Category: on their own work
Jaume Mayol / TEd’A Arquitectes: Drawn Closer
28 May 2020
Jaume Mayol / TEd’A Arquitectes: Drawn Closer28 May 2020
– Sarah Handelman and Jaume Mayol
This drawing for a house in Mallorca joins a number of sketches we made to understand the project. Each space is made of separate elements. To understand the space you need to dive into each element, and to understand each element you need to be in the space. To draw… Read More
New Welfare Island (1978)
27 May 2020
New Welfare Island (1978)27 May 2020
In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More
Gallaratese & Fagnano Olona (1976)
26 May 2020
Gallaratese & Fagnano Olona (1976)26 May 2020
Two fragments of texts paired with two fragments of process. Writing in the May 1976 issue of Architecture + Urbanism, Rossi reflects on two projects: the Gallaratese Housing Complex, Milan and the Fagnano Olona in the Lombardy region. In both of the drawings placed alongside the architect’ s writing, the forms… Read More
Paul Robbrecht: Drawn Closer
12 May 2020
Paul Robbrecht: Drawn Closer12 May 2020
Initiatief 86 was important because (as Robbrecht en Daem) it was more or less our first real work for art. It was also an important moment for the Belgian art scene. That summer Jan Hoet curated Chambres d’Amis, exhibiting the work of 50 artists in homes across Ghent. At the… Read More
O’Donnell + Tuomey in Conversation
8 May 2020
O’Donnell + Tuomey in Conversation8 May 2020
– Sheila O'Donnell and John Tuomey
John Tuomey: Let me tell you the story of this drawing. We were at one of those despairing moments when we were putting together our book Space for Architecture and feeling that we had never achieved anything of any substance. We didn’t have a lot of work going at that particular moment,… Read More
Animals
5 May 2020
Animals5 May 2020
– James Gowan and Ellis Woodman
excerpted from The Architecture of James Gowan: Modernity and Reinvention (2008)
Drawing on the Nolli Plan
1 May 2020
Drawing on the Nolli Plan1 May 2020
Every January, when John and I visit Rome, I bring a set of A3 photocopies of the Nolli plan (Giambattista Nolli’s Nuova Topografia di Roma, 1748). I don’t bring the whole map – it stretches to twelve sheets, each about A2 in size – so before arriving I am already editing… Read More
Scanning Shatwell
30 April 2020
Scanning Shatwell30 April 2020
Every image you see on your screen is known as a raster image. Every image is made up of millions of squares of colour, or pixels. Each file has a particular size, height and width, and within that frame, each pixel has a particular size, colour, intensity and location in… Read More
Plan with the form of a growling dog
29 April 2020
Plan with the form of a growling dog29 April 2020
I was drawing, endlessly it seemed, a hotel for a competition in Switzerland – fruitlessly as it turned out. I cheered myself along by seeing in the plan the face of an animal, a friendly bear, or more likely a dog. James’ ‘building with the form of a howling dog,’ which he… Read More
Shape
28 April 2020
Shape28 April 2020
Shape calls attention to things and their meanings. Architects, whether they mean to or not, give shape to things, and the people who see or inhabit those things, whether in full consciousness or not, respond to these shapes. The dimensions of this response are somewhat difficult to measure, since they… Read More
Space
27 April 2020
Space27 April 2020
Space in architecture is a special category of free space, phenomenally created by the architect when he gives a part of free space shape and scale. Its first two dimensions – width and breadth – are responsive mainly to functional imperatives in the narrow sense, but the manipulation of its… Read More
BV Doshi: Drawn Closer
23 April 2020
BV Doshi: Drawn Closer23 April 2020
– Balkrishna Vithaldas Doshi and Sarah Handelman
I was fifty years old when I started designing Sangath, my office in Ahmedabad. In India, when you cross fifty, suddenly – biologically, psychologically – you start to think about what in your life you have discovered. When I made the first drawings, I was thinking about many things: although… Read More
The San Cataldo Ossuary in the Age of Hyper-Objects
16 April 2020
The San Cataldo Ossuary in the Age of Hyper-Objects16 April 2020
I An abandoned house – a derelict phantom with no roof and no windows – reveals the twofold condition of architecture as image and as form. In San Cataldo, the image and form of death. As image: from afar, a metaphysical de Chirican presence, suspended between Adolf Loos’s project in… Read More
Language & the Doorn Manifesto
14 April 2020
Language & the Doorn Manifesto14 April 2020
The following audio clips are extracts from an interview with Peter Smithson conducted in 1997 for the Architects’ Lives oral history project run by National Life Stories. To listen to the full interview, click here. On language Peter Smithson on the change from the use of French to English as the predominant language of… Read More
Yasmeen Lari: Drawn Closer
7 April 2020
Yasmeen Lari: Drawn Closer7 April 2020
In 2005, earthquakes in northern Pakistan killed 80,000 people. This was an eye-opener for me, and I was drawn to work with these remote, impoverished mountain communities, to help to rebuild their lives. Having retired from conventional architectural practice, and this was something I’d never done before. Unlike NGOs offering… Read More
Drawing Culture at SOM New York
3 April 2020
Drawing Culture at SOM New York3 April 2020
When I joined SOM in 1963, design drawings were done in pencil on yellow tracing paper with occasional use of coloured pencils. In the mid-60s this changed to magic markers. When working on a project under Sherwood Smith for a college campus, we drew the site plans with thin pen… Read More
Gowan on the English House
1 April 2020
Gowan on the English House1 April 2020
When asked to write for Zodiac about his villa at Chester, built in 1982 for the furniture magnate Chaim Schreiber, James Gowan choses Robert Lorimer and Edwin Lutyens as his references. It is clear that he identifies with Lorimer particularly – another Scotsman, asked to build a house for a good client… Read More
Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art
27 March 2020
Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art27 March 2020
Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More
Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building
6 March 2020
Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building6 March 2020
Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More
Colin Rowe: Piazza Augusto Imperatore (1995)
5 March 2020
Colin Rowe: Piazza Augusto Imperatore (1995)5 March 2020
– Colin Rowe, 1995. Excerpted from Colin Rowe, As I Was Saying: Recollections and Miscellaneous Essays, ed. Alexander Caragonne (London: MIT Press, 1996).
Biba Dow on Giorgio Morandi: Group and Threshold
3 March 2020
Biba Dow on Giorgio Morandi: Group and Threshold3 March 2020
– Biba Dow
Giorgio Morandi’s work focused on studying again and again a small group of domestic objects – vases, jugs, bottles – in his home in Bologna. During his adult life, he produced a large quantity of paintings and etchings which together build up a shimmering representation of his field of focus.… Read More
The Iconography of Desolation
17 February 2020
The Iconography of Desolation17 February 2020
‘We now discover an iconoscope that shall forgive the divorce of heaven and hell while it flashes before us for our selective graces – the bits and pieces of Divine Catastrophe. Such a scope has lost all division and order. One must pick over the scattered icons the way a… Read More
Haiku
28 April 2020
Haiku28 April 2020
– John Cage
Here John Cage is writing in November 1950 to Cecil Smith, the Editor of Musical America, in passionate defence of Eric Satie, who had been attacked in the journal in an article by Abraham Skulsky. In 1948, Cage had delivered a controversial talk at Black Mountain College, titled ‘Defense of Satie,’… Read More
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