Category: design methodologies
Library of Babel
29.06.2020
Library of Babel29.06.2020
In its most rudimentary form, a LIDAR scan is a simple act of call and response. Thousands of beams of light leave the scanner and receive a measurement based on the distance and intensity (essentially a value of reflectivity) of the objects they collide with. The fascination in these scans… Read More
Soane: Energy and Frustration
24.06.2020
Soane: Energy and Frustration24.06.2020
This seemingly benign-looking plan is in fact a thrilling drawing. It shows Sir John Soane’s cerebral struggles in attempting to resolve a number of key competing design elements in the planning of a country house. The drawing exudes energy and frustration. The challenge of designing buildings symmetrically is hard work… Read More
James Gowan: The Sheet for the Job
17.06.2020
James Gowan: The Sheet for the Job17.06.2020
The elevation of the Engineering Faculty in Leicester, a building by James Stirling and James Gowan, is in the centre of the tracing paper: a drawing composed of vertical, horizontal and diagonal black lines. A series of height lines and dimensions have been applied effectively, showing that the construction is… Read More
Stirling at Stuttgart: Rear View / Up Views
15.06.2020
Stirling at Stuttgart: Rear View / Up Views15.06.2020
Rear Views I joined the Stirling office in September 1976, working late hours through the length of four years until my return to Dublin towards the end of 1980. Straight out of college and into my first proper job, the critical years in my formation as an architect. I had… Read More
Staging Brancusi
15.06.2020
Staging Brancusi15.06.2020
– Sarah Handelman and Asli Çiçek
Sarah Handelman: When we started talking about your work in scenography almost a year before, you were in the middle of designing the Brancusi exhibition, which opened last October at BOZAR in Brussels. Since then I’ve been wanting to have a conversation with you about the kinds of stages that… Read More
Ove Arup: Engineering the World
12.06.2020
Ove Arup: Engineering the World12.06.2020
My introduction to the work of Ove Arup, the great Anglo-Danish structural engineer whose firm made both the Sydney Opera House and the Pompidou Centre in Paris buildable, came over the course of three years as I walked, almost every day, across his Kingsgate foot-bridge in Durham. This is the… Read More
Álvaro Siza: Drawn Closer
11.06.2020
Álvaro Siza: Drawn Closer11.06.2020
This text was originally published in Architecture through Drawing. Drawn Closer is a year-long collaboration between Domus and Drawing Matter, edited by Sarah Handelman. Each issue of the magazine features one architect discussing a drawing which they recognise as a transformative moment in their work. Domus 2020 is guest-edited by David Chipperfield. I began using… Read More
SUPA Architects: Naked Plans
06.06.2020
SUPA Architects: Naked Plans06.06.2020
– Christian Schweitzer and Ryul Song
This drawing, the first in our ‘Naked Plan’ series, overlaps 107 A3 sheets of construction drawings for House P, a private house in Pyeonchang-dong, Seoul (2013-15). Stripped in Autocad of all information, such as image, text and mtext, line weight, saturation and lightness, only the basic lines remain. Through the… Read More
Welfare Palace Hotel (1978)
04.06.2020
Welfare Palace Hotel (1978)04.06.2020
In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More
Jaume Mayol / TEd’A Arquitectes: Drawn Closer
28.05.2020
Jaume Mayol / TEd’A Arquitectes: Drawn Closer28.05.2020
– Sarah Handelman and Jaume Mayol
This drawing for a house in Mallorca joins a number of sketches we made to understand the project. Each space is made of separate elements. To understand the space you need to dive into each element, and to understand each element you need to be in the space. To draw… Read More
Eisenman: House VI (1985)
21.05.2020
Eisenman: House VI (1985)21.05.2020
The design of House VI was partly the result of Eisenman’s attempt to reconcile linguistic theories with architectural design. His interest in the work of Noam Chomsky, especially his theories of syntax, led to the investigation of possible analogies between language and architecture, and particularly the syntactic aspects of architectural… Read More
Calculated Aesthetics
19.05.2020
Calculated Aesthetics19.05.2020
