Category: drawing histories
Protected: Vanbrugh in the Best Light: Sir John Soane’s Lecture Drawings of Blenheim Palace
27.04.2026
Protected: Vanbrugh in the Best Light: Sir John Soane’s Lecture Drawings of Blenheim Palace27.04.2026
There is no excerpt because this is a protected post.
Protected: Carlos Bedoya, PRODUCTORA: Thinking through Drawing
27.04.2026
Protected: Carlos Bedoya, PRODUCTORA: Thinking through Drawing27.04.2026
There is no excerpt because this is a protected post.
The Principle of ‘Reach’
27.04.2026
The Principle of ‘Reach’27.04.2026
In the home economics theory of domestic space, a necessary and pivotal condition allowing the homemaker to work out and practice more ‘efficient’ routines, and thereby decrease her domestic drudgery, was the design of home interior. This included the arrangement of the objects of daily use. Conceptualising the space as… Read More
Protected: Collection Guide: Cedric Price
23.04.2026
Protected: Collection Guide: Cedric Price23.04.2026
– Editors
There is no excerpt because this is a protected post.
Vaucher’s Shadows
21.04.2026
Vaucher’s Shadows21.04.2026
It is a curious drawing, one that exudes an almost Magritte-like aroma of the surreal—the kind that depends upon the rendering of a visual-conceptual oxymoron with an extreme degree of realism. The subject has something to do with this, an isolated Ionic capital cut off at the neck from its… Read More
Desire and Pain: John Hejduk’s Thirteen Watchtowers of Cannaregio
13.04.2026
Desire and Pain: John Hejduk’s Thirteen Watchtowers of Cannaregio13.04.2026
– Mehrshad Atashi and Lida Badafareh
In his conversation with Don Wall in Mask of Medusa, John Hejduk recalls the programme of the Schatzalp sanatorium in Thomas Mann’s The Magic Mountain. ‘[…] the hero is going up the mountain in a carriage in the deep snow, he sees the dead bodies of those who had died in the sanatorium… Read More
Collection Guide: Futurism, Rationalism, and Stile Littorio
26.03.2026
Collection Guide: Futurism, Rationalism, and Stile Littorio26.03.2026
The Drawing Matter collection holds around 70 objects that speak to Italy’s architectural evolution in the early twentieth century. It should be noted that this period was characterised by tremendous stylistic diversity, with movements and groups—often unhappily—coexisting and shifting, ultimately culminating in the dominance of the Stile Littorio. At the… Read More
André des Gachons: Weather Warning
19.03.2026
André des Gachons: Weather Warning19.03.2026
The recent publication, La Veille du ciel: aquarelles météorologiques (Phénomène éditions), one of the most beautiful books published in 2025, gathers together forty years of daily weather reports by André des Gachons on the skies above the small rural commune of La Chaussée-sur-Marne, in eastern France. Des Gachons remained subjective… Read More
The Unperformed: Eisenstein’s Set Design for Heartbreak House
13.03.2026
The Unperformed: Eisenstein’s Set Design for Heartbreak House13.03.2026
The sole drawing by Sergei Eisenstein in the Drawing Matter archive is a set design for a production of George Bernard Shaw’s Heartbreak House (1919) from 1922. It is a rare, interdisciplinary confluence of a socialist Irish playwright (Shaw), a Russian filmmaker and theorist (Eisenstein), and a radical theatre maker… Read More
Shadowed plans
11.03.2026
Shadowed plans11.03.2026
Drawing Matter holds in its collection a plan by Superstudio architects Carlo Chiappi and Adolfo Natalini for the 1967 competition for the restoration of the Fortezza da Basso—a 16th-century fort in Florence—and its transformation into a National Centre for Arts and Crafts.[1] The drawing combines traditional plan-making techniques with remarkable… Read More
The Brick Pencil: Analogue Technology in a Digital Age
27.02.2026
The Brick Pencil: Analogue Technology in a Digital Age27.02.2026
Part 1: The Brick Pencil In a colour photograph with the rich saturation of Kodachrome, against an aquamarine background, a manicured hand grips an upright brick. Taped to the brick, tip down, is a pencil. The weight of the brick is palpable. Someone is working hard to write with this… Read More
Arrows
19.01.2026
Arrows19.01.2026
The small drawing that adorns the title page of F. R. S. Yorke’s 1937 study, The Modern House in England, is typical for its time. It shows an aerial perspective, made in thin black lines, of a conventional modern house with all its attributes. Cubic in shape, the house is… Read More
On Measurement: A Survey of Florence
12.01.2026
On Measurement: A Survey of Florence12.01.2026
The following text is an extract from a longer essay entitled ‘De re mensura: Surveying Practice in Quattrocento Painting’—which the author completed at the Warburg Institute in the autumn of 2025—looking at Renaissance perspective painting to consider how practices of surveying informed the development of perspective as an artistic and intellectual pursuit. *… Read More
