Period: c21st
Connor Street: Made by Many Hands
18.03.2024
Connor Street: Made by Many Hands18.03.2024
The following text is the fifth and final in a series by architect Kieran Hawkins, Director of Cairn, tracing the design and construction of an extension to a Victorian House in East London, recounting the everyday realities of the project and, in the green text, the broader environmental issues incumbent on architects to address. The texts have… Read More
Shatwell Farm: Sheds and Silos
11.03.2024
Shatwell Farm: Sheds and Silos11.03.2024
This text is the second in a series of studies of Shatwell Farm made by Emily Priest while staying on site in September last year. Shatwell sits on dusty yellow Bridport sand encircled by limestone. Most of the farm’s ground is flat, except for its western edge, which creeps up… Read More
Reality Modeled After Images: Architecture and Aesthetics after the Digital Image (2022) — Review
24.02.2024
Reality Modeled After Images: Architecture and Aesthetics after the Digital Image (2022) — Review24.02.2024
In Masons, Tricksters and Cartographers Sociologist David Turnbull reflects on the way technologies of drawing shape thought and action.[1] Cathedrals got built prior to international agreement on common units of measure, often without agreed plans, and without those people we now call architects. What scope for improvisation did individual masons… Read More
Shatwell Farm: Cars
19.02.2024
Shatwell Farm: Cars19.02.2024
This text is the first in a series of studies of Shatwell Farm made by Emily Priest while staying on site in September last year. I first came to Shatwell Farm on a wintery November morning in 2022 to see the drawing archive with some friends. On arrival, Niall recommended… Read More
Connor Street: Made by Many Hands
12.02.2024
Connor Street: Made by Many Hands12.02.2024
The following text is the fourth in a series by architect Kieran Hawkins, Director of Cairn, tracing the design and construction of an extension to a Victorian House in East London, recounting the everyday realities of the project and, in the green text, the broader environmental issues incumbent on architects to address. The texts have been developed… Read More
Giuliano Fiorenzoli: Because of Seeing Architecture (2023) – Review
08.02.2024
Giuliano Fiorenzoli: Because of Seeing Architecture (2023) – Review08.02.2024
In 1977, two years into the city’s fiscal crisis, I moved to New York City—a young architecture student, ready to take in everything the metropolis had to offer. What I found was a city scarred by garbage strikes, the blackout, and a serial killer calling himself the Son of Sam.… Read More
Landing Square Scenarios: The Wilhelmina Pier & Luxor Theatre
29.01.2024
Landing Square Scenarios: The Wilhelmina Pier & Luxor Theatre29.01.2024
Radical Scenarios for Rotterdam For a while in the 1990s, Berlin and Rotterdam were seen as embodiments of opposing strategies in city making. Postwar Berlin was the laboratory for the ‘Reconstruction of the European City’—blocks with 22m facades—while Rotterdam, largely destroyed by German bombing during WW2, became a zone of… Read More
Visualizing the Renaissance Worksite and the problems of graphic translation
17.01.2024
Visualizing the Renaissance Worksite and the problems of graphic translation 17.01.2024
– Jarne Geenens and Elizabeth Merrill
Francesco di Giorgio’s autograph manuscript of machine design, the Opusculum de architectura is among the most enigmatic records of early modern architecture.[1] Dedicated to Duke Federico da Montefeltro, the compact vellum manuscript celebrates the art and ingenuity of technical design, while simultaneously capturing the energy and ambition of the fabled… Read More
Connor Street: Made by Many Hands
15.01.2024
Connor Street: Made by Many Hands15.01.2024
The following text is the third in a series by architect Kieran Hawkins, Director of Cairn, tracing the design and construction of an extension to a Victorian House in East London, recounting the everyday realities of the project and, in the green text, the broader environmental issues incumbent on architects to address. The texts have been developed by Kieran from a… Read More
Return to the Archive
12.01.2024
Return to the Archive12.01.2024
In the mellow warmth of September 2023, I, in my capacity as the Director of the Museum of Architecture at the Technical University Berlin, found myself in the unpretentious village of Mikoszewo, Poland. There, where the Vistula River gracefully concludes its journey into the arms of the sea, I stood,… Read More
Connor Street: Made by Many Hands
04.12.2023
Connor Street: Made by Many Hands04.12.2023
The following text is the second in a series by architect Kieran Hawkins, Director of Cairn, tracing the design and construction of an extension to a Victorian House in East London, recounting the everyday realities of the project and, in the green text, the broader environmental issues incumbent on architects to address. The texts have been developed… Read More
Connor Street: Made by Many Hands
03.11.2023
Connor Street: Made by Many Hands03.11.2023
The following text is the first in a series by architect Kieran Hawkins, Director of Cairn, tracing the design and construction of an extension to a Victorian House in East London, recounting the everyday realities of the project and, in the green text, the broader environmental issues incumbent on architects to address. The texts have been developed… Read More
