Category: drawing histories
DMJ – From Team 4 to Foster Associates: Condensed Narratives and Expanded Storytelling
30.10.2025
DMJ – From Team 4 to Foster Associates: Condensed Narratives and Expanded Storytelling30.10.2025
The work of Team 4 Architects (1963–1967) and Norman and Wendy Foster’s continuation as Foster Associates (1967–1992) is typically examined through their built projects rather than through their extensive drawing repertoire and its imaginative potential. This article unpacks the narrative strategies employed by the two British practices, focusing on the… Read More
Andrea Branzi & Archizoom Associati at Drawing Matter
27.10.2025
Andrea Branzi & Archizoom Associati at Drawing Matter27.10.2025
– Rosie Ellison-Balaam and Francesco Fiammenghi
To probe the long and multifaceted career of Andrea Branzi (1938–2023), one must first turn to his formative years at the Faculty of Architecture at the University of Florence in the early 1960s. At the time, the Florence School became the incubator of several of Italy’s postwar avant-garde groups, including… Read More
Protected: DMJ – The Story of the Raft: Architectural Narrations of Disaster, Despair and Delight
24.10.2025
Protected: DMJ – The Story of the Raft: Architectural Narrations of Disaster, Despair and Delight24.10.2025
There is no excerpt because this is a protected post.
Protected: The Ingredients of the Pudding: Alison and Peter Smithson’s Christmas Cards
13.10.2025
Protected: The Ingredients of the Pudding: Alison and Peter Smithson’s Christmas Cards13.10.2025
There is no excerpt because this is a protected post.
Vor-textu(r)al Translations from Building to Drawing
22.09.2025
Vor-textu(r)al Translations from Building to Drawing22.09.2025
Architecture emerges somewhere in the interval between the first mark of drawing and building; it is from this interstitial space that potential stirs, waiting to be swept up in bouts of differential combustion. In this sense, architecture is neither drawing nor building but something that exceeds both, while transforming their… Read More
Fabric Fabrications
27.08.2025
Fabric Fabrications27.08.2025
Interpretation I am very grateful to Mark Dorrian for his reading of my 1977 drawing. [1] While at the time of its laborious production, the word shroud was not uppermost as my intended coding, I can now see that the dark, drawn folds have a real, symbolic or imaginary resonance—subsequently… Read More
A Machine is a House for Making a Living
25.08.2025
A Machine is a House for Making a Living25.08.2025
‘Mobility’ has long been a theme in architecture. After observing everyday life in Chinese cities, we became interested in exploring an understanding of mobility, which is not primarily defined by motion, but by the practices of pausing and occupying urban space. The discovery comes from the vehicles used by street… Read More
Typology: A conversation
13.08.2025
Typology: A conversation13.08.2025
– Richard Hall, Hans van der Heijden and Andreas Lechner
In Spring 2025, Hans van der Heijden and Andreas Lechner corresponded about books which each had recently published that deal with the issue of ‘type’ and the role of drawing in typological work.[1] Hans invited Richard Hall to join the conversation, widening the discussion to three generations working in three… Read More
Melancholy Little Gardens
04.08.2025
Melancholy Little Gardens04.08.2025
Lionel Wallace, the protagonist of H.G. Wells’s The Door in the Wall (1906), was haunted by the vision of an enchanted garden glimpsed in childhood. Having eluded the vigilant and authoritative care of his nursery governess, he found himself wandering aimlessly among the long grey West Kensington roads until he… Read More
Reading Between the Lines: The Language of Structural Engineers
28.07.2025
Reading Between the Lines: The Language of Structural Engineers28.07.2025
A version of the phrase ‘engineering drawing is a universal language of signs and symbols’ appears in countless engineering drawing textbooks starting in the early twentieth century and continues today. A particularly evocative iteration published in the 1960s states: ‘[Engineering drawing] is a universal language; for the reader may be… Read More
Genius loci
24.07.2025
Genius loci24.07.2025
This text was first published in French in d’a | d’architectures (no 322,11 December 2024) as a review of the exhibition Trompe-l’oeil, from 1520 to the present day, which was on show at the Musée Marmottan Monet in Paris from 17 October 2024 to 2 March 2025. * It is difficult to distinguish between the… Read More
Gio Ponti at Drawing Matter
21.07.2025
Gio Ponti at Drawing Matter21.07.2025
– Maristella Casciato and Rosie Ellison-Balaam
Gio Ponti (1891-1979) was born in Milan, and while he had ambitions to become an artist, he enrolled in architecture at the Politecnico di Milano in 1913. He completed his studies in 1921 after serving in the war, and in the same year, he opened his firm. Ponti is often… Read More
DMJ – A Storyboard for the Fun Palace
07.07.2025