Tracing Shadows: A Workshop Primer
05.01.2026
Tracing Shadows: A Workshop Primer05.01.2026
Here, Mark Dorrian examines the theoretical history of the shadow and its evolving role in architectural drawing. The text acts as a word-and-image primer for the third colloquium event, jointly hosted by the RIBA and V&A Drawings Collections, and Drawing Matter, which will take place later this month—a day of… Read More
In the Archive: Kenneth Frampton in Conversation with Daniel Talesnik (Video)
18.12.2025
In the Archive: Kenneth Frampton in Conversation with Daniel Talesnik (Video)18.12.2025
– Kenneth Frampton and Daniel Talesnik
In this instalment of our ‘In the Archive’ series, eminent architectural historian Kenneth Frampton is joined by architect and curator Daniel Talesnik. Through drawings of built and unbuilt works by Ove Arup, Stirling & Gowan, Alison and Peter Smithson, and Patrick Hodgkinson, to name a few, the conversation ranges from… Read More
DMJ – The Story of the Raft: Architectural Narrations of Disaster, Despair and Delight
18.12.2025
DMJ – The Story of the Raft: Architectural Narrations of Disaster, Despair and Delight18.12.2025
Architectural stories, almost by definition, construct narratives combining image and text. It is these combinations of the visual and the verbal that make architectural stories particularly compelling and memorable. ‘The Story of the Pool’ (1976) by Rem Koolhaas is a case in point. The script, written by Koolhaas, tells of… Read More
To Table
11.12.2025
To Table11.12.2025
To table is to create the conditions for collective presence through food, space, event, and ritual; it is to host a gathering where practices and events—ranging from the everyday to the ceremonial, the spontaneous to the planned—become acts of social meaning-making. Also, as a verb, ‘to table’ conventionally carries a dual… Read More
Protected: The Olympic Stadium Project: Le Corbusier & Baghdad
08.12.2025
Protected: The Olympic Stadium Project: Le Corbusier & Baghdad08.12.2025
– Editors
There is no excerpt because this is a protected post.
The Lovell Health House: Richard Neutra’s Revolution in Building
04.12.2025
The Lovell Health House: Richard Neutra’s Revolution in Building 04.12.2025
‘Paris, 1927. I was in Lurçat’s studio on the rue Bonaparte looking for the first time at reproductions of the ‘Health House’ of Neutra. We young followers of the new architecture were both admiring and astounded by this signal of a revolution in building.’ Willy Boesiger, introducing Richard Neutra. Buildings and Projects (Zurich:… Read More
The Ingredients of the Pudding: Alison and Peter Smithson’s Christmas Cards
01.12.2025
The Ingredients of the Pudding: Alison and Peter Smithson’s Christmas Cards01.12.2025
Drawing Matter is pleased to publish the following text to mark the opening of ‘Come Deck the Halls!’, an exhibition celebrating the work of Alison and Peter Smithson at Roca London Gallery (5 December 2025 – 31 January 2026). The exhibition provides an insight into their architectural thinking through the… Read More
Notes on Louis-Hippolyte Lebas’ Travel Sketchbooks (Video)
20.11.2025
Notes on Louis-Hippolyte Lebas’ Travel Sketchbooks (Video) 20.11.2025
The sketchbook is your loyal private companion, your eyewitness and accomplice on voyeuristic escapes and inquisitive journeys. It is a brain in your hand, mirroring even subconscious registrations, only discovered afterwards, as you flick through the pages, absent-mindedly. You remember—much has already entered you, through the hand. I cry when… Read More
Sin Centre: Sheen and Transparent Overlays
10.11.2025
Sin Centre: Sheen and Transparent Overlays10.11.2025
– Nat Chard and Michael Webb
Following a lively debate at Drawing Matter about the surface and support of Michael Webb’s isometric drawing of a car ramp, Nat Chard thought to ask Michael himself how he made it. Dear all, On Monday we had a conversation about one of Mike Webb’s Sin Centre drawings that had a print-like… Read More
DMJ – From Team 4 to Foster Associates: Condensed Narratives and Expanded Storytelling
30.10.2025
DMJ – From Team 4 to Foster Associates: Condensed Narratives and Expanded Storytelling30.10.2025
The work of Team 4 Architects (1963–1967) and Norman and Wendy Foster’s continuation as Foster Associates (1967–1992) is typically examined through their built projects rather than through their extensive drawing repertoire and its imaginative potential. This article unpacks the narrative strategies employed by the two British practices, focusing on the… Read More
The Open Hand Reloaded
24.04.2026
The Open Hand Reloaded24.04.2026
– Maristella Casciato
* Maristella Casciato (architect, architectural historian, and educator) is senior curator, head of architectural collections at the Getty Research Institute in Los Angeles.
presentation DMC