Showing 181–192 of 481 results for in the archive ordered by relevancy

Adolfo Natalini: The last supper

Adolfo Natalini: The last supper

Adolfo Natalini (1941), The Last Supper, 1972. Typewritten text. DMC 2974….

Black Airground

Black Airground

Jeffrey Shaw

Eventstructure Research Group (1968–1979), Black Airground: Folded imprint for exhibition Pneu Show at Museum of Modern Art, Oxford, 19 Nov – 22 Dec, 1968 (folded). Print and mixed media, 188…

OMA in Scheveningen

OMA in Scheveningen

Willem Jan Neutelings

Scheveningen is a reef on which different architectonic and urban visions have run ashore. – Rem Koolhaas [1] Willem Jan Neutelings, typological study of Scheveningen, The Hague, 1982. Ink and…

Venice Biennale (1985)

Venice Biennale (1985)

Dario Passi

The third edition of the Venice Biennale in 1985, ‘Progetto Venezia’, directed by Aldo Rossi, had two major themes: the priority given to the moment of planning and the comparison…

Alternative Histories: 31/44 Architects on William Butterfield

Alternative Histories: 31/44 Architects on William Butterfield

31/44 Architects, William Butterfield’s east elevation of No 9 Heath’s Court, 2018. Medium-density fibreboard, valchromat, acrylic, aluminium mesh, 460 × 360 × 160 mm. William Butterfield (1814–1900), east elevation (sheet…

Alternative Histories: 2A+P/A on Aldo Rossi

Alternative Histories: 2A+P/A on Aldo Rossi

2A+P/A, Aldo Rossi’s study for a hall of residence, 2018. Polyurethane resin, 210 × 290 × 280 mm. Aldo Rossi (1931–1997), study for a hall of residence for a student…

Landscape situations

Landscape situations

Niall Hobhouse and Nicholas Olsberg

Setting it out: making the landscape William Kent (1685–1748), Wimbledon Landscape Commission, 1738. Sepia ink, wash and pencil on paper, 200 × 315 mm. DMC 1379r. For Horace Walpole, William…

Architectural anxiety

Architectural anxiety

Niall Hobhouse and Nicholas Olsberg

This instalment explores the rich pathologies of architectural anxiety: the nagging pressure of what architects know and admire, or have seen and rejected. Or of what it is in the

A souvenir and survey

A souvenir and survey

Basile Baudez

François Soufflot le Romain (1750–1801), section, survey of Temple of Minerva, Rome, 1778. Black ink and grey and red washed, with black pencil detailing on paper, 550 × 445 mm….

Displaced persons

Displaced persons

Niall Hobhouse and Nicholas Olsberg

the foreground while a scarlet jester dances, arms akimbo, under a distant arch of the royal archives. Framing these new sites as distanced vistas, inhabiting them with figures and atmosphere…

The Lost Art of Drawing

The Lost Art of Drawing

Michael Graves

Michael Graves (1934–2015), Beach House, New Jersey, 1979. Pen, ink and gouache on white trace, 682 × 682 mm. DMC 2294. The following has been excerpted from Architecture and the

Future Scenarios, Part III

Future Scenarios, Part III

Niall Hobhouse and Nicholas Olsberg

Charles-Marie Dulac (1865–1898), View of Fontainbleau Forest: preliminary study for ‘La Voie Bénie’ of the ‘Le Cantique des créatures’ cycle, 1894. Pencil, India ink heightened with white chalk, 315 ×…