Category: Drawing Matter archive: research & collecting

Ink on his Hands: Montano’s Visceral Roman Architectures

Ink on his Hands: Montano’s Visceral Roman Architectures

Dijana O. Apostolski

When he sat down to make the drawings that form this eight-page album of Roman buildings, Giovanni Battista Montano began by embossing lines onto the sheet with a stylus, straightedge and compass. Using natural black chalk, he then lightly sketched the principal parts and main particularities of the selected edifices.… Read More

L’Invasion de la Viande (1980)

L’Invasion de la Viande (1980)

Elie Delamare-Debouteville

As part of an imagined intervention in the subterranean spaces of the redeveloped Les Halles, Jean Criton’s project describes the new Metro station invaded, in a sinister process of parthenogenesis, by the meat from the Pavillon de la Boucherie, which had stood on the site until its controversial demolition eight… Read More

Paul Robbrecht: Drawn Closer

Paul Robbrecht: Drawn Closer

Paul Robbrecht

Initiatief 86 was important because (as Robbrecht en Daem) it was more or less our first real work for art. It was also an important moment for the Belgian art scene. That summer Jan Hoet curated Chambres d’Amis, exhibiting the work of 50 artists in homes across Ghent. At the… Read More

Wright & Lautner: The Divorce

Wright & Lautner: The Divorce

Nicholas Olsberg

Wright’s Eaglefeather (1941) – hilltop Malibu extravaganza for the filmmaker Arch Oboler – was running into trouble. Lloyd Wright, Frank Lloyd Wright’s son, oversaw construction drawings and supervision, but Lloyd was fired by Oboler in March 1941. Wright came to Los Angeles and arranged for Lautner to complete the project… Read More

The Decline of Architectural Drawing (1859)

The Decline of Architectural Drawing (1859)

C. H. Smith

The Royal Academy’s 1859 summer exhibition, combined with a number of architectural drawings on display in Conduit Street, left a less than positive impression on critic C. H. Smith. In an article published by The Builder, Smith describes what he sees as a decline in the quality of the architectural… Read More

O’Donnell + Tuomey in Conversation

O’Donnell + Tuomey in Conversation

Sheila O'Donnell and John Tuomey

John Tuomey: Let me tell you the story of this drawing. We were at one of those despairing moments when we were putting together our book Space for Architecture and feeling that we had never achieved anything of any substance. We didn’t have a lot of work going at that particular moment,… Read More

Animals

Animals

James Gowan and Ellis Woodman

excerpted from The Architecture of James Gowan: Modernity and Reinvention (2008)

The Ultimate Climes of John Lautner (1986)

The Ultimate Climes of John Lautner (1986)

Esther McCoy

Extracted, with permission, from Piecing Together Los Angeles: An Esther McCoy Reader, published by East of Borneo Books © 2012. The publication is available at East of Borneo.

Grounded: Plans & Planning

Grounded: Plans & Planning

Richard Hall and Niall Hobhouse

The following is part of an email exchange between Niall Hobhouse and Richard Hall in response to Richard’s text on James Gowan and John Hejduk, One Thing Leads to Another. Niall Hobhouse: When you have time, I thought it would be interesting to encourage you to think about why it is… Read More

Shape

Shape

Charles Moore

Shape calls attention to things and their meanings. Architects, whether they mean to or not, give shape to things, and the people who see or inhabit those things, whether in full consciousness or not, respond to these shapes. The dimensions of this response are somewhat difficult to measure, since they… Read More

Haiku

Haiku

John Cage

Here John Cage is writing in November 1950 to Cecil Smith, the Editor of Musical America, in passionate defence of Eric Satie, who had been attacked in the journal in an article by Abraham Skulsky. In 1948, Cage had delivered a controversial talk at Black Mountain College, titled ‘Defense of Satie,’… Read More

