Category: office cultures
Drawing Conversations: Letters to Clients
26.10.2022
Drawing Conversations: Letters to Clients26.10.2022
In October 1925 Le Corbusier wrote to his client Madame Meyer a remarkable letter about his proposal with Pierre Jeanneret for her villa. It combined drawings with a highly scripted text that carefully guided her through each space, from the entrance to the roof garden. Like the pioneers of early… Read More
fala: wireframes
17.10.2022
fala: wireframes17.10.2022
– fala
This is the third of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Wireframes are snapshots of three-dimensional models built solely from lines. Single-line plans and sections are extruded to form a light envelope. Its colours dismantle the… Read More
fala: comprehensive
03.10.2022
fala: comprehensive03.10.2022
– fala
This is the second of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Normally, a project is depicted through a series of plans, sections, elevations, and some axonometric drawings, perhaps – every aspect of it explained and documented. We… Read More
Superstudio’s Collage Chest: A Chance Machine
26.09.2022
Superstudio’s Collage Chest: A Chance Machine26.09.2022
In 1968 Adolfo Natalini’s partner, Frances Brunton, returned to Florence from London with their newborn daughter and a small wooden chest with five drawers. On three sides of the chest, Natalini hand painted sky-blue flowers on an orange background. The chest of drawers was then taken to the Superstudio-studio in… Read More
fala: the single line
19.09.2022
fala: the single line19.09.2022
– fala
This is the first of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. It started from a rather liberating decision to omit thicknesses. Gradually, all the information that wasn’t central to our thinking was removed, avoiding any celebration… Read More
Power & Public Space 6: André Patrão – Eisenman, Derrida, and Chora L Works (Parc de la Villette)
22.07.2022
Power & Public Space 6: André Patrão – Eisenman, Derrida, and Chora L Works (Parc de la Villette)22.07.2022
– Matthew Blunderfield and André Patrão
Power & Public Space is a podcast from Drawing Matter and the Architecture Foundation hosted by Matthew Blunderfield. You can find the full podcast series here. Or listen now: Parc de la Villette was emblematic of the strong ties made between the disciplines of architecture and philosophy in the 1980s, where… Read More
Elia Zenghelis: The Image as Emblem and Storyteller
11.07.2022
Elia Zenghelis: The Image as Emblem and Storyteller11.07.2022
We recently arranged for Elia Zenghelis to give a presentation under the title ‘The Image as Emblem and Storyteller’ via the Architecture Foundation’s YouTube channel. The talk summarises a thesis that Elia has been continuously developing throughout his career: from OMA’s polemical early work, via decades as one of the… Read More
Growth or Composition? Colin Rowe to Louis Kahn
10.02.2022
Growth or Composition? Colin Rowe to Louis Kahn10.02.2022
Extracted, with permission, from Louis Kahn: The Importance of a Drawing edited by Michael Merrill, published by Lars Müller Publishers © 2021. Click here to read a review of this book by Stan Allen. An auspicious meeting: At the end of 1955, a thirty-five-year-old academic named Colin Rowe visited the office… Read More
Pan Scoll Zoom 19: Pier Vittorio Aureli and Maria S. Giudici
19.01.2022
Pan Scoll Zoom 19: Pier Vittorio Aureli and Maria S. Giudici19.01.2022
– Pier Vittorio Aureli, Fabrizio Gallanti and Maria S. Giudici
This is the nineteenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, he talks to Pier Vittorio Aureli and Maria S. Giudici. Pan Scroll Zoom: Teaching… Read More
Working with Tony Fretton
04.01.2022
Working with Tony Fretton04.01.2022
In the early 1990s a number of architects, academics and artists came together in a rather fluid manner, meeting regularly in my Bloomsbury apartment. Tony Fretton was older than most of us and had already established a clear critical position. The conversations we had, and sometimes the arguments, were instructive… Read More
Analoge Architektur: Fire Station Project
08.12.2021
Analoge Architektur: Fire Station Project08.12.2021
This drawing of the roof level of a fire station, designed as a student work in 1986, was for the ‘Analoge Architektur’ exhibition at the Architektur Forum Zurich. [1] While the drawing is the work of an individual, it was inconceivable without the competitive and collegial development of a drawing… Read More
The Philips Pavilion: Models as Structural Expression
23.11.2021
The Philips Pavilion: Models as Structural Expression23.11.2021
