Period: c21st
Connor Street: Made by Many Hands
03.11.2023
Connor Street: Made by Many Hands03.11.2023
The following text is the first in a series by architect Kieran Hawkins, Director of Cairn, tracing the design and construction of an extension to a Victorian House in East London, recounting the everyday realities of the project and, in the green text, the broader environmental issues incumbent on architects to address. The texts have been developed… Read More
Drawing Research Platform, Somerset, 2023, ENAC Summer Workshop
01.11.2023
Drawing Research Platform, Somerset, 2023, ENAC Summer Workshop01.11.2023
– Alberto Johnsson, Arthur Masure, Daniel Nitsche, Toby Pullen and Alexander Turner
During a one-week summer workshop at Shatwell Farm, students from the EPFL, alongside young architects from the UK, explored drawing as a key tool of architecture and engineering. Through research into the Drawing Matter collection and the construction of survey drawings, the workshop used drawing as a corporeal form of… Read More
Remembering Architecture
18.10.2023
Remembering Architecture18.10.2023
This summer I exhibited a selection of photographs from the ongoing series Remembering Architecture in the Stephen Taylor designed Haybarn at Shatwell Farm. Kendra Matchett extended the invitation in the spring and over a few months we negotiated ideas of sequence and ways to respond to the material-forward exhibition space… Read More
Judit Reigl: Invisible Cities
10.10.2023
Judit Reigl: Invisible Cities10.10.2023
Judit Reigl was ninety-two years old in 2015 when she started Dance of Death, her transcendent series of small-scale vanitas drawings. Having reached a stage where she could barely see her own pencil marks, Reigl found skulls to be a ready subject. She said she had drawn many skulls in… Read More
Work with your hands: AUB Summer School 2023
21.09.2023
Work with your hands: AUB Summer School 202321.09.2023
‘Work with your hands, so that your daily life may win the respect of outsiders and so that you will not be dependent on anybody.’1 Thess. 4:11-12 All architecture begins with our hands. We make physical what we understand in order to communicate the invisible to the outside world. The translation… Read More
Elbe and Marte
13.09.2023
Elbe and Marte13.09.2023
– Karen Lohrmann and Stefano de Martino
Elbe and Marte is the spatial and ecological adjustment of a 16th-century rural complex and experimental landscape in the Gulf of Naples. Set deep into the coastal hillside, it encompasses a massive work of geo-engineering with rock and stone walls across 30 vertical terraces. It is a survey of time… Read More
Fraser Stables: Remembering Architecture
06.09.2023
Fraser Stables: Remembering Architecture 06.09.2023
Fraser Stables speaks quietly through his series Remembering Architecture. There is a staid documentarian quality to his photographs, but not that of architectural photography. When architectural details—the meeting of nature and architecture, light falling on surfaces—are made the focus, the images speak more to a sensitive process of recording moments; and in many… Read More
Designs on Democracy (2022) – Review
05.09.2023
Designs on Democracy (2022) – Review05.09.2023
‘This is not a book in which material has been selected on the basis of taste; quite the contrary. These are not buildings or personalities with which it has been easy to empathise, and I hope that this book is not read as a defence or an apology.’ With these words the… Read More
Comins x Shatwell Tea House
25.08.2023
Comins x Shatwell Tea House25.08.2023
– Various
Similar to the way the soil, climate, cultivar, and—of course—the tea maker come together to craft distinct and flavourful teas, numerous helping hands played an important role in the journey that culminated in the process and construction of the Comins x Shatwell Tea House. The most common question visitors have… Read More
Poetry and Architecture (2023) — Review
11.08.2023
Poetry and Architecture (2023) — Review11.08.2023
The concluding section of Hegel’s Introductory Lectures on Aesthetics considers ‘the general types of art’ that constitute the self-unfolding of ‘the Ideal, as the true Idea of beauty’, and ranks them in ascending order: architecture, sculpture, painting, music, poetry. Poetry (dependent upon sensuous manifestation, so not yet philosophy) is made… Read More
What Does a Drawing Sound Like?
