Tag: elevation

Josef Frank: Happy Accidentism

Josef Frank: Happy Accidentism

Mikael Bergquist

In the summer of 1947, the Austrian architect and designer Josef Frank began a brief but intense correspondence with his lover, Dagmar Grill, which took the form of thirteen sketch-proposals for a single-family house. Since emigrating to Sweden in 1933, Frank had carried out numerous interior design commissions through his… Read More

Learning from the tortoise

Learning from the tortoise

William Firebrace

I. The tortoise is certainly slow, but in the ancient fable it arrives sooner than the hare – or according to the even older paradox of Zeno it always arrives before the mighty runner Achilles. Slowness is usually seen as a negative characteristic, lacking the vibrancy of speed. But everything… Read More

On Cornices, Part I

On Cornices, Part I

Emma Letizia Jones

In 1806, the civil servant Karl Tilebein and his wife were looking for an architect to design their new country house in Züllchow, Pomerania. They contacted the young Prussian architect Karl Friedrich Schinkel, who, having recently returned from a two-year grand tour of Italy, was back in Berlin eking out… Read More

Informal Housing in Fars (Iran) and Kuwait, 1974

Informal Housing in Fars (Iran) and Kuwait, 1974

Eric Parry

This is another world – Yazd, a desert town really. It is troglodytic – a response to a hot, dry climate, so it is cut into the ground using mud brick, the wind catchers and domes create the silhouettes. So these pages are about the visit to Yazd – getting… Read More

Gowan and Stirling

Gowan and Stirling

Fred Scott

This odd-shaped, yellowed analysis drawing by James Gowan, drawn directly onto heavy paper isn’t dated, and was probably added to years after the drawing was nearly complete. Ellis Woodman describes the drawing as ‘that drawing that James always kept in the box with his sketchbooks’. Unusually, when I first saw… Read More

Boompjes II

Boompjes II

Stefano de Martino

Triptych This ink drawing was to be printed as a silkscreen and that is when the conversation with Bernard Ruygrok, the printer, started. His place in Amsterdam was amazing. We had several meetings to discuss colors because he had to do everything by hand. At some point I had a smaller version of the ink drawing printed on clear… Read More

Boompjes I

Boompjes I

Stefano de Martino

In the 1980s, the city of Rotterdam asked OMA to study its high-rise building and to illustrate their findings in a planning proposal. The site, selected in consultation with the Rotterdam Planning Department, was situated on Maasboulevard, near the Maasbridge – an angle between the river and the lower city grid, a ‘hinge’… Read More

Roosevelt Island

Roosevelt Island

Zoe Zenghelis

The Roosevelt Island competition was sponsored by New York State Urban Development Corporation for the urbanisation of an island in the East River of Manhattan. The city grid served as a formal generator for the building types, adapted with controlling geometry to the proportions of the island’s topography. There are… Read More

Zaha Hadid: Azabu-Juban

Zaha Hadid: Azabu-Juban

Michael Wolfson

Zaha Hadid’s sketches during mid-1980s for projects often unknown and unbuilt mark a transitional period in her drawing and thinking, from the early work inspired by the programme briefs and axonometric drawing style of OMA. Often she sketches in plan, her line moving right to left, discernable through an initial… Read More

Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 1

Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 1

Mark Dorrian and Michael Webb

Mark Dorrian: Hello everyone – it’s a real pleasure to welcome Professor Michael Webb, our George Simpson Visiting Professor this year. Michael is a very important and interesting architect, closely associated with Archigram, of which he was a member. He has a fascinating architectural trajectory and development, which involves the early… Read More

Dance Dance Revolution

Dance Dance Revolution

Iris Moon

In 1788, the art theorist and critic Quatremère de Quincy devoted a long entry of the Encyclopédie méthodique to the arabesque, ‘forms of ornament that are often the most capricious, fantastical, and imaginary, whether in sculpture or painting, that architecture employs in the decoration of walls, panels, door-frames, pilasters, friezes, and sometimes even… Read More

Lina Bo Bardi: Public Plaza and Museum of Art São Paolo

Lina Bo Bardi: Public Plaza and Museum of Art São Paolo

Helen Thomas

This text is excerpted from Drawing Architecture (Phaidon, 2018) by Helen Thomas, which brings together over 250 drawings, with short narratives for each one about the circumstances in which they were made, the techniques used to produce them, and the realities that they were depicting.

