Showing 1–12 of 109 results for robert mull ordered by relevancy
Sheds: Palaces of Nothing
24 November 2020
Sheds: Palaces of Nothing24 November 2020
Sheds: Palaces of Nothing (Photo: Jamie Woodley) 9 – 16 October 2016, Hauser & Wirth Maltings Gallery, Somerset Curated by Robert Mull and Alexander Brodsky, with Markus Lähteenmäki, Nicholas Olsberg…
Robert Bray: Six Designs for a Playboy Penthouse Pad
12 May 2016
Robert Bray: Six Designs for a Playboy Penthouse Pad12 May 2016
Robert Bray (1940), Drawing of Living Area in which ‘you are standing in the foyer of our duplex penthouse, looking toward the living-room area …. In front of the fireplace…
Postmodern Australia: Robert Pearce’s Drawings for Edmond and Corrigan
1 February 2022
Postmodern Australia: Robert Pearce’s Drawings for Edmond and Corrigan1 February 2022
Writing in Cities of Hope (1993), the historian Conrad Hamann relates that, on mentioning to Robert Venturi the name of the Australian postmodernist architect Peter Corrigan, the first words from…
Haunted: Robert Smithson’s ‘My House is a Decayed House’
18 March 2021
Haunted: Robert Smithson’s ‘My House is a Decayed House’18 March 2021
Robert Smithson (1938–1973), My House is a Decayed House, 1962. Photo-collage, pen, ink, gouache and watercolour on paper, 610 × 455 mm. DMC 2975. The following text is excerpted from…
Robert Mylne
1 April 2016
Robert Mylne1 April 2016
Robert Mylne (1733–1811), alternative design for the East Façade of Durham Park, 1780. Pen, ink and wash on paper, 430 × 325 mm. DMC 2597.1. There are two sons of…
Behind the Lines 11
12 August 2019
Behind the Lines 1112 August 2019
Robert Schnebbelie, View of the Picadilly street entrance, with figures, Burlington Arcade, London, 1827. Black ink and coloured washes on paper, 215 × 275 mm. DMC 1643. Robert Schnebbelie peered…
Robert Venturi: The difficult whole
22 January 2016
Robert Venturi: The difficult whole22 January 2016
Robert Venturi (1925–2018), Facade Study for Gordon Wu Hall, Butler College, Princeton, 1981. Marker pen ink on trace, 304 × 645 mm. DMC 2041. Lying on the border between an…
Syon House and the Afterlife of Architectural Drawing
22 April 2022
Syon House and the Afterlife of Architectural Drawing22 April 2022
His writing is not about something; it is that something itself. [1] Fig.01; Robert Adam, Section of the Great Hall at Syon House, 1761. © John Soane’s Museum. I knew…
Robert Adam: The Long Gallery at Syon
13 May 2022
Robert Adam: The Long Gallery at Syon13 May 2022
– Stephen Astley, Adriano Aymonino, Markus Läteenmäki and Frances Sands
On 18 December 2015, Frances Sands and Stephen Astley took out two leather-bound volumes from the Robert Adam Archive and laid them on the long table in the first-floor library…
The Birds’ Morning Hymn (1929)
10 July 2020
The Birds’ Morning Hymn (1929)10 July 2020
…Sir Robert Lorimer (London: Country Life: 1931), 3–4. Robert Lorimer (1864–1929), panel design with honeysuckle, birds, fruit and flowers; possibly for a pelmet, c.1891. Pencil and coloured crayons on wove…
Protected: Mies van der Rohe and the Universal Space Project
27 July 2022
Protected: Mies van der Rohe and the Universal Space Project27 July 2022
There is no excerpt because this is a protected post.
Beevor Mull Architects: Pikpa Refugee Camp
13 October 2016
Beevor Mull Architects: Pikpa Refugee Camp13 October 2016
– Robert Mull
Beevor Mull Architects, Proposals for Pikpa Refugee Camp, Lesbos, Greece, 2016. Collage, pen and pencil on paper, 594 × 420 mm. DMC 2735. This is one of a series of…
presentation concept & diagram social engagement