Category: drawing techniques & materials

Leicester Engineering building: Two Architects (1964)

Leicester Engineering building: Two Architects (1964)

Ellis Woodman

Filmed in 1964, Ron Parks’ documentary on the newly completed Engineering Department at Leicester catches James Stirling and James Gowan at a moment of professional triumph and personal crisis. Their building was being applauded the world-over – Parks’ film had been commissioned by the American Institute of Architects, to mark its… Read More

Peter Märkli: My Facade Material

Peter Märkli: My Facade Material

Editors

The following quotations are from ‘Mein Stoff für Fassaden (My Facade Material)’, a lecture delivered online by Peter Märkli to open a series of five talks for the Architecture Foundation. The quotations are presented here in a loose fashion, some treated as aphorisms about design, others illustrated with drawings from… Read More

Pan Scroll Zoom 11: Architecten Jan De Vylder Inge Vinck

Pan Scroll Zoom 11: Architecten Jan De Vylder Inge Vinck

Fabrizio Gallanti, Inge Vinck and Jan De Vylder

This is the eleventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Jan De Vylder and Inge Vinck about their teaching… Read More

The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple

The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple

Frank Lyons

The Architecture of Nothingness: Drawing the Drawings As architects we have learned to read drawings almost instantly. At a glance we see what the spaces feel like, what it will be like to move around the building and perhaps even get a sense of the appropriateness of the structure. This ‘presentational’ way… Read More

Place and Displacement: Rubbings from Architecture

Place and Displacement: Rubbings from Architecture

Sam van Strien

The process of making a rubbing transcends the traditional boundaries of architectural draughtsmanship and illustration. A rubbing is made by placing a sheet of paper over an object or textured surface and burnishing its surface with a drawing medium such as graphite or charcoal. Many of us might associate the… Read More

Hans Hollein: From a Distance

Hans Hollein: From a Distance

Robert Crawford

On a page of Hans Hollein’s sketchbook, a cluster of adobe buildings climb slowly and modestly above the horizon, seeming to rise out of the earth. The sketch, produced in 1960 during the Austrian architect’s exploration of the western United States, feels unorthodox for Hollein, whose proclivity for radical, anti-Functionalist… Read More

Flores & Prats Sala Beckett International Drama Centre (2020): REVIEW & EXCERPTS

Flores & Prats Sala Beckett International Drama Centre (2020): REVIEW & EXCERPTS

Helen Thomas

Review Making a book about making a building creates a special narrative challenge in the constant battle between reality and myth that vibrates through non-fiction publications and the ways in which we as readers engage with and interpret them. This is complicated even more when making a book about a… Read More

André Arbus: Details Matter

André Arbus: Details Matter

Anna Healy

These presentation drawings – polished, finished, complete – were drawn by André Arbus in the 1950s. They are of a compact, open-plan apartment. Although they are not design drawings, they reveal a lot about the process of design. They communicate thought and care and suggest many drawings have come before them.… Read More

Pan Scroll Zoom 10: Studio Othenin-Girard

Pan Scroll Zoom 10: Studio Othenin-Girard

Guillaume Othenin-Girard

This is the tenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Guillaume Othenin-Girard discusses his studio at the University of Hong Kong which explored… Read More

Working with Gowan: Housing at East Hanningfield

Working with Gowan: Housing at East Hanningfield

Paul Notley

The Site Plan was one of the Planning drawings prepared for submission to Chelmsford District Council and Essex County Council. It is A1 size and drawn on Wiggins Teape 112 gram ‘Gateway’ tracing paper. The East Hanningfield job was the first on which ‘A’ sized paper had been used in… Read More

Studio Mumbai’s Tape Drawing

Studio Mumbai’s Tape Drawing

Irfan Safdag

Rain falls from the sky as a five-month monsoon season sweeps across India. Often associated with abundance and blessing, rain is a sign of good prospects, particularly for Southwest Indian farmers who are dependent on rainfall for their crops. The Saatrasta-Mahindra tape drawing embodies the term ‘adapting to place’, as… Read More

Marie-José Van Hee: Seeing not Showing

Marie-José Van Hee: Seeing not Showing

Tessa Baird

‘House’ by Marie-José Van Hee is drawn on a sheet of trace, the edge of which is visible at the top, offset from the plain white ground for photographing or scanning. It is a freehand drawing that uses black graphite for lines, to hatch, shade, and achieve gradations of roughly rendered… Read More