TEd’A Arquitectes

TEd’A Arquitectes

Jaume Mayol and Irene Pérez

‘…In that Empire, the Art of Cartography attained such Perfection that the map of a single Province occupied the entirety of a City, and the map of the Empire, the entirety of a Province. In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guilds struck a Map of… Read More

Commonplace

Commonplace

Nicholas Olsberg

In 1877, London’s Building News reprinted – as the ‘work of two eminent architects, though it cannot be said to be their joint production’ – an elevation, plan, and partial section published by Eugène Viollet-le-Duc as a model town house, noting that this supposed ‘London Residence’ had been adapted – with due… Read More

Behind the Lines 7

Behind the Lines 7

Philippa Lewis

Mr. Tassie’s House On June 27th 1807 William Tassie scratched his long nose, dipped a pen in the inkwell, and finished off his letter to Alexander Wilson Esq of Messrs. Dunlop & Wilson, Booksellers of Glasgow:   ‘I have been near a twelve month engaged with alterations in my house –… Read More

Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980

Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980

Editors

On 1 October 1980, at the height of postmodernism, Luce van Rooy opened her gallery in Amsterdam, around the corner from the Stedelijk Museum. [1] In a recent interview van Rooy reflects on the history of the gallery: the idea — what she calls a gallery for ‘architecture and related… Read More

Bruce Goff

Bruce Goff

Nicholas Olsberg

This is an unbuilt house and studio project for two artists in the dry country of west Texas. It comes from a happy moment when architects could see no equation between the unreasonable and the unbuildable. Bruce Goff christened it APARTURE, perhaps a play on the words ‘apartness’, for its… Read More

Michael Graves: Fargo-Moorehead Cultural Bridge

Michael Graves: Fargo-Moorehead Cultural Bridge

Jordan Kauffman

The Fargo-Moorhead Cultural Bridge is an unrealised project combining infrastructural and cultural programs: a vehicular bridge between two cities over the Red River, a performing arts building in Fargo, North Dakota, the Red River Valley heritage interpretive centre in Moorhead, Minnesota, and at the centre over the river itself, an… Read More

Buckminster Fuller’s Geodesic Sphere

Buckminster Fuller’s Geodesic Sphere

Helen Thomas

Frail and delicate, Richard Buckminster Fuller’s drawing of a geodesic sphere floats, without context, in the space of the paper it inhabits. More than the form it reveals, the net of thin, red lines expresses the presence of the space within it. A perspective effect emanates from the central point… Read More

Aux Citoyens Membres de La Commune attachés à la commissions des services publics

Aux Citoyens Membres de La Commune attachés à la commissions des services publics

Matt Page

i Hector Horeau’s sketch of the Church of La Madeleine came at the height of the Paris Commune – the radical socialist regime that governed the French capital from 18 March – 28 May 1871. Although dated 19 April 1871, the drawing is on the verso of a frontispiece to Panorama… Read More

Netherfield Scroll Two

Netherfield Scroll Two

Michael Gold

What follows here forms the second part of a two-part conversation. It has been extracted from the original email exchange between Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones in relation to the acquisition of the Netherfield Scroll, published in part one. The Netherfield Scroll – which measures 20… Read More

Grunt Group: Unrolling the Netherfield Scroll

Grunt Group: Unrolling the Netherfield Scroll

On 7 April 2018, former members of the Grunt Group – Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones – presented their Netherfield Scroll to Drawing Matter. The 20-foot-long drawing was created c. 1971 for a low-density, social housing estate in Milton Keynes. The following video is a brief… Read More

Netherfield Scroll One

Netherfield Scroll One

Chris Cross, Jeremy Dixon and Edward Jones

The following two-part conversation surrounds the acquisition of the Netherfield Scroll – a 20-foot-long drawing created c. 1971 by Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones, otherwise known as the ‘Grunt Group’, for the commission of a low-density housing estate in Milton Keynes. The conversation with Jeremy Dixon… Read More

Behind the Lines 6

Behind the Lines 6

Philippa Lewis

Richard Bentley cracked open the red seal, smiling as he always did at the peculiar crest of a man in a ridiculous long-tasselled hat, and folded out the letter. His mood was anxious; he scratched his head nervously with one hand and knocked over the ink on his drawing table with… Read More