraries, and archives across Denmark.[1] The… Read More
Drawing Superpositions
15.05.2026
Drawing Superpositions15.05.2026
When drawing plans for a project that does not primarily form architectural space through solid mass, the question of what a line signifies becomes especially critical. This drawing faced the challenge of representing an object that produces light and sound, situated in the public space of Vårby Gård, a suburb… Read More
Tracing Air with Light
03.04.2026
Tracing Air with Light03.04.2026
When architects design buildings, they simultaneously construct environments for human habitation and activity. Whether through the warmth emanating from a hearth or the breeze generated by an air-conditioning unit, architecture is always implicated in the modulation of environmental conditions. However, environmental control—along with the elements that it seeks to temper—remains… Read More
Baroqsysms
16.03.2026
Baroqsysms16.03.2026
Are architects wired to interpret reality flattened into two dimensions, with the third hovering somewhere nearby like an amputated ghost limb? Can short-form video animations, generated by Artificial Intelligence, scratch that phantom itch between two and three dimensions that we, survivors of this mental re-ordering, suffer from? I started thinking about… Read More
Excuse My Dust, or the Air I Breathe: Notes on Architecture in the Archives
15.09.2025
Excuse My Dust, or the Air I Breathe: Notes on Architecture in the Archives15.09.2025
The following text is a partially revised version of that delivered and published in ‘Stoà Open Seminar. Emerging perspectives on teaching and research in architectural design’ (May 2024). It has since become the conceptual framework for a series of seminars held on the same subject at the School of Architecture… Read More
A Machine is a House for Making a Living
25.08.2025
A Machine is a House for Making a Living25.08.2025
‘Mobility’ has long been a theme in architecture. After observing everyday life in Chinese cities, we became interested in exploring an understanding of mobility, which is not primarily defined by motion, but by the practices of pausing and occupying urban space. The discovery comes from the vehicles used by street… Read More
Metabolism of a Dwelling
14.07.2025
Metabolism of a Dwelling14.07.2025
Surrounded by the world’s most advanced robotic technologies, electronic dance music, and solemn tonal soundscapes lies The Metabolic Home, an installation by Lydia Kallipoliti and Areti Markopoulou currently on view in the Arsenale at this year’s Venice Biennale. The project constructs a densely configured environment in which everyday domesticity—cooking, sleeping,… Read More
The (Im)possible Palimpsest
10.04.2025
The (Im)possible Palimpsest10.04.2025
Preceding the Campo Marzio plan, a plate named Scenographia Campi Martii offers a clue towards an understanding of Piranesi’s work—the terminology is fundamental, the word Scenographia is purposely chosen to make a direct link to the theatrical representation and scenic design, often investigated by Piranesi. The image presented in this… Read More
Name(r)s of the Animals and Drawers
24.03.2025
Name(r)s of the Animals and Drawers24.03.2025
‘Barely Traced, the true drawing escapes.’[1] On a late night while reading Latife Tekin’s Zamansız (Timeless or Without Time)–a tale of love embedded in a lake, unfolded within the obscured semblances of a weasel and an eel–I found myself moving my lips, whispering: ‘Frii-iii-er-frii-ii-frii’. As I read the words printed on the paper, I… Read More
On Axonometric Drawing
27.02.2025
On Axonometric Drawing27.02.2025
In the work of our practice, since the very start, we have placed a great deal of attention towards drawing and representation. The recent exhibition in Antwerp—The Urban Villa—is a good example of our work, which is based on the combination of design with research; both of these two activities… Read More
Anton Markus Pasing
30.01.2025
Anton Markus Pasing30.01.2025
Münster, March 2024 Mad I cannot be, sane I do not deign to be, neurotic I am. Nearly fifty years ago Nigel Coates writing in my Villa Auto AA exhibition catalogue chose the above quote from Roland Barthes to describe my pathological production of architectural fictions. These were hand-drawn, a… Read More
The Grandest Form: Architects on Instruction-Based Art
24.01.2025
The Grandest Form: Architects on Instruction-Based Art24.01.2025
The drawing that we selected for this presentation is, in a way, a limiting of information. We’ve extracted everything but the mechanical systems—the hidden, technical layers in our projects. By focusing only on these systems, we find clues to the instructions and the technical requirements that were handed to us… Read More
Dogma: Urban Villa – From Speculation to Collaboration
23.01.2025
Dogma: Urban Villa – From Speculation to Collaboration23.01.2025
On the north edge of Brussels city centre, the recently refurbished Gare Maritime was once Europe’s largest goods station. Located in the former industrial area known as ‘Tour & Taxis’, the vast nineteenth-century roof now shelters offices, indoor retail boulevards and enough left over space to host markets and events,… Read More
Peris+Toral Arquitectes: Modulus Matrix
13.12.2024
Peris+Toral Arquitectes: Modulus Matrix13.12.2024
‘We were asked for one image that illustrated our thinking. The half that’s in white shows the final floor plan. The black shows the process, superimposing all the possibilities as we developed the project, exploring different options until the final crystallised version.’ Peris+Toral Arquitectes have been awarded the RIBA International… Read More
Swimming in Pixel Fuzz
28.11.2024
Swimming in Pixel Fuzz28.11.2024
– Will Fu
In 1979, the community of Riehen in Switzerland toured an indoor and outdoor swimming pool proposal by Herzog & de Meuron in the comfort of their private dwellings. Shared as a TV still of a video simulation, the shadowy figures and pliable ceiling surfaces, finished with a grainy wash of… Read More
PostDigital Collage: Naivety as an Ideo-aesthetic Technique
07.11.2024
PostDigital Collage: Naivety as an Ideo-aesthetic Technique07.11.2024
It was 2005, a moment of crescent belief in technical progress and modernity prior to the upcoming financial crisis that took place two years later. The early 2000s saw the progressive implementation of photorealistic modes of architectural representation through which firms were able to intensify the instrumentalisation of spatial design.… Read More
Eye, Hand and Mind: An Interview on the Drawing Process
23.07.2026
Eye, Hand and Mind: An Interview on the Drawing Process 23.07.2026
– Bryan Cantley and Helen Castle
The following conversation between Bryan Cantley and Helen Castle, publishing director at RIBA, was conducted on 30 December 2021 and has been adapted from a text, originally presented in Speculative Coolness: Architecture, Media, the Real, and the Virtual (Routledge, 2023). It traces the development of Cantley’s experimental drawing practice through Form:uLA—a body of work sustained since… Read More
elevation model plan sketch theoretical & imaginary