20.07.2023
What Does a Drawing Sound Like?20.07.2023
Drawings in Mechanization Takes Command almost clank. Designs for a threshing machine in the 1770s, plans for a Mechanical Reaper submitted to the British Patent Office in 1811, and Cyrus McCormick’s subsequent design for the American farmer, all included iron wheels, heavy plate, and flailing chains. Those drawings selected by… Read More
Learning From Machine Learning, on designer trees and architectural historiographies of the digital
11.07.2023
Learning From Machine Learning, on designer trees and architectural historiographies of the digital11.07.2023
What does it mean for scholars to collaborate with contemporary knowledge machines? In this article, Sylvia Lavin reflects on the failures, successes, and potentialities of a machine learning tool designed to identify trees in architectural drawings. This project, which she initiated in 2022, was undertaken by Princeton University and the… Read More
Instagram, Indifference, and Postcritique in US Architectural Discourse
05.07.2023
Instagram, Indifference, and Postcritique in US Architectural Discourse05.07.2023
The following text is reproduced from The Hybrid Practitioner: Building, Teaching, Researching Architecture (2022), edited by Caroline Voet, Eireen Schreurs, and Helen Thomas. The publication is available in print or as an ebook, here. You can find Joseph Bedford on Instagram here. From the 1970s through the 1990s, many architects… Read More
Alberto Ponis: Studio di Yasmin
23.06.2023
Alberto Ponis: Studio di Yasmin23.06.2023
This is the first of a series of posts pairing films made by team SHICHAI拾柴 with drawings from the Drawing Matter Collection. The films, of houses designed by Alberto Ponis on Sardinia, were made for the exhibition ‘Drawing Landscape: Alberto Ponis,’ exhibited at Tongji University, Shanghai, 10 April—20 May 2023.… Read More
Material Reform, Building for a Post-Carbon Future (2023) – Review
23.06.2023
Material Reform, Building for a Post-Carbon Future (2023) – Review23.06.2023
Have you ever considered where your architecture comes from? That is, where the materials that form your home are from and have been produced. Many would be hard-pressed to give an answer to this question. With our connections to materials severed and very little known about the soils and lands… Read More
Trevor Dannatt: St Mary’s Grove — Gap and Sign
13.06.2023
Trevor Dannatt: St Mary’s Grove — Gap and Sign13.06.2023
When my parents bought the house in 1955—for £1,000—one of the first things Trevor did was design this distinctive gap in the wall of the front garden, a modest modernist castle crenelation. This was deliberately aligned with the edge of the house, on a line with the front steps, so… Read More
The First Exercise, One Door and One Window
01.06.2023
The First Exercise, One Door and One Window01.06.2023
In 2003, at the troubled age of eighteen, I started a Bachelor’s degree in Interior Architecture at the Politecnico di Milano. The first semester was a disappointment, a disaster even. The extremely hierarchical and academic system in Italy was terribly discouraging for creativity and questioning. By raising your hand to… Read More
Nuno Melo Sousa: weight
26.05.2023
Nuno Melo Sousa: weight26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. They dance.They stand.They stare.They bend.They underline.They comply.They don’t comply.They question.They agree.They dismiss.They provoke.They ignore. Each and every one of them keeps a continuous movement between what… Read More
Nuno Melo Sousa: on big papers
26.05.2023
Nuno Melo Sousa: on big papers26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. First, there were a couple of tense drawings.One, two, three. At the very third second, it quickly escalated to a nonstop dry pastel scratch on A2… Read More
Nuno Melo Sousa: authority
26.05.2023
Nuno Melo Sousa: authority26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. there is no authority.there is no gravity.there is no fee.there is no programme.there is no agenda.there is no time.there is no client.there is no plot. Creatures.… Read More
On Authority
26.05.2023
On Authority26.05.2023
Following our recent series with fala we decided to approach some other practices who have themselves developed their design process through particular drawing ‘types’, challenging our expectation of the usage and forms traditionally associated with drawing in an architecture studio. We are very grateful to fala for introducing us to Nuno Melo Sousa… Read More
Architects at Play (2023) – Review
15.05.2023
Architects at Play (2023) – Review15.05.2023
What is the reason for playing if not to weave relationships with the world? How can creative postures emerge from playing? Originating at the CIVA in Brussels, 2020 and then on show at the Garagem Sul in Lisbon, 2021, the exhibition ‘Architects at Play’, will spend the spring of 2023… Read More
Nuno Melo Sousa: in cahiers
25.04.2023
Nuno Melo Sousa: in cahiers25.04.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. As we travel, sitting, walking, flying, and running, we can look at the world.As we sit, eating, we can look at a small cahier also sitting,… Read More
Fragmentary Notes on Unclaiming the Life of a Drawing
13.10.2023
Fragmentary Notes on Unclaiming the Life of a Drawing13.10.2023
– Bahar Avanoğlu
The following notes reflect on a first year teaching studio led by Bahar Avanoğlu at Istanbul Bilgi University. The studio took Niall McLaughlin’s Alternative Histories model, an interpretation of a sketch by Basil Spence for extending the Houses of Parliament in London, as a starting point to continue a chain… Read More
projection (axonometric isometric) Teaching (project) DMC sketch