Haunted: Robert Smithson’s ‘My House is a Decayed House’

Haunted: Robert Smithson’s ‘My House is a Decayed House’

Suzaan Boettger

The following text is excerpted from Dr. Suzaan Boettger’s research for her book in process, The Passions of Robert Smithson, Art and Life.  Follow her on Instagram @NatrCultr, where images are tagged #UnknownSmithson. ‘History has many cunning passages, contrived corridors.’ If the sardonic analogy sounds like Robert Smithson, you’re close: it was written by his favorite… Read More

Pan Scroll Zoom 8: Patrick Lynch

Pan Scroll Zoom 8: Patrick Lynch

Patrick Lynch

This is the eighth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode we share Instagram posts by Patrick Lynch in which he describes his experience… Read More

Glasgow School of Art: The Measure of Things

Glasgow School of Art: The Measure of Things

Paul Clarke

The following text was first published in The Library: Glasgow School of Art (2014), edited by Mark Baines, John Barr and Christopher Platt. The text describes Paul Clarke’s process of surveying Charles Rennie Mackintosh’s library at the Glasgow School of Art, which he undertook in 1993. When the library was… Read More

Make me Hyper-Real: image ethics and the architectural visualisation

Make me Hyper-Real: image ethics and the architectural visualisation

Daniel Innes

Architectural visualisations sell us the image of a new reality. In depicting a building that is designed, rather than completed, they constitute a kind of spatial hypothesis: a temptation of a happier, wealthier, and more connected world. By constructing these fictions through the means of the image, they sell us the notion that the project it depicts will improve our lives for the better. … Read More

The Perpetual Race of Piranesi and the Tortoise

The Perpetual Race of Piranesi and the Tortoise

Marc McGowan

Melting reality, ancient history and fantasy into one, the etchings of Giovanni Battista Piranesi hold an unparalleled allure that continues to entrance and captivate. They offer an escape into imagined and unknown worlds; each drawing an organism of its own, containing an immense depth of spatial layering and an extraordinary… Read More

Pan Scroll Zoom 7: MOS

Pan Scroll Zoom 7: MOS

Fabrizio Gallanti, Michael Meredith and Hilary Sample

This is the seventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Michael Meredith and Hilary Sample of the New York-based… Read More

Stan Allen’s Situated Objects (2020): Review & Excerpt

Stan Allen’s Situated Objects (2020): Review & Excerpt

Niall Hobhouse

Review Three times a week a package arrives in Somerset with another Practice Monograph, and the generous proposal that we might want to add it to the library at Drawing Matter. This is clearly an old story – somewhere we have a copy of one of John Soane’s endless books… Read More

Re-presenting the Rococo

Re-presenting the Rococo

David Valinsky

In October 2017, I travelled to the outskirts of Munich to spend three days in the company of Johann Michael Fischer’s church of St Michael at Berg am Laim with the purpose of presenting it in drawings and photographs. The trip was sponsored by the Drawing Matter Trust and was intended to act as… Read More

Take One: Architects on Drawing

Take One: Architects on Drawing

Editors

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

In search of an honest map

In search of an honest map

Nicholas Herrmann

We don’t experience place as maps would have us believe. We might technically exist within the map, an orientation marker besieged by the total sum of data, every landmark, park and street swarming around us at all times. But our perspective is only partial – a patchwork of neighbourhoods, structures… Read More

Drawing the Curtain: Entangling rendering and theatrical space

Drawing the Curtain: Entangling rendering and theatrical space

Thomas Hutton

Pliny the Elder recounted the following story in Naturalis Historia: The two great painters of classical Greece, Zeuxis and Parrhasius staged a contest to determine the greater painter. When Zeuxis unveiled his painting, the grapes he depicted appeared so real that a bird flew down to peck at them. When… Read More

Drawing Sacred Forests and Courtyards in South Benin

Drawing Sacred Forests and Courtyards in South Benin

Quentin Nicolaï

The following conversation between the editors of Accattone and Quentin Nicolaï was first published in Accattone 6 (2019). It documents research carried out by Quentin Nicolaï in Abomey, Benin, between January 2014 and June 2018. Drawing Matter would like to thank the author and the magazine’s editors for allowing us reproduce… Read More