The floor plan of the Losone gymnasium (1990–1997) by Livio Vacchini is a computer drawing made through the repetition of four basic elements: a rectangular black solid, and three types of short lines – one vertical and two diagonals in opposite directions. The black solid is copied with equal distance… Read More
Ink on his Hands: Montano’s Visceral Roman Architectures
18.05.2020
Ink on his Hands: Montano’s Visceral Roman Architectures18.05.2020
When he sat down to make the drawings that form this eight-page album of Roman buildings, Giovanni Battista Montano began by embossing lines onto the sheet with a stylus, straightedge and compass. Using natural black chalk, he then lightly sketched the principal parts and main particularities of the selected edifices.… Read More
The Decline of Architectural Drawing (1859)
11.05.2020
The Decline of Architectural Drawing (1859)11.05.2020
The Royal Academy’s 1859 summer exhibition, combined with a number of architectural drawings on display in Conduit Street, left a less than positive impression on critic C. H. Smith. In an article published by The Builder, Smith describes what he sees as a decline in the quality of the architectural… Read More
O’Donnell + Tuomey in Conversation
08.05.2020
O’Donnell + Tuomey in Conversation08.05.2020
– Sheila O'Donnell and John Tuomey
John Tuomey: Let me tell you the story of this drawing. We were at one of those despairing moments when we were putting together our book Space for Architecture and feeling that we had never achieved anything of any substance. We didn’t have a lot of work going at that particular moment,… Read More
The Ultimate Climes of John Lautner (1986)
04.05.2020
The Ultimate Climes of John Lautner (1986)04.05.2020
Extracted, with permission, from Piecing Together Los Angeles: An Esther McCoy Reader, published by East of Borneo Books © 2012. The publication is available at East of Borneo.
Plan with the form of a growling dog
29.04.2020
Plan with the form of a growling dog29.04.2020
I was drawing, endlessly it seemed, a hotel for a competition in Switzerland – fruitlessly as it turned out. I cheered myself along by seeing in the plan the face of an animal, a friendly bear, or more likely a dog. James’ ‘building with the form of a howling dog,’ which he… Read More
Grounded: Plans & Planning
29.04.2020
Grounded: Plans & Planning29.04.2020
– Richard Hall and Niall Hobhouse
The following is part of an email exchange between Niall Hobhouse and Richard Hall in response to Richard’s text on James Gowan and John Hejduk, One Thing Leads to Another. Niall Hobhouse: When you have time, I thought it would be interesting to encourage you to think about why it is… Read More
Shape
28.04.2020
Shape28.04.2020
Shape calls attention to things and their meanings. Architects, whether they mean to or not, give shape to things, and the people who see or inhabit those things, whether in full consciousness or not, respond to these shapes. The dimensions of this response are somewhat difficult to measure, since they… Read More
Space
27.04.2020
Space27.04.2020
Space in architecture is a special category of free space, phenomenally created by the architect when he gives a part of free space shape and scale. Its first two dimensions – width and breadth – are responsive mainly to functional imperatives in the narrow sense, but the manipulation of its… Read More
One Thing Leads to Another
23.04.2020
One Thing Leads to Another23.04.2020
Architecture rarely results from a singular eureka moment or a spontaneous act of genius. The myth of the napkin sketch is precisely a myth. The lucidity it suggests is essential, but it is seldom instantaneous or hermetic. It comes from work. In architecture, this work is of a special kind,… Read More
BV Doshi: Drawn Closer
23.04.2020
BV Doshi: Drawn Closer23.04.2020
– Balkrishna Vithaldas Doshi and Sarah Handelman
I was fifty years old when I started designing Sangath, my office in Ahmedabad. In India, when you cross fifty, suddenly – biologically, psychologically – you start to think about what in your life you have discovered. When I made the first drawings, I was thinking about many things: although… Read More
The Real and Imagined Worlds of Álvaro Siza
26.06.2020
The Real and Imagined Worlds of Álvaro Siza26.06.2020
– Bruno Silvestre
Inside the cover of Álvaro Siza’s sketchbooks, there is a whole world: the real and the imagined. In his personal registers of the real, Siza accepts the world as it is. He uses drawing in a playful but productive way, learns when he apprehends, absorbs when drawing. This process of… Read More
sketch DMC