Category: office cultures

Working with Asplund

Working with Asplund

Herbert Korn

Asplund’s office was two floors up in an old building in Regeringsgatan, behind the NK department store. There were civil engineers there and Asplund collaborated with them as well. They worked on regional planning. Asplund’s office was a very smart room, a chapel for meditation you might say. It was… Read More

Jaume Mayol / TEd’A Arquitectes: Drawn Closer

Jaume Mayol / TEd’A Arquitectes: Drawn Closer

Sarah Handelman and Jaume Mayol

This drawing for a house in Mallorca joins a number of sketches we made to understand the project. Each space is made of separate elements. To understand the space you need to dive into each element, and to understand each element you need to be in the space. To draw… Read More

O’Donnell + Tuomey in Conversation

O’Donnell + Tuomey in Conversation

Sheila O'Donnell and John Tuomey

John Tuomey: Let me tell you the story of this drawing. We were at one of those despairing moments when we were putting together our book Space for Architecture and feeling that we had never achieved anything of any substance. We didn’t have a lot of work going at that particular moment,… Read More

Allies & Morrison: The Art of Architecture

Allies & Morrison: The Art of Architecture

Gabor Gallov

Allies and Morrison is an office that has held onto its identity throughout its growth. When I entered the firm, the culture of the office was steeped in a careful, polite and thoughtful style of drawings. The muted drawing style could be observed in the early sketches of the partners… Read More

Yasmeen Lari: Drawn Closer

Yasmeen Lari: Drawn Closer

Helen Thomas

In 2005, earthquakes in northern Pakistan killed 80,000 people. This was an eye-opener for me, and I was drawn to work with these remote, impoverished mountain communities, to help to rebuild their lives. Having retired from conventional architectural practice, and this was something I’d never done before. Unlike NGOs offering… Read More

Drawing Culture at SOM New York

Drawing Culture at SOM New York

Tom Killian

When I joined SOM in 1963, design drawings were done in pencil on yellow tracing paper with occasional use of coloured pencils. In the mid-60s this changed to magic markers. When working on a project under Sherwood Smith for a college campus, we drew the site plans with thin pen… Read More

Biba Dow on Giorgio Morandi: Group and Threshold

Biba Dow on Giorgio Morandi: Group and Threshold

Biba Dow

Giorgio Morandi’s work focused on studying again and again a small group of domestic objects – vases, jugs, bottles – in his home in Bologna. During his adult life, he produced a large quantity of paintings and etchings which together build up a shimmering representation of his field of focus.… Read More

Next Year in Yemen

Next Year in Yemen

Thomas Padmanabhan

‘Next year, there will be a civil war in Yemen. Please lend me the money so I can go now,’ I had the wit to ask my parents. It was after my first year in architecture school, not knowing that this journey would come to define me as an architect.… Read More

The Office Copier and Baptism by Colour: Working for Rossi in the 1990s

The Office Copier and Baptism by Colour: Working for Rossi in the 1990s

Maurizio Diton

Aldo made this drawing when the Bonnefanten Museum in Maastricht was already realised. I would say that it is typical for the kind of drawing he would make when he was bored, done with the first pencil and sheet of paper to hand. It is a drawing that already evokes… Read More

Harvey Wiley Corbett on Architectural Models of Cardboard

Harvey Wiley Corbett on Architectural Models of Cardboard

Between April and August 1922 the American journal Pencil Points printed a four-part series by the architect Harvey Wiley Corbett on architectural models that were made of cardboard. According to Corbett, cardboard was a medium for modern times, providing an economical and labour-saving way for the architect to produce models for study… Read More

Gio Ponti: ‘Come for Porchetta’

Gio Ponti: ‘Come for Porchetta’

Niall Hobhouse

The Milanese architect Gio Ponti typically arrived at his office very early in the morning and would use the quiet interlude before his colleagues appeared to write a succession of letters – to friends and associates, to clients and contractors, to his associate editors at Domus or Stile, to his fellow architects Le… Read More

Drawing with Rafael Moneo, Madrid 1984

Drawing with Rafael Moneo, Madrid 1984

Stan Allen

I arrived in Rafael Moneo’s Madrid office in early 1984. I had graduated from Cooper Union two years earlier and spent 18 months working for Richard Meier in New York.  I met Moneo in 1978 when he was teaching at the Institute for Architecture and Urban Studies, but I don’t… Read More

