Category: design methodologies
Welfare Palace Hotel (1978)
4 June 2020
Welfare Palace Hotel (1978)4 June 2020
In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More
Jaume Mayol / TEd’A Arquitectes: Drawn Closer
28 May 2020
Jaume Mayol / TEd’A Arquitectes: Drawn Closer28 May 2020
– Sarah Handelman and Jaume Mayol
This drawing for a house in Mallorca joins a number of sketches we made to understand the project. Each space is made of separate elements. To understand the space you need to dive into each element, and to understand each element you need to be in the space. To draw… Read More
Eisenman: House VI (1985)
21 May 2020
Eisenman: House VI (1985)21 May 2020
The design of House VI was partly the result of Eisenman’s attempt to reconcile linguistic theories with architectural design. His interest in the work of Noam Chomsky, especially his theories of syntax, led to the investigation of possible analogies between language and architecture, and particularly the syntactic aspects of architectural… Read More
Calculated Aesthetics
19 May 2020
Calculated Aesthetics19 May 2020
The floor plan of the Losone gymnasium (1990–1997) by Livio Vacchini is a computer drawing made through the repetition of four basic elements: a rectangular black solid, and three types of short lines – one vertical and two diagonals in opposite directions. The black solid is copied with equal distance… Read More
Ink on his Hands: Montano’s Visceral Roman Architectures
18 May 2020
Ink on his Hands: Montano’s Visceral Roman Architectures18 May 2020
When he sat down to make the drawings that form this eight-page album of Roman buildings, Giovanni Battista Montano began by embossing lines onto the sheet with a stylus, straightedge and compass. Using natural black chalk, he then lightly sketched the principal parts and main particularities of the selected edifices.… Read More
O’Donnell + Tuomey in Conversation
8 May 2020
O’Donnell + Tuomey in Conversation8 May 2020
– Sheila O'Donnell and John Tuomey
John Tuomey: Let me tell you the story of this drawing. We were at one of those despairing moments when we were putting together our book Space for Architecture and feeling that we had never achieved anything of any substance. We didn’t have a lot of work going at that particular moment,… Read More
The Ultimate Climes of John Lautner (1986)
4 May 2020
The Ultimate Climes of John Lautner (1986)4 May 2020
Extracted, with permission, from Piecing Together Los Angeles: An Esther McCoy Reader, published by East of Borneo Books © 2012. The publication is available at East of Borneo.
Plan with the form of a growling dog
29 April 2020
Plan with the form of a growling dog29 April 2020
I was drawing, endlessly it seemed, a hotel for a competition in Switzerland – fruitlessly as it turned out. I cheered myself along by seeing in the plan the face of an animal, a friendly bear, or more likely a dog. James’ ‘building with the form of a howling dog,’ which he… Read More
Grounded: Plans & Planning
29 April 2020
Grounded: Plans & Planning29 April 2020
– Richard Hall and Niall Hobhouse
The following is part of an email exchange between Niall Hobhouse and Richard Hall in response to Richard’s text on James Gowan and John Hejduk, One Thing Leads to Another. Niall Hobhouse: When you have time, I thought it would be interesting to encourage you to think about why it is… Read More
Shape
28 April 2020
Shape28 April 2020
Shape calls attention to things and their meanings. Architects, whether they mean to or not, give shape to things, and the people who see or inhabit those things, whether in full consciousness or not, respond to these shapes. The dimensions of this response are somewhat difficult to measure, since they… Read More
Space
27 April 2020
Space27 April 2020
Space in architecture is a special category of free space, phenomenally created by the architect when he gives a part of free space shape and scale. Its first two dimensions – width and breadth – are responsive mainly to functional imperatives in the narrow sense, but the manipulation of its… Read More
One Thing Leads to Another
23 April 2020
One Thing Leads to Another23 April 2020
Architecture rarely results from a singular eureka moment or a spontaneous act of genius. The myth of the napkin sketch is precisely a myth. The lucidity it suggests is essential, but it is seldom instantaneous or hermetic. It comes from work. In architecture, this work is of a special kind,… Read More
