Category: drawing histories
Geoffrey Goes to Basildon
10 October 2019
Geoffrey Goes to Basildon10 October 2019
Charley in New Town is the peerless Halas and Batchelor film made for the government’s Central Office of Information in 1948, offering a utopian vision of new town living to the dazed postwar urban public. There is something of Charley, pedalling around the streets of the immaculately clean, smoke-free, Neo-Garden City,… Read More
John Hejduk’s Axonometric Degree Zero
23 September 2019
John Hejduk’s Axonometric Degree Zero23 September 2019
Sometime in 1981, while I was working on my final thesis project at the Cooper Union, John Hejduk set me a drawing exercise. We had been discussing the spatial implications of the 90-degree axonometric. [1] Hejduk had a very particular understanding of this drawing type, which involved folding or hinging… Read More
Dom Hans van der Laan: Drawing the Scottish Tartan
19 August 2019
Dom Hans van der Laan: Drawing the Scottish Tartan19 August 2019
This essay is published to celebrate the release of Dom Hans van der Laan, A House for the Mind: A design Manual on Roosenberg Abbey, by Caroline Voet. Buy the book. For more info on the design methodology and the work of Dom Hans van der Laan, see the educational website and… Read More
Lauretta Vinciarelli’s West Texas Types
26 June 2019
Lauretta Vinciarelli’s West Texas Types26 June 2019
Lauretta Vinciarelli was born in 1943 in Arbe, Italy and raised in Rome. In the mid-1960s she attended graduate school at the La Sapienza University in Rome, earning her doctorate in architecture and urban planning in 1971. As a student she encountered the typological and vernacular approaches to housing and… Read More
On Cornices, Part I
17 June 2019
On Cornices, Part I17 June 2019
In 1806, the civil servant Karl Tilebein and his wife were looking for an architect to design their new country house in Züllchow, Pomerania. They contacted the young Prussian architect Karl Friedrich Schinkel, who, having recently returned from a two-year grand tour of Italy, was back in Berlin eking out… Read More
Ugliness and Judgment
19 April 2019
Ugliness and Judgment19 April 2019
In the summer of 1740, John Wood the Elder ventured his first study of the lithic monuments that surrounded his native city of Bath, drawing sketches of the stones at Stanton Drew. These earned him the patronage of Edward Harley, second Earl of Oxford, which enabled Wood to undertake more… Read More
Informal Housing in Fars (Iran) and Kuwait, 1974
5 April 2019
Informal Housing in Fars (Iran) and Kuwait, 19745 April 2019
This is another world – Yazd, a desert town really. It is troglodytic – a response to a hot, dry climate, so it is cut into the ground using mud brick, the wind catchers and domes create the silhouettes. So these pages are about the visit to Yazd – getting… Read More
Drawing with Rafael Moneo, Madrid 1984
14 March 2019
Drawing with Rafael Moneo, Madrid 198414 March 2019
I arrived in Rafael Moneo’s Madrid office in early 1984. I had graduated from Cooper Union two years earlier and spent 18 months working for Richard Meier in New York. I met Moneo in 1978 when he was teaching at the Institute for Architecture and Urban Studies, but I don’t… Read More
Zaha Hadid: Kurfürstendamm
8 March 2019
Zaha Hadid: Kurfürstendamm8 March 2019
This is all Zaha’s hand. When she is drawing there is a directionality – you are looking from the top, at a plan, extruded or in perspective. These sketches are relatively preliminary but certainly not initial – they are too defined. She is developing a composition, but already thinking about… Read More
Gowan and Stirling
1 March 2019
Gowan and Stirling1 March 2019
This odd-shaped, yellowed analysis drawing by James Gowan, drawn directly onto heavy paper isn’t dated, and was probably added to years after the drawing was nearly complete. Ellis Woodman describes the drawing as ‘that drawing that James always kept in the box with his sketchbooks’. Unusually, when I first saw… Read More
Boompjes II
28 February 2019
Boompjes II28 February 2019
Triptych This ink drawing was to be printed as a silkscreen and that is when the conversation with Bernard Ruygrok, the printer, started. His place in Amsterdam was amazing. We had several meetings to discuss colors because he had to do everything by hand. At some point I had a smaller version of the ink drawing printed on clear… Read More
Boompjes I
22 February 2019
Boompjes I22 February 2019
