Medium: digital
The (Im)possible Palimpsest
10.04.2025
The (Im)possible Palimpsest10.04.2025
Preceding the Campo Marzio plan, a plate named Scenographia Campi Martii offers a clue towards an understanding of Piranesi’s work—the terminology is fundamental, the word Scenographia is purposely chosen to make a direct link to the theatrical representation and scenic design, often investigated by Piranesi. The image presented in this… Read More
On Axonometric Drawing
27.02.2025
On Axonometric Drawing27.02.2025
In the work of our practice, since the very start, we have placed a great deal of attention towards drawing and representation. The recent exhibition in Antwerp—The Urban Villa—is a good example of our work, which is based on the combination of design with research; both of these two activities… Read More
Anton Markus Pasing
30.01.2025
Anton Markus Pasing30.01.2025
Münster, March 2024 Mad I cannot be, sane I do not deign to be, neurotic I am. Nearly fifty years ago Nigel Coates writing in my Villa Auto AA exhibition catalogue chose the above quote from Roland Barthes to describe my pathological production of architectural fictions. These were hand-drawn, a… Read More
The Grandest Form: Architects on Instruction-Based Art
24.01.2025
The Grandest Form: Architects on Instruction-Based Art24.01.2025
The drawing that we selected for this presentation is, in a way, a limiting of information. We’ve extracted everything but the mechanical systems—the hidden, technical layers in our projects. By focusing only on these systems, we find clues to the instructions and the technical requirements that were handed to us… Read More
Dogma: Urban Villa – From Speculation to Collaboration
23.01.2025
Dogma: Urban Villa – From Speculation to Collaboration23.01.2025
On the north edge of Brussels city centre, the recently refurbished Gare Maritime was once Europe’s largest goods station. Located in the former industrial area known as ‘Tour & Taxis’, the vast nineteenth-century roof now shelters offices, indoor retail boulevards and enough left over space to host markets and events,… Read More
Peris+Toral Arquitectes: Modulus Matrix
13.12.2024
Peris+Toral Arquitectes: Modulus Matrix13.12.2024
‘We were asked for one image that illustrated our thinking. The half that’s in white shows the final floor plan. The black shows the process, superimposing all the possibilities as we developed the project, exploring different options until the final crystallised version.’ Peris+Toral Arquitectes have been awarded the RIBA International… Read More
Swimming in Pixel Fuzz
28.11.2024
Swimming in Pixel Fuzz28.11.2024
– Will Fu
In 1979, the community of Riehen in Switzerland toured an indoor and outdoor swimming pool proposal by Herzog & de Meuron in the comfort of their private dwellings. Shared as a TV still of a video simulation, the shadowy figures and pliable ceiling surfaces, finished with a grainy wash of… Read More
PostDigital Collage: Naivety as an Ideo-aesthetic Technique
07.11.2024
PostDigital Collage: Naivety as an Ideo-aesthetic Technique07.11.2024
It was 2005, a moment of crescent belief in technical progress and modernity prior to the upcoming financial crisis that took place two years later. The early 2000s saw the progressive implementation of photorealistic modes of architectural representation through which firms were able to intensify the instrumentalisation of spatial design.… Read More
DMJ – Devices of Dream-Like Precision: Tracing the Streets of Kyoto using Photogrammetry and Layered Drawing
24.10.2024
DMJ – Devices of Dream-Like Precision: Tracing the Streets of Kyoto using Photogrammetry and Layered Drawing24.10.2024
There have been frequent attempts to represent the city of Kyoto as a coherent whole, from the cloud-swept panorama of the 17th-century Rakuchu Rakugai zu (Scenes In and Around Kyoto) folding screen paintings to the digital diorama of the GIS-driven Virtual Kyoto Project. Whilst these portraits of the city have relied on… Read More
Relics of Electronic Hallucinations
11.07.2024
Relics of Electronic Hallucinations11.07.2024
During the 1950s and 1960s, the T-3 research group at the Los Alamos Nuclear Research Center produced the first drawings of what is now known as computational fluid dynamics. Using the prowess of early electronic computers—initially developed for the Manhattan Project, the T-3 lab, working under the auspices of the… Read More
OMA: Rotterdam—Child’s Crusade
28.06.2024
OMA: Rotterdam—Child’s Crusade28.06.2024
This is the third post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More
DMJ – Burning Drawing
06.06.2024
DMJ – Burning Drawing06.06.2024