Cadbury-Brown: Royal College of Art Extension

Cadbury-Brown: Royal College of Art Extension

Lionel Brett

The counter-reformation did not last long. In the end I think what reconciled us was that everything I attempted failed. By way of diversion from internal dissension, like any politician, I switched to foreign affairs. There were two things which, as an architect, I was expected to achieve for the… Read More

Space

Space

Charles Moore

Space in architecture is a special category of free space, phenomenally created by the architect when he gives a part of free space shape and scale. Its first two dimensions – width and breadth – are responsive mainly to functional imperatives in the narrow sense, but the manipulation of its… Read More

Daria’s Aria

Daria’s Aria

Sarah Handelman

Between 1939 and 1941 the French-born, Milan-based editor Daria Guarnati published seven volumes of a series called Aria d’Italia. Each issue formed a substantial monograph on a distinct facet of Italian life and culture. The inaugural Christmas edition was followed by the evocatively titled issues ‘Italy through Colour’, ‘Mediterranean Summer’, ‘The… Read More

One Thing Leads to Another

One Thing Leads to Another

Richard Hall

Architecture rarely results from a singular eureka moment or a spontaneous act of genius. The myth of the napkin sketch is precisely a myth. The lucidity it suggests is essential, but it is seldom instantaneous or hermetic. It comes from work. In architecture, this work is of a special kind,… Read More

BV Doshi: Drawn Closer

BV Doshi: Drawn Closer

Balkrishna Vithaldas Doshi and Sarah Handelman

I was fifty years old when I started designing Sangath, my office in Ahmedabad. In India, when you cross fifty, suddenly – biologically, psychologically – you start to think about what in your life you have discovered. When I made the first drawings, I was thinking about many things: although… Read More

Ruskin: Fairy Tales

Ruskin: Fairy Tales

John Ruskin

We all have a general and sufficient idea of imagination, and of its work with our hands and our hearts: we understand it, I suppose, as the imagining or picturing of new things in our thoughts; and we always show an involuntary respect for this power, wherever we can recognise… Read More

Postcard from Nowhere (Counterswimming)

Postcard from Nowhere (Counterswimming)

Teresa Stoppani

Sixteen swim in synchrony. Bright red trunks, blue swim caps, in a perfectly choreographed 4 x 4 grid of bodies in motion. They swim in the shallow pale blue pool that contains them, as it floats in the ocean. They are about to collide with a dock that is too… Read More

Retail Therapy

Retail Therapy

A. Trystan Edwards

In architectural design the size of the human unit must always be borne in mind. It is nowhere more necessary to observe this maxim than in the determination of the scale of shop fronts, for here not only is the tendency to an undue magnification of parts most strongly encouraged… Read More

Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art

Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

Peter Blake & Adolfo Natalini: From Mies to Mickey Mouse

Peter Blake & Adolfo Natalini: From Mies to Mickey Mouse

Peter Blake

Sometimes, in the space between the archive and the library at Shatwell, we make nice conjunctions. Here together are Peter Blake in 1992, old and very angry, writing for Abitare about the decline of architecture in late twentieth-century America; and Adolfo Natalini in 1972, young and thrilled to have got there, sketching… Read More

‘I chose a distant meadow’: The House that Neutra Built

‘I chose a distant meadow’: The House that Neutra Built

Stephen Bayley

There are several curiosities in the plan of this classic modernist house by Richard Neutra. First, more area is allowed for dogs than for music. Second, there is a two-car garage, but a separate parking-space for a Rolls-Royce. Here is fine discrimination. But fine discrimination is exactly what you would… Read More

Aalto on Asplund: Stockholm Exhibition (1930)

Aalto on Asplund: Stockholm Exhibition (1930)

Alvar Aalto

Alvar Aalto, from an interview for the Swedish newspaper Åbo Underrättelser, May 22, 1930. Reprinted in Göran Schildt, ed., Alvar Aalto: Sketches, trans. Stuart Wrede (London: MIT Press, 1979), 16.

Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building

Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More