The following text discusses the use of models as an integral part of the architectural process. It is excerpted from Matthew Mindrup’s article on the roles of models in the design of the Sydney Opera House and Iannis Xenakis and Le Corbusier’s Philips Pavilion for the 1958 World’s Fair (arq:… Read More
Pan Scroll Zoom 18: Wolff Architects
17.11.2021
Pan Scroll Zoom 18: Wolff Architects17.11.2021
– Fabrizio Gallanti, Ilze Wolff and Heinrich Wolff
This is the eighteenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Heinrich Wolff and Ilze Wolff of Wolff Architects discuss the production of their drawings,… Read More
A Short History of Alberto Ponis on the Sardinian Coast
15.11.2021
A Short History of Alberto Ponis on the Sardinian Coast15.11.2021
Alberto Ponis was born in Genoa in 1933. He took his architecture degree in Florence in 1960. His father, Mario Alberto, had founded the M.I.T.A. (Manifattura Italiana Tappeti Artistici) in 1926 in Nervi, near Genoa. The company’s building was built by Luigi Daneri in 1940. Gio Ponti, Arnaldo Pomodoro and… Read More
Doodles: Stirling Wilford and Associates, 1984–2000
12.10.2021
Doodles: Stirling Wilford and Associates, 1984–200012.10.2021
The architectural trajectory of James Stirling has always been considered that of the individual genius, whilst acknowledging his close links to certain educational and working companions: his lifetime maestro Colin Rowe; the partners James Gowan and Michael Wilford, and the Associates, Laurence Bain and Russell Bevington. Without diminishing the importance and the inspirational role of… Read More
Cosmos Street Revisited
31.08.2021
Cosmos Street Revisited31.08.2021
This response relates to a text by Oscar Binder and Nicholas Podlanha published by Drawing Matter in July 2021, which described and reconstructed (badly) a lost project by the deceased architect James Clark. In fact I am James Clark (decidedly not dead) and the project parodied in this less than… Read More
Pan Scroll Zoom 15: Other Architects
07.07.2021
Pan Scroll Zoom 15: Other Architects07.07.2021
– Fabrizio Gallanti, Grace Mortlock and David Neustein
This is the fifthteenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio talks to Grace Mortlock and David Neustein of the Sydney-based practice Other Architects… Read More
Notes on Twelve drawings for the Governor’s Palace at Chandigarh
15.06.2021
Notes on Twelve drawings for the Governor’s Palace at Chandigarh15.06.2021
Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris in 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More
Notes on The Palace of the Assembly and Museum at Chandigarh
07.06.2021
Notes on The Palace of the Assembly and Museum at Chandigarh07.06.2021
Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris in 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More
Pan Scroll Zoom 13: Tatiana Bilbao
01.06.2021
Pan Scroll Zoom 13: Tatiana Bilbao01.06.2021
– Tatiana Bilbao and Fabrizio Gallanti
This is the thirteenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Fabrizio interviews Tatiana Bilbao about her teaching at Yale School of Architecture and… Read More
Bovenbouw Architectuur: One Paper Model and Three Paper Collages
12.05.2021
Bovenbouw Architectuur: One Paper Model and Three Paper Collages12.05.2021
The layers found in Bovenbouw Architectuur’s collages are analogous to the layering in their architecture – there to be unravelled by those willing to search. Sometimes ruinous, never complete, they are a representation of uncanny worlds where chimneystacks become doors, tyres become classical pediments and windows are adorned with eyelashes.… Read More
Diagrams: Hans van der Heijden in Conversation with Richard Hall
05.05.2021
Diagrams: Hans van der Heijden in Conversation with Richard Hall05.05.2021
Hans van der Heijden is an Amsterdam-based architect. He co-founded biq in 1994 with Rick Wessels before establishing his own office, Hans van der Heijden Architect, in 2014. During this timeframe he has developed a recognisable and idiosyncratic drawing repertoire, the origins of which can be traced back to his… Read More
Missing Link: Strategies of a Viennese Architecture Group (1970-1980) – Review
10.10.2022
Missing Link: Strategies of a Viennese Architecture Group (1970-1980) – Review10.10.2022
– Erik Wegerhoff
There is a strange moment in the second room of the exhibition, where all kinds of great works are hung on the walls to admire, organised around a central display of plastic and aluminium furniture: a collage of a car hovering like the golden calf amidst a crazed crowd; a… Read More