Category: commentaries, rants & reflections
Charles Jencks: Architect in the Jumping Universe
25.01.2022
Charles Jencks: Architect in the Jumping Universe25.01.2022
Gardens have always been the location to contemplate and speculate on man’s place in nature. Gardens bring the macrocosm into the microcosm by the necessity of being a living place, connecting to the wider rhythms, ecological networks, or the even more abstract forces that create our world. When Charles and… Read More
Álvaro Siza: The Adoration of the Magi
19.01.2022
Álvaro Siza: The Adoration of the Magi19.01.2022
Our story opens at the close of the Christmas season. It quite literally starts with an Epiphany, both chronologically and figuratively, a glimpse of Three Kings prompted by Niall Hobhouse’s holiday greetings. His somewhat precarious nativity scene, charmingly set upon Álvaro Siza’s yellow columns, reminded me of Sandro Botticelli’s Adoration… Read More
Working with Tony Fretton
04.01.2022
Working with Tony Fretton04.01.2022
In the early 1990s a number of architects, academics and artists came together in a rather fluid manner, meeting regularly in my Bloomsbury apartment. Tony Fretton was older than most of us and had already established a clear critical position. The conversations we had, and sometimes the arguments, were instructive… Read More
Movements of the Drawing Hand
08.12.2021
Movements of the Drawing Hand08.12.2021
How can you study the movements of the drawing hand? Although completed drawings can be interpreted, much the same way graphologists analyse the sequencing and flow of handwriting, can we see an architecture in the movements of the drawing hand? Can we be inside a drawing, and witness, as paper… Read More
Álvaro Siza: Seven Early Sketchbooks
22.11.2021
Álvaro Siza: Seven Early Sketchbooks22.11.2021
– Niall Hobhouse, Manuel Montenegro and Álvaro Siza
These films were made over four hours on the afternoon of Sunday 25 March 2018 in Álvaro Siza’s studio in Rua do Aleixo outside Porto. I had flown to Portugal that morning with the seven sketchbooks which we were to look through with Manuel Montenegro. Manuel and I had conceived… Read More
Pan Scroll Zoom 18: Wolff Architects
17.11.2021
Pan Scroll Zoom 18: Wolff Architects17.11.2021
– Fabrizio Gallanti, Ilze Wolff and Heinrich Wolff
This is the eighteenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Heinrich Wolff and Ilze Wolff of Wolff Architects discuss the production of their drawings,… Read More
The Pursuit of Gothic
10.11.2021
The Pursuit of Gothic10.11.2021
William Gilpin notoriously suggested that the ruins of Tintern Abbey could be improved by ‘a mallet judiciously used’. [1] The next generation saw in the architecture of the Middle Ages something more than an assortment of ornamental landscape features, but it did not begin to understand it. Uvedale Price, whose… Read More
Drawing Powers: Introduction
02.11.2021
Drawing Powers: Introduction02.11.2021
This text is the first in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. There is an enormous difference between seeing a thing without a pencil in your… Read More
Drawing Powers 2: The Object in the Drawing
02.11.2021
Drawing Powers 2: The Object in the Drawing02.11.2021
This text is the second in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. First, I consider drawing as an adequate medium… Read More
Drawing Powers 3: The Drawing in the Object
02.11.2021
Drawing Powers 3: The Drawing in the Object02.11.2021
This text is the third in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. It was the drawing that led me to architecture,… Read More
Drawing Powers 4: The Drawing-object
02.11.2021
Drawing Powers 4: The Drawing-object02.11.2021
This text is the fourth in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. After I have developed a feel for the programme,… Read More
Drawing Powers: Conclusions
02.11.2021
Drawing Powers: Conclusions02.11.2021
This text is the conclusion to a series of essays in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. What surprises me most in architecture, as in other… Read More
An Overwhelming Concern with Shelter! (1966)
16.09.2021
An Overwhelming Concern with Shelter! (1966)16.09.2021
The International Dialogue on Experimental Architecture (IDEA) was held at New Metropole Arts Centre in Folkestone, Kent, 10–11 June 1966. The symposium was organised by Archigram and included contributions from Hans Hollein, Joe Weber, Yona Friedman, Cedric Price, Arthur Quarmsby, Anthony G. William and Reyner Banham. The following text is… Read More
Capitol or Capital?
02.09.2021
Capitol or Capital?02.09.2021
From the Editors: 1. We have been re-reading Martin Pawley’s collected essays. Each comes as a rich reminder that here was the contrarian voice of the 1970s and 80s, whose commentary – on architecture, architects and contemporary society – ought to be replayed to readers now on a continuous, salutary,… Read More
Pan Scroll Zoom 17: Monadnock
01.09.2021
Pan Scroll Zoom 17: Monadnock01.09.2021
– Job Floris and Fabrizio Gallanti
This is the seventeenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. Here, Fabrizio interviews Job Floris, co-founder of Mondanock, about their teaching studios at the EFPL and Harvard… Read More
The H-plan: Breuer, Stirling, Gowan
05.08.2021
The H-plan: Breuer, Stirling, Gowan05.08.2021
The interesting note by Neil Jackson tying Gowan and his Isle of Wight House to the bi-nuclear plans of Breuer and then to Craig Ellwood’s Hillsborough House, reminds me of Stirling’s own early interest in Breuer, whose Connecticut work he saw during his 1948 internship in New York during his… Read More
Sketches from Algiers
02.08.2021
Sketches from Algiers02.08.2021
In October 1975 I returned to Cambridge to complete my architecture course. I had spent my year out in London with MacCormac and Jamieson, an exciting time as it was early days for this young practice and I was one of their very first assistants. In fact, I nearly didn’t… Read More
Pan Scroll Zoom 16: Luis Callejas
28.07.2021
Pan Scroll Zoom 16: Luis Callejas28.07.2021
This is the sixteenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. Here, Luis Callejas (LCLA OFFICE) discusses his teaching studios at the Yale School of Architecture and the… Read More
Insignificance 4: Self-reflexive
26.07.2021
Insignificance 4: Self-reflexive26.07.2021
Whoever decides to study the conditions of a practice of imagining architecture through/as line will, I am afraid, be left in despair. Once the theatrical mask of line’s incontrovertible instrumentality is seen to slip, line’s solidity, its all too evident honesty as a simple mimetic tool, turns up by and… Read More
Cassius Goldsmith’s Grey Weather Gate House
25.07.2021
Cassius Goldsmith’s Grey Weather Gate House25.07.2021
I find myself lost in the woods, then reorientated, guided by the centralised chimney. Standing dead centre in front of the gate lodge, my gaze is lifted to the space between chimney and sky, between foreground or background. A cloud of white smoke disguises itself as an English cloud, passing… Read More
Sigurd Lewerentz: Punctum. Seeing the Detail
14.02.2022
Sigurd Lewerentz: Punctum. Seeing the Detail14.02.2022
– Mikael Bergquist
In his book on photography, Camera Lucida, Roland Barthes introduces the concept of ‘the Punctum’. The Punctum is something in a photograph that etches itself in the consciousness of the viewer. It is often a small detail that evokes emotions long after the gaze has left the picture: an experience that is born in the viewer’s… Read More
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