Drawing Research Platform, Somerset, 2023, ENAC Summer Workshop
01.11.2023
Drawing Research Platform, Somerset, 2023, ENAC Summer Workshop01.11.2023
– Alberto Johnsson, Arthur Masure, Daniel Nitsche, Toby Pullen and Alexander Turner
During a one-week summer workshop at Shatwell Farm, students from the EPFL, alongside young architects from the UK, explored drawing as a key tool of architecture and engineering. Through research into the Drawing Matter collection and the construction of survey drawings, the workshop used drawing as a corporeal form of… Read More
Remembering Architecture
18.10.2023
Remembering Architecture18.10.2023
This summer I exhibited a selection of photographs from the ongoing series Remembering Architecture in the Stephen Taylor designed Haybarn at Shatwell Farm. Kendra Matchett extended the invitation in the spring and over a few months we negotiated ideas of sequence and ways to respond to the material-forward exhibition space… Read More
Fragmentary Notes on Unclaiming the Life of a Drawing
13.10.2023
Fragmentary Notes on Unclaiming the Life of a Drawing13.10.2023
The following notes reflect on a first year teaching studio led by Bahar Avanoğlu at Istanbul Bilgi University. The studio took Niall McLaughlin’s Alternative Histories model, an interpretation of a sketch by Basil Spence for extending the Houses of Parliament in London, as a starting point to continue a chain… Read More
Judit Reigl: Invisible Cities
10.10.2023
Judit Reigl: Invisible Cities10.10.2023
Judit Reigl was ninety-two years old in 2015 when she started Dance of Death, her transcendent series of small-scale vanitas drawings. Having reached a stage where she could barely see her own pencil marks, Reigl found skulls to be a ready subject. She said she had drawn many skulls in… Read More
Work with your hands: AUB Summer School 2023
21.09.2023
Work with your hands: AUB Summer School 202321.09.2023
‘Work with your hands, so that your daily life may win the respect of outsiders and so that you will not be dependent on anybody.’1 Thess. 4:11-12 All architecture begins with our hands. We make physical what we understand in order to communicate the invisible to the outside world. The translation… Read More
Elbe and Marte
13.09.2023
Elbe and Marte13.09.2023
– Karen Lohrmann and Stefano de Martino
Elbe and Marte is the spatial and ecological adjustment of a 16th-century rural complex and experimental landscape in the Gulf of Naples. Set deep into the coastal hillside, it encompasses a massive work of geo-engineering with rock and stone walls across 30 vertical terraces. It is a survey of time… Read More
Fraser Stables: Remembering Architecture
06.09.2023
Fraser Stables: Remembering Architecture 06.09.2023
Fraser Stables speaks quietly through his series Remembering Architecture. There is a staid documentarian quality to his photographs, but not that of architectural photography. When architectural details—the meeting of nature and architecture, light falling on surfaces—are made the focus, the images speak more to a sensitive process of recording moments; and in many… Read More
Designs on Democracy (2022) – Review
05.09.2023
Designs on Democracy (2022) – Review05.09.2023
‘This is not a book in which material has been selected on the basis of taste; quite the contrary. These are not buildings or personalities with which it has been easy to empathise, and I hope that this book is not read as a defence or an apology.’ With these words the… Read More
Comins x Shatwell Tea House
25.08.2023
Comins x Shatwell Tea House25.08.2023
– Various
Similar to the way the soil, climate, cultivar, and—of course—the tea maker come together to craft distinct and flavourful teas, numerous helping hands played an important role in the journey that culminated in the process and construction of the Comins x Shatwell Tea House. The most common question visitors have… Read More
Poetry and Architecture (2023) — Review
11.08.2023
Poetry and Architecture (2023) — Review11.08.2023
The concluding section of Hegel’s Introductory Lectures on Aesthetics considers ‘the general types of art’ that constitute the self-unfolding of ‘the Ideal, as the true Idea of beauty’, and ranks them in ascending order: architecture, sculpture, painting, music, poetry. Poetry (dependent upon sensuous manifestation, so not yet philosophy) is made… Read More
What Does a Drawing Sound Like?
20.07.2023
What Does a Drawing Sound Like?20.07.2023
Drawings in Mechanization Takes Command almost clank. Designs for a threshing machine in the 1770s, plans for a Mechanical Reaper submitted to the British Patent Office in 1811, and Cyrus McCormick’s subsequent design for the American farmer, all included iron wheels, heavy plate, and flailing chains. Those drawings selected by… Read More
Shatwell Farm: Appendages
08.04.2024
Shatwell Farm: Appendages08.04.2024
– Emily Priest
This text is the third in a series of studies of Shatwell Farm made by Emily Priest while staying on site in September last year. We regularly speak of reusing and refurbishing at the scale of a building but talk less about small gestures of fixing and repair. As secondary or even… Read More
agriculture Buildings Projects at Shatwell Farm Emily Priest (series)