In the 1980s, the city of Rotterdam asked OMA to study its high-rise building and to illustrate their findings in a planning proposal. The site, selected in consultation with the Rotterdam Planning Department, was situated on Maasboulevard, near the Maasbridge – an angle between the river and the lower city grid, a ‘hinge’… Read More
Roosevelt Island
17 February 2019
Roosevelt Island17 February 2019
The Roosevelt Island competition was sponsored by New York State Urban Development Corporation for the urbanisation of an island in the East River of Manhattan. The city grid served as a formal generator for the building types, adapted with controlling geometry to the proportions of the island’s topography. There are… Read More
Zaha Hadid: Azabu-Juban
16 February 2019
Zaha Hadid: Azabu-Juban16 February 2019
Zaha Hadid’s sketches during mid-1980s for projects often unknown and unbuilt mark a transitional period in her drawing and thinking, from the early work inspired by the programme briefs and axonometric drawing style of OMA. Often she sketches in plan, her line moving right to left, discernable through an initial… Read More
Eric Parry: Iran, 1974
10 February 2019
Eric Parry: Iran, 197410 February 2019
If I now open the page – this sketchbook is different to rest because at that time, one had time. There was no planning to any of these. No A to Z or intention of a grand plan. For the months involved there is not much evidence, only a hint… Read More
Schinkel
8 February 2019
Eric Parry: India, 1975
7 February 2019
Eric Parry: India, 19757 February 2019
This sketchbook results from a journey through west and northwest India focussed on the study of low-cost settlements in Bombay and Ahmedabad. It followed a seven-month period of research around nomadic environments in Iran and Kuwait. This mind- and eye-opening time was spent with colleague Andrew Thorne. Going back to… Read More
Drawing, Movement and Medium: Mark Dorrian in conversation with Michael Webb, Episode 3
21 January 2019
Drawing, Movement and Medium: Mark Dorrian in conversation with Michael Webb, Episode 321 January 2019
– Mark Dorrian and Michael Webb
The third episode of Michael Webb’s conversation with Mark Dorrian resumes with the fate of the Sin Centre model. The piece is published to mark the entry of the first part of a new model of the Sin Centre into the Drawing Matter collection. The conversation took place on Wednesday,… Read More
Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 2
21 January 2019
Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 221 January 2019
– Mark Dorrian and Michael Webb
Mark Dorrian: I’ve loaded some images – Michael, by the way, doesn’t know what’s coming up. After showing this, the drawing of the building, I thought it would be useful to show a couple of slides about the context in which this project then appeared. The Furniture Manufacturers Building is… Read More
Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 1
19 January 2019
Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 119 January 2019
– Mark Dorrian and Michael Webb
Mark Dorrian: Hello everyone – it’s a real pleasure to welcome Professor Michael Webb, our George Simpson Visiting Professor this year. Michael is a very important and interesting architect, closely associated with Archigram, of which he was a member. He has a fascinating architectural trajectory and development, which involves the early… Read More
Superstudio: In Yesterday’s Tomorrow
23 December 2018
Superstudio: In Yesterday’s Tomorrow23 December 2018
‘Metamorphoses become frequent when a culture does not have sufficient courage to commit suicide (to eliminate itself) and has no clear alternatives to offer either‘ – Adolfo Natalini Following social and economic upheaval, there is often a retreat to the home. Traditionally, the ‘home’ is identified with a site of… Read More
Zaha Hadid
27 November 2018
Zaha Hadid27 November 2018
When, in January 1983, Peter Cook reviewed a recently held exhibition for Zaha Hadid’s 59 Eaton Place, he spoke of the resonance between the individual and their education in developing an architectural identity. [1] He pondered on the development of Hadid over that period, What if fate had led her… Read More
Gio Ponti: un disegno è un idea
7 October 2019
Gio Ponti: un disegno è un idea7 October 2019
– Niall Hobhouse
Signora Onvoloni, here is a drawing that might find a place in your cabinet of ideas: ‘a drawing is an idea’ – Gio Ponti, translated by Guido Beltramini [1] All seems simple enough on the face of it, and of course one smiles, just as Gio hoped we might. But… Read More
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