Medium: drawing

‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism

‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism

Mark Dorrian

As my title indicates, this text will focus on John Hejduk’s Silent Witnesses project from the mid-1970s, but I want to approach it in the first instance by way of Roland Barthes’s reflections on the ‘Neutral’. This is the topic of the lectures that Barthes delivered at the Collège de France… Read More

In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář

In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář

Raphael Haque

Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. In The Library at Night, Alberto Manguel likens a library to a human brain and… Read More

fala: comprehensive

fala: comprehensive

fala

This is the second of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Normally, a project is depicted through a series of plans, sections, elevations, and some axonometric drawings, perhaps – every aspect of it explained and documented. We… Read More

Superstudio’s Collage Chest: A Chance Machine

Superstudio’s Collage Chest: A Chance Machine

Jonah Ginsburg

In 1968 Adolfo Natalini’s partner, Frances Brunton, returned to Florence from London with their newborn daughter and a small wooden chest with five drawers. On three sides of the chest, Natalini hand painted sky-blue flowers on an orange background. The chest of drawers was then taken to the Superstudio-studio in… Read More

Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture

Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture

Editors

These three sketches are from a sketchbook that Robert Maxwell used while studying at the Liverpool School of Architecture in 1944. They are reproduced here to mark the publication of Robert Maxwell: the Letter, the Lost Sketchbook and the Lecture, edited by Celia Scott, which is now available through Drawing… Read More

Where in the World are We? Melbourne Venice Studios 2022

Where in the World are We? Melbourne Venice Studios 2022

Peter Wilson

Remote teaching as a pandemic consequence has already been a theme for Drawing Matter, in the January 2022 Melbourne University Venice Workshop it reached an almost surreal zenith. Remoteness is fundamental to Australia, whether the extreme separations of the outback or a pre-digital geographic estrangement from global cultural discourses. At… Read More

fala: the single line

fala: the single line

fala

This is the first of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. It started from a rather liberating decision to omit thicknesses. Gradually, all the information that wasn’t central to our thinking was removed, avoiding any celebration… Read More

After the Revolution: Dugourc in Spain

After the Revolution: Dugourc in Spain

Iris Moon

After Jean Démosthène Dugourc’s forays into revolutionary paperwork, his return to silk and his migration to Spain to work for the Bourbons in 1800 places pressure on understanding his revolutionary activities, and whether he indeed had but briefly dabbled in the politics of the period before ultimately wishing, in his… Read More

Dugourc’s Playing Cards

Dugourc’s Playing Cards

Iris Moon

After the journée of 10 August, Jean Démosthène Dugourc sought to distance himself from Etienne Anisson-Dupéron. He turned his attention from wallpaper to playing cards, leasing a space with his Jacobin business partner Urbaine Jaume in the former warehouse of the Académie royale de musique, down the street from the… Read More

Ulmer House Extension Proposal: Baumschlager & Eberle

Ulmer House Extension Proposal: Baumschlager & Eberle

Francesco Paini

This drawing is a print of a hand drawing I made eighteen years ago on a roll of tracing paper. The original drawing, made with rapidograph pens and a pencil, is now lost. Last month this blueprint was moved to Drawing Matter’s archive. Drawing Matter asked me to explain why… Read More

Krier/Culot: Architecture, language and process (1977)

Krier/Culot: Architecture, language and process (1977)

Robert Maxwell

The essay by Robert Maxwell linked below was sent to Drawing Matter by Celia Scott earlier this year. It was first published in Architectural Design, March 1977, as part of a longer feature titled ‘The Role of Ideology’, which discussed the theme through the writing of the architect and historian… Read More

Turning Point: The US Embassy in Dublin

Turning Point: The US Embassy in Dublin

Cormac Murray

This is an extract of the construction drawings produced by John M. Johansen’s office in 1963 for the cylindrical US Embassy in Dublin. It is a three-dimensional ink drawing of the external precast concrete structure, describing two single-storey bays in isolation. Viewed abstractly it could almost be an anatomical study,… Read More

Objects That Meet

Objects That Meet

Lars Lerup

Revered objects that move about in design circles and are found in publications, museums, and galleries earn their status through persistence over time. Take two famous chairs, Gerrit Rietveld’s Red Blue chair of 1918–23 and Thomas Lee’s Adirondack chair of 1903. All chairs have met just by being chairs, but… Read More

W. R. Lethaby: Architecture, Mysticism and Myth

W. R. Lethaby: Architecture, Mysticism and Myth

Hugh Strange

This is the first text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Here we start at the beginning with Architecture, Mysticism and Myth, first published in 1891. In many respects, and certainly in relation to his later output, William Richard Lethaby’s first book,… Read More