Zaha Hadid: Kurfürstendamm

Zaha Hadid: Kurfürstendamm

Michael Wolfson

This is all Zaha’s hand. When she is drawing there is a directionality – you are looking from the top, at a plan, extruded or in perspective. These sketches are relatively preliminary but certainly not initial – they are too defined. She is developing a composition, but already thinking about… Read More

Gowan and Stirling

Gowan and Stirling

Fred Scott

This odd-shaped, yellowed analysis drawing by James Gowan, drawn directly onto heavy paper isn’t dated, and was probably added to years after the drawing was nearly complete. Ellis Woodman describes the drawing as ‘that drawing that James always kept in the box with his sketchbooks’. Unusually, when I first saw… Read More

Boompjes II

Boompjes II

Stefano de Martino

Triptych This ink drawing was to be printed as a silkscreen and that is when the conversation with Bernard Ruygrok, the printer, started. His place in Amsterdam was amazing. We had several meetings to discuss colors because he had to do everything by hand. At some point I had a smaller version of the ink drawing printed on clear… Read More

Boompjes I

Boompjes I

Stefano de Martino

In the 1980s, the city of Rotterdam asked OMA to study its high-rise building and to illustrate their findings in a planning proposal. The site, selected in consultation with the Rotterdam Planning Department, was situated on Maasboulevard, near the Maasbridge – an angle between the river and the lower city grid, a ‘hinge’… Read More

Roosevelt Island

Roosevelt Island

Zoe Zenghelis

The Roosevelt Island competition was sponsored by New York State Urban Development Corporation for the urbanisation of an island in the East River of Manhattan. The city grid served as a formal generator for the building types, adapted with controlling geometry to the proportions of the island’s topography. There are… Read More

Zaha Hadid: Azabu-Juban

Zaha Hadid: Azabu-Juban

Michael Wolfson

Zaha Hadid’s sketches during mid-1980s for projects often unknown and unbuilt mark a transitional period in her drawing and thinking, from the early work inspired by the programme briefs and axonometric drawing style of OMA. Often she sketches in plan, her line moving right to left, discernable through an initial… Read More

Zaha Hadid

Zaha Hadid

Desley Luscombe

When, in January 1983, Peter Cook reviewed a recently held exhibition for Zaha Hadid’s 59 Eaton Place, he spoke of the resonance between the individual and their education in developing an architectural identity. [1] He pondered on the development of Hadid over that period,     What if fate had led her… Read More

TEd’A Arquitectes

TEd’A Arquitectes

Jaume Mayol and Irene Pérez

‘…In that Empire, the Art of Cartography attained such Perfection that the map of a single Province occupied the entirety of a City, and the map of the Empire, the entirety of a Province. In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guilds struck a Map of… Read More

Madelon Vriesendorp

Madelon Vriesendorp

Niall Hobhouse and Madelon Vriesdendorp

Excerpted from Madelon Vreisendop in conversation with Niall Hobhouse, RIBA, 2 July 2018

Le Corbusier: Sketch for the Governor’s Palace, Chandigarh, India

Le Corbusier: Sketch for the Governor’s Palace, Chandigarh, India

Niall Hobhouse

Niall Hobhouse remembers that Jullian de la Fuente, the Chilean architect who worked with Le Corbusier, told him the story of how he came to own the twelve pages (of which one is shown) extracted from Le Corbusier’s sketchbook: In the late 1950s the first Prime Minister of India, Jawaharlal… Read More

Netherfield Scroll Two

Netherfield Scroll Two

Michael Gold

What follows here forms the second part of a two-part conversation. It has been extracted from the original email exchange between Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones in relation to the acquisition of the Netherfield Scroll, published in part one. The Netherfield Scroll – which measures 20… Read More

Jørn Utzon’s Sydney Opera House

Jørn Utzon’s Sydney Opera House

Mogens Prip-Buus

Somebody said the story about the orange is not right, but it is: he sent one of us over to the shop to buy an orange and he peeled it and took up the segments. Mogens Prip-Buus on Jørn Utzon and the Sydney Opera House