DMJ – A Storyboard for the Fun Palace07.07.2025
Each community, with its own pride, wit and resourcefulness, could make a toy, a microcosm, a small city, a university-of-the-streets, a street theatre, a science playground, an adventure playground for the young kids – a place for time-wasting, gossip, new-arguing, learning, promenading, dancing, eating and drinking, handling tools, paint, machinery…… Read More
Studio Ponis: The Crystal and the Flame
02.07.2025
Studio Ponis: The Crystal and the Flame02.07.2025
– Irina Davidovici, Niall Hobhouse, Alex Pillen, Jonathan Sergison and Annarita Zalaffi
On Friday 20 June, Drawing Matter welcomed Annarita Zalaffi, Jonathan Sergison, Irina Davidovici, and Alex Pillen to the archive for a conversation about the work of Studio Ponis in Sardinia, and Alberto Ponis and Annarita Zalaffi’s working relationship. The conversation marked the opening of an exhibition of drawings from the… Read More
From the Poetics of Reality to the Poetics of Memory
16.06.2025
From the Poetics of Reality to the Poetics of Memory16.06.2025
Aldo Rossi’s conception of context underwent a significant transformation over the course of his architectural career, shifting from an emphasis on place to a preoccupation with memory.[1] This evolution is most discernible in his drawings. A comparative close reading of two works—an untitled drawing from 1950 and Composizione con S. Carlo–Città e Monumenti from 1970—reveals… Read More
Painting Architecture in Early Renaissance Italy
05.06.2025
Painting Architecture in Early Renaissance Italy05.06.2025
Livia Lupi’s book Painting Architecture in Early Renaissance Italy: Innovation and Persuasion at the Intersection of Artistic and Architectural Practice addresses a topic of recurring interest to readers of DM and DMJournal: the relation of actual to pictorial representations of architecture and its ornament in early fifteenth-century Italy. Harvey Miller has adorned… Read More
DMJ – Francesco di Giorgio’s Opusculum de Architectura as Self-Portrait
26.05.2025
DMJ – Francesco di Giorgio’s Opusculum de Architectura as Self-Portrait26.05.2025
Francesco di Giorgio’s Opusculum de architectura (London, The British Museum, ms. 197.b.21) is one of the most enigmatic records of the architect’s celebrated career as a designer of machines. Born in the Sienese workshop and completed with an eloquent Latin dedication at the court of Urbino, the manuscript’s 195 unique drawings are both… Read More
The Eternal Change – The Coming of a Ruin
22.05.2025
The Eternal Change – The Coming of a Ruin22.05.2025
During the spring of 2024, I was fortunate to spend some time in Rome as a fellow at the Danish Institute. My agenda was to delve deeper into the importance of water in the eternal city—having chosen the Italian capital as the context of this investigation due to the significant… Read More
N.B. These Drawings Were From Memory
19.05.2025
N.B. These Drawings Were From Memory19.05.2025
After entering Smart’s Place, and climbing the steep staircase of treads (that become increasingly high and shallow until all the tension in my body was focused on my toes gripping and my weight not leaning back*), I arrived at the space of Drawing Matter where Rosie had indiscriminately laid out… Read More
Fine Art and Commercial Architecture
08.05.2025
Fine Art and Commercial Architecture08.05.2025
Architects are touchy about whether they are making art or not. At a conference in Santa Monica several years ago Cesar Pelli was very concerned that his architecture be considered art. This is an ambiguity of European usage. As one of ‘the arts,’ architecture is an art. Visual art is… Read More
Jean Tinguely: La Vittoria
02.05.2025
Jean Tinguely: La Vittoria02.05.2025
– Editors
In 1970 Pierre Restany and Guido Le Noci, director of the Apollinaire gallery, decided to celebrate, with the help of the municipality of Milan, the tenth anniversary of the foundation of the Nouveaux Réalistes group. On 27 November, ten years after Yves Klein published his single-issue newspaper Le Dimanche 27… Read More
DMJ – Of Ends and Origins: Raimund Abraham and the Birth of Architecture
21.04.2025
DMJ – Of Ends and Origins: Raimund Abraham and the Birth of Architecture 21.04.2025
Origin stories have a unique standing in the history of architectural thinking and imagination. They are textual, visual, and representational devices not only of what architecture aspires to be but of the world to which architecture responds and in which it operates. Effective origin stories produce the subjects which both… Read More
Reason for Drawings
20.10.2025
Reason for Drawings 20.10.2025
– Samantha Hardingham
Have you ever wondered what would happen if a certain drawing did NOT exist? I am forever grateful to Cedric Price for doing this drawing. If he had not done it, my job of devising a way to order and organise materials for what became Cedric Price Works 1952-2003: a forward-minded retrospective (AA/CCA,… Read More
sketch theoretical & imaginary exhibition archive