This article documents a series of material studies of prepared surfaces that use laser cutters as instruments of drawing—and, at times, of weathering. They are part of a study that explores, through texts and images, the role that islands have played as topoi of imagination and experimentation. I begin these island stories… Read More
DMJ – Pencils, Computers, Cameras
19.01.2024
DMJ – Pencils, Computers, Cameras19.01.2024
Is distance the raw material of architecture? The early work of Itsuko Hasegawa seems to address this question. In her own words, these projects allowed human beings and architecture to ‘come close and react to each other’, by setting up ‘long distances’. She developed an array of representation techniques through… Read More
Visualizing the Renaissance Worksite and the problems of graphic translation
17.01.2024
Visualizing the Renaissance Worksite and the problems of graphic translation 17.01.2024
– Jarne Geenens and Elizabeth Merrill
Francesco di Giorgio’s autograph manuscript of machine design, the Opusculum de architectura is among the most enigmatic records of early modern architecture.[1] Dedicated to Duke Federico da Montefeltro, the compact vellum manuscript celebrates the art and ingenuity of technical design, while simultaneously capturing the energy and ambition of the fabled… Read More
Return to the Archive
12.01.2024
Return to the Archive12.01.2024
In the mellow warmth of September 2023, I, in my capacity as the Director of the Museum of Architecture at the Technical University Berlin, found myself in the unpretentious village of Mikoszewo, Poland. There, where the Vistula River gracefully concludes its journey into the arms of the sea, I stood,… Read More
Elbe and Marte
13.09.2023
Elbe and Marte13.09.2023
– Karen Lohrmann and Stefano de Martino
Elbe and Marte is the spatial and ecological adjustment of a 16th-century rural complex and experimental landscape in the Gulf of Naples. Set deep into the coastal hillside, it encompasses a massive work of geo-engineering with rock and stone walls across 30 vertical terraces. It is a survey of time… Read More
Trevor Dannatt: St Mary’s Grove — Hook & Extension
28.08.2023
Trevor Dannatt: St Mary’s Grove — Hook & Extension28.08.2023
Liza Fior, whose phone was used to take these snaps (I still refuse the portable-telephone obligation), was particularly taken by this hook for the garage door, the way it hangs, the perhaps deliberate chipping into the stone, ‘I am sure he planned it’. That minute attention to the smallest thing,… Read More
Learning From Machine Learning, on designer trees and architectural historiographies of the digital
11.07.2023
Learning From Machine Learning, on designer trees and architectural historiographies of the digital11.07.2023
What does it mean for scholars to collaborate with contemporary knowledge machines? In this article, Sylvia Lavin reflects on the failures, successes, and potentialities of a machine learning tool designed to identify trees in architectural drawings. This project, which she initiated in 2022, was undertaken by Princeton University and the… Read More
Instagram, Indifference, and Postcritique in US Architectural Discourse
05.07.2023
Instagram, Indifference, and Postcritique in US Architectural Discourse05.07.2023
The following text is reproduced from The Hybrid Practitioner: Building, Teaching, Researching Architecture (2022), edited by Caroline Voet, Eireen Schreurs, and Helen Thomas. The publication is available in print or as an ebook, here. You can find Joseph Bedford on Instagram here. From the 1970s through the 1990s, many architects… Read More
John Hejduk’s Bye House: An Object in the Landscape
29.06.2023
John Hejduk’s Bye House: An Object in the Landscape29.06.2023
– Stan Allen and Marina Correia
‘Life has to do with walls; we are continuously going in and out back and forth and through them; a wall is the quickest, the thinnest, the thing we’re always transgressing, and that is why I see it as the present, the most surface condition.’ — John Hejduk[1] The series… Read More
Nuno Melo Sousa: authority
26.05.2023
Nuno Melo Sousa: authority26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. there is no authority.there is no gravity.there is no fee.there is no programme.there is no agenda.there is no time.there is no client.there is no plot. Creatures.… Read More
Name(r)s of the Animals and Drawers
24.03.2025
Name(r)s of the Animals and Drawers24.03.2025
– Bahar Avanoğlu
‘Barely Traced, the true drawing escapes.’[1] On a late night while reading Latife Tekin’s Zamansız (Timeless or Without Time)–a tale of love embedded in a lake, unfolded within the obscured semblances of a weasel and an eel–I found myself moving my lips, whispering: ‘Frii-iii-er-frii-ii-frii’. As I read the words printed on the paper, I… Read More
sketch presentation theoretical & imaginary