BV Doshi: Drawn Closer
23 April 2020
BV Doshi: Drawn Closer23 April 2020
– Balkrishna Vithaldas Doshi and Sarah Handelman
I was fifty years old when I started designing Sangath, my office in Ahmedabad. In India, when you cross fifty, suddenly – biologically, psychologically – you start to think about what in your life you have discovered. When I made the first drawings, I was thinking about many things: although… Read More
The San Cataldo Ossuary in the Age of Hyper-Objects
16 April 2020
The San Cataldo Ossuary in the Age of Hyper-Objects16 April 2020
I An abandoned house – a derelict phantom with no roof and no windows – reveals the twofold condition of architecture as image and as form. In San Cataldo, the image and form of death. As image: from afar, a metaphysical de Chirican presence, suspended between Adolf Loos’s project in… Read More
Language & the Doorn Manifesto
14 April 2020
Language & the Doorn Manifesto14 April 2020
The following audio clips are extracts from an interview with Peter Smithson conducted in 1997 for the Architects’ Lives oral history project run by National Life Stories. To listen to the full interview, click here. On language Peter Smithson on the change from the use of French to English as the predominant language of… Read More
Where Words Fail
6 April 2020
Where Words Fail6 April 2020
– Cyril Babeev and Matt Page
This drawing, a sketched site plan annotated in cursive old-Russian, was published in May 1903 in the Saint Petersburg-based architecture magazine Zodchiy (Зодчій). [1] The plan describes a nearly-square plot sited perpendicular to a street (ulitza, улица) and divided into three areas: a house, represented by a white void; a garden in the… Read More
Web of Intrigue
3 April 2020
Web of Intrigue3 April 2020
Searching the internet for the drawings of Michael Sorkin, one comes across a lengthy list of the projects that have emerged from his eponymously titled studio. Halfway down the list can be found an exotic beauty of a drawing soberly captioned thus: House of the Future. 1999. Coloured Pencil, Hand… Read More
Drawing Culture at SOM New York
3 April 2020
Drawing Culture at SOM New York3 April 2020
When I joined SOM in 1963, design drawings were done in pencil on yellow tracing paper with occasional use of coloured pencils. In the mid-60s this changed to magic markers. When working on a project under Sherwood Smith for a college campus, we drew the site plans with thin pen… Read More
Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art
27 March 2020
Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art27 March 2020
Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More
Behind the Walls
23 March 2020
Behind the Walls23 March 2020
Albert, an artist known only by his first name, thinks about buildings in ways similar to an architect. As he draws, he imagines the structures on the page having a future life in bricks and mortar, considering as he does so whether the audience for his drawings will ask themselves,… Read More
Biba Dow on Giorgio Morandi: Group and Threshold
3 March 2020
Biba Dow on Giorgio Morandi: Group and Threshold3 March 2020
– Biba Dow
Giorgio Morandi’s work focused on studying again and again a small group of domestic objects – vases, jugs, bottles – in his home in Bologna. During his adult life, he produced a large quantity of paintings and etchings which together build up a shimmering representation of his field of focus.… Read More
Seeing, and Disbelieving
2 March 2020
Seeing, and Disbelieving2 March 2020
It is easy enough to say that the analysis of any architectural drawing begins with asking what it is for. But trying to answer this innocent question, which applies equally to the purpose for which the drawing was intended and for which we are now looking at it, presents many… Read More
The Decline of Architectural Drawing (1859)
11 May 2020
The Decline of Architectural Drawing (1859)11 May 2020
– C. H. Smith
The Royal Academy’s 1859 summer exhibition, combined with a number of architectural drawings on display in Conduit Street, left a less than positive impression on critic C. H. Smith. In an article published by The Builder, Smith describes what he sees as a decline in the quality of the architectural… Read More
presentation civic & municipal DMC