Category: design methodologies
Peter Märkli: My Facade Material
21.04.2021
Peter Märkli: My Facade Material21.04.2021
– Editors
The following quotations are from ‘Mein Stoff für Fassaden (My Facade Material)’, a lecture delivered online by Peter Märkli to open a series of five talks for the Architecture Foundation. The quotations are presented here in a loose fashion, some treated as aphorisms about design, others illustrated with drawings from… Read More
Shaping Landscape: Schinkel and Erratics
12.04.2021
Shaping Landscape: Schinkel and Erratics12.04.2021
It is the unique trait of the section drawing to fragment the singularity of built form, to allow the reading of a building as a series of individual pieces, and thereby delay our innate predilection for gestalt. Much like an erratic (in geology, an erratic is a material moved by geologic forces from… Read More
Flores & Prats Sala Beckett International Drama Centre (2020): Review & Excerpts
30.03.2021
Flores & Prats Sala Beckett International Drama Centre (2020): Review & Excerpts30.03.2021
Review Making a book about making a building creates a special narrative challenge in the constant battle between reality and myth that vibrates through non-fiction publications and the ways in which we as readers engage with and interpret them. This is complicated even more when making a book about a… Read More
Pan Scroll Zoom 10: Studio Othenin-Girard
29.03.2021
Pan Scroll Zoom 10: Studio Othenin-Girard29.03.2021
This is the tenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Guillaume Othenin-Girard discusses his studio at the University of Hong Kong which explored… Read More
Working with Gowan: Housing at East Hanningfield
26.03.2021
Working with Gowan: Housing at East Hanningfield26.03.2021
The Site Plan was one of the Planning drawings prepared for submission to Chelmsford District Council and Essex County Council. It is A1 size and drawn on Wiggins Teape 112 gram ‘Gateway’ tracing paper. The East Hanningfield job was the first on which ‘A’ sized paper had been used in… Read More
Derrida & Eisenman: Laugh(ing) of(f) the lyre
22.03.2021
Derrida & Eisenman: Laugh(ing) of(f) the lyre22.03.2021
‘I think I understand, at least in principle.’ [1] Jacques Derrida tries to keep track of Peter Eisenman’s elaborate explanation. It is the 21st of April 1986, and in New Haven, Connecticut, philosopher and architect conduct the fifth of six meetings for their design of a garden in Bernard Tschumi’s… Read More
Pan Scroll Zoom 8: Patrick Lynch
16.03.2021
Pan Scroll Zoom 8: Patrick Lynch16.03.2021
This is the eighth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode we share Instagram posts by Patrick Lynch in which he describes his experience… Read More
Excerpt: Shadow Places
15.03.2021
Excerpt: Shadow Places15.03.2021
The following text is excerpted from Simon Unwin’s book on shadow, in his series Analysing Architecture Notebooks, available here. For 20% off until May 31st 2021, use code KHL20. The piece is illustrated with drawings specially selected by Simon from the Drawing Matter collection. ‘Yea, though I walk through the… Read More
Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids
11.03.2021
Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids11.03.2021
The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid is loaded with symbolism and history: it is emblematic of origins, order, systems, utopias and dystopias, and the inevitable susceptibility… Read More
Glasgow School of Art: The Measure of Things
08.03.2021
Glasgow School of Art: The Measure of Things08.03.2021
The following text was first published in The Library: Glasgow School of Art (2014), edited by Mark Baines, John Barr and Christopher Platt. The text describes Paul Clarke’s process of surveying Charles Rennie Mackintosh’s library at the Glasgow School of Art, which he undertook in 1993. When the library was… Read More
Make me Hyper-Real: Image Ethics and the Architectural Visualisation
05.03.2021
Make me Hyper-Real: Image Ethics and the Architectural Visualisation05.03.2021
Architectural visualisations sell us the image of a new reality. In depicting a building that is designed, rather than completed, they constitute a kind of spatial hypothesis: a temptation of a happier, wealthier, and more connected world. By constructing these fictions through the means of the image, they sell us the notion that the project it depicts will improve our lives for the better. … Read More
Tradition and Modernity, Continuity and Critique
04.03.2021
Tradition and Modernity, Continuity and Critique04.03.2021