Dalibor Vesely: Shared Horizons

Dalibor Vesely: Shared Horizons

Biba Dow

Looking at these drawings takes me instantly back to 1993. I am sitting next to Dalibor Vesely at my desk in Scroope Terrace in Cambridge. He is talking quietly and drawing on a stack of tracing paper which he has brought with him. He draws with a light hand in… Read More

The Cod of São Victor

The Cod of São Victor

Pedro Bandeira

The following text on Mário Ramos and Fernando Barroso’s student work at the Porto School is excerpted from the publication Porto School, B Side 1968–1978 (An Oral History) (CIAJG & Documenta, 2014).  Jacinto Rodrigues recalls that in 1976 Mário Ramos, Fernando Barroso, Graça Nieto Guimarães and Maria de Lurdes Mendonça developed a project to… Read More

Alberto Pérez-Gómez: Architecture as Drawing

Alberto Pérez-Gómez: Architecture as Drawing

Mark Dorrian and Alberto Pérez-Gómez

Drawing Matter is delighted to present three texts by Alberto Pérez-Gómez on architecture and its representation, the first writings by him to be carried on the Drawing Matter website. The first, ‘Architecture as Drawing’, is an early essay that initially appeared in the Journal of Architectural Education in 1982, a… Read More

Power & Public Space 7: Mabel O. Wilson – Memorial to Enslaved Labourers, University of Virginia

Power & Public Space 7: Mabel O. Wilson – Memorial to Enslaved Labourers, University of Virginia

Matthew Blunderfield and Mabel O. Wilson

Power & Public Space is a podcast from Drawing Matter and the Architecture Foundation hosted by Matthew Blunderfield. You can find the full podcast series here. Or listen now: In 2020 The Memorial to Enslaved Labourers opened at the University of Virginia, designed as a collaboration between Höweler+Yoon Architecture, Mabel O.… Read More

Power & Public Space 6: André Patrão – Eisenman, Derrida, and Chora L Works (Parc de la Villette)

Power & Public Space 6: André Patrão – Eisenman, Derrida, and Chora L Works (Parc de la Villette)

Matthew Blunderfield and André Patrão

Power & Public Space is a podcast from Drawing Matter and the Architecture Foundation hosted by Matthew Blunderfield. You can find the full podcast series here. Or listen now: Parc de la Villette was emblematic of the strong ties made between the disciplines of architecture and philosophy in the 1980s, where… Read More

Freddie Phillipson ‘The Ulysses Project’ – Review

Freddie Phillipson ‘The Ulysses Project’ – Review

Peter Carl

The exhibition of Freddie Phillipson’s drawings reconstructing the Dublin of James Joyce’s Ulysses opened on Bloomsday, helping to celebrate the centenary of the publication of the novel. The exhibition is essential viewing for anyone interested in how the European city and its architecture support a culture, and for anyone interested… Read More

Power & Public Space 3: Manuel Herz – Babyn Yar Synagogue

Power & Public Space 3: Manuel Herz – Babyn Yar Synagogue

Matthew Blunderfield and Manuel Herz

Power & Public Space is a podcast from Drawing Matter and the Architecture Foundation hosted by Matthew Blunderfield. You can find the full podcast series here. Or listen now: Last year the Swiss practice Manuel Herz Architects completed a wooden synagogue West of Kyiv at Babyn Yar, the site of one… Read More

Elia Zenghelis: The Image as Emblem and Storyteller

Elia Zenghelis: The Image as Emblem and Storyteller

Richard Hall

We recently arranged for Elia Zenghelis to give a presentation under the title ‘The Image as Emblem and Storyteller’ via the Architecture Foundation’s YouTube channel. The talk summarises a thesis that Elia has been continuously developing throughout his career: from OMA’s polemical early work, via decades as one of the… Read More

Power & Public Space 1: Liza Fior – The Dalston Eastern Curve Garden

Power & Public Space 1: Liza Fior – The Dalston Eastern Curve Garden

Matthew Blunderfield and Liza Fior

Power & Public Space is a podcast from Drawing Matter and the Architecture Foundation hosted by Matthew Blunderfield. You can find the full podcast series here. Or listen now: The Dalston Eastern Curve garden began as a meanwhile scheme, but over the past decade has embedded itself at the centre of… Read More

Roland Simounet: De La Verité en Architecture

Roland Simounet: De La Verité en Architecture

Pierre Riboulet

For an artist, ‘getting down to work’ is an instinct carried out spontaneously. […] The first outpouring in the pages of the sketchbook, when thought turns into action, at the meeting point between a project and a site, is so strong sometimes, so commanding, that one has the feeling that… Read More