The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid has served as ‘the image of an absolute beginning’, as Rosalind Krauss affirmed in 1986 in ‘The Originality of… Read More
Architecture’s Mirror Stage
26.02.2021
Architecture’s Mirror Stage26.02.2021
Mirrors and mirrored glass, perhaps the most characteristically postmodern of surface treatments, were not only a material choice but also emblematized a turn inward toward what Sylvia Lavin has taken to calling ‘architecture itself.’ As the psychoanalyst Jacques Lacan might have put it, it was at this moment that modernist… Read More
Pan Scroll Zoom 7: MOS
25.02.2021
Pan Scroll Zoom 7: MOS25.02.2021
– Fabrizio Gallanti, Michael Meredith and Hilary Sample
This is the seventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Michael Meredith and Hilary Sample of the New York-based… Read More
Stan Allen’s Situated Objects (2020): Review & Excerpt
24.02.2021
Stan Allen’s Situated Objects (2020): Review & Excerpt24.02.2021
Review Three times a week a package arrives in Somerset with another Practice Monograph, and the generous proposal that we might want to add it to the library at Drawing Matter. This is clearly an old story – somewhere we have a copy of one of John Soane’s endless books… Read More
Take One: Architects on Drawing
23.02.2021
Take One: Architects on Drawing23.02.2021
– Editors
Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More
In Search of an Honest Map
22.02.2021
In Search of an Honest Map22.02.2021
We don’t experience place as maps would have us believe. We might technically exist within the map, an orientation marker besieged by the total sum of data, every landmark, park and street swarming around us at all times. But our perspective is only partial – a patchwork of neighbourhoods, structures… Read More
Walter Pichler: Mystery and Mysticism
19.02.2021
Walter Pichler: Mystery and Mysticism19.02.2021
Walter Pichler’s sketches for the utopian city projects he developed with Hans Hollein in the early 1960s appear like arrangements of magnetised iron filings, blowing about the page to reveal mysterious momentary structures. Though they would later inform hardened isometric drawings, these forms are full of plasticity and, in this… Read More
On Tony Fretton and the Lisson Gallery
05.02.2021
On Tony Fretton and the Lisson Gallery05.02.2021
A conversation with Nicholas Logsdail, standing in the farmyard at Shatwell, on the day he came with Freeny Yanni her sons Yanis and Cassius Hammick, to look at Tony Fretton’s sketchbooks for the Lisson Gallery. By way of response, Tony gives us his account of the genesis of the commission.… Read More
The House and the Sketch
25.01.2021
The House and the Sketch25.01.2021
288 sketches precede the design of a house. Each one starts again from zero. None for more than a few seconds. Never larger than a few centimeters. With each repetition of the loop, the house searches for itself. For the first 287 pages, it did not know what it was… Read More
Zahalternative Histories: O’Donnell + Tuomey on Zaha Hadid
19.01.2021
Zahalternative Histories: O’Donnell + Tuomey on Zaha Hadid19.01.2021
From a sheet of sketches by Zaha Hadid to rock formations at Ines Meáin and St Brigid’s Well, in this short film John Tuomey explains the thinking behind O’Donnell + Tuomey’s Alternative Histories model. This commentary is the first in a series organised by the Irish Architectural Archive. The series,… Read More
Pier Vittorio Aureli’s Architecture of Abstraction
15.01.2021
Pier Vittorio Aureli’s Architecture of Abstraction15.01.2021
Pier Vittorio Aureli’s The Marriage of Reason and Squalor series may rightly be called barbaric. ‘Barbarism? Yes indeed,’ writes Walter Benjamin in his 1933 essay, Experience and Poverty. ‘We say this in order to introduce a new positive concept of barbarism. For what does poverty of experience do for the… Read More
Architecture at the Edge
13.01.2021
Architecture at the Edge13.01.2021
– Craig Moller and Marco Moro
The following is a conversation between Marco Moro and Craig Moller, New Zealand-born architect and author of the drawing pictured above. Moller made the drawing while in a design studio taught by Mark Wigley in 1985, while the latter was about to finish his doctoral thesis within the newly established… Read More
Physical & Digital Drawing
19.04.2021
Physical & Digital Drawing19.04.2021
– Reuben Roberts
When we use a Computer Aided Design (CAD) programme we invoke the act of drawing as we draw the mouse around on the desk. The cursor is drawn across the screen, albeit with a level of discontinuity as the lines of code convert the signals of the optical sensor into… Read More