Medium: digital
The Over Under: Drawing as process
10 June 2021
The Over Under: Drawing as process10 June 2021
The Over Under series is a look at drawing as process, but in this instance, not the process of designing a building or object, but rather an amplification and deepening of the reality we encounter. Reality here begins with a place but has since transformed into working and imagining through… Read More
Pan Scroll Zoom 13: Tatiana Bilbao
1 June 2021
Pan Scroll Zoom 13: Tatiana Bilbao1 June 2021
– Tatiana Bilbao and Fabrizio Gallanti
This is the thirteenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Fabrizio interviews Tatiana Bilbao about her teaching at Yale School of Architecture and… Read More
Pan Scroll Zoom 12: Elizabeth Hatz
18 May 2021
Pan Scroll Zoom 12: Elizabeth Hatz18 May 2021
This is the twelfth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Elizabeth Hatz discusses her personal experience of the pandemic and its consequences for… Read More
To assist
18 May 2021
To assist18 May 2021
Computer Assisted Drawings (CAD) have existed since the mid-60s. A young Ivan Sutherland received a doctorate at MIT introducing Sketchpad, a device that by the means of an optical pen allowed the direct edition of graphical objects. Around the 35th century BC, someone was writing the first hieroglyph text over… Read More
Diagrams: Hans van der Heijden in Conversation with Richard Hall
5 May 2021
Diagrams: Hans van der Heijden in Conversation with Richard Hall5 May 2021
Hans van der Heijden is an Amsterdam-based architect. He co-founded biq in 1994 with Rick Wessels before establishing his own office, Hans van der Heijden Architect, in 2014. During this timeframe he has developed a recognisable and idiosyncratic drawing repertoire, the origins of which can be traced back to his… Read More
Pan Scroll Zoom 10: Studio Othenin-Girard
29 March 2021
Pan Scroll Zoom 10: Studio Othenin-Girard29 March 2021
This is the tenth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode, Guillaume Othenin-Girard discusses his studio at the University of Hong Kong which explored… Read More
Make me Hyper-Real: image ethics and the architectural visualisation
5 March 2021
Make me Hyper-Real: image ethics and the architectural visualisation5 March 2021
Architectural visualisations sell us the image of a new reality. In depicting a building that is designed, rather than completed, they constitute a kind of spatial hypothesis: a temptation of a happier, wealthier, and more connected world. By constructing these fictions through the means of the image, they sell us the notion that the project it depicts will improve our lives for the better. … Read More
Pan Scroll Zoom 7: MOS
25 February 2021
Pan Scroll Zoom 7: MOS25 February 2021
– Fabrizio Gallanti, Michael Meredith and Hilary Sample
This is the seventh in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Michael Meredith and Hilary Sample of the New York-based… Read More
Superstudio: Another Mirror Image
17 February 2021
Superstudio: Another Mirror Image17 February 2021
Superstudio’s Campo di Mais is a hybrid of the group’s concepts and a treasure trove of unintended (and unforeseeable) references. As such, it is a quite perfect Superstudio collage – another mirror image inviting the observer to reflect their own coordinates of understanding the world through the group’s ambiguous visual… Read More
Writing Prize 2020: Pens down, Braid up
17 December 2020
Writing Prize 2020: Pens down, Braid up17 December 2020
Hair, silky, wavy or coiled, somewhere, is felt by us all. It is one of the first things we play with, we shape and mold, unconsciously or artfully. Beginning as a line, slack and tentative, a hair appears as a strike of fine ink. Collected and carefully teased each strand… Read More
Pan Scroll Zoom 5: Andrés Jaque
16 December 2020
Pan Scroll Zoom 5: Andrés Jaque16 December 2020
– Fabrizio Gallanti and Andrés Jaque
This is the fifth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Andrés Jaque, founder of the Office for Political Innovation… Read More
Writing Prize 2020: Domestic Space, Registered
5 December 2020
Writing Prize 2020: Domestic Space, Registered5 December 2020
– Laura Bonell and Daniel López-Dòriga
Around 200 AD, a map of the city of Rome was carved on marble at a scale of approximately 1:240. It measured 18 meters wide by 13 meters high and comprised 150 marble slabs hung on an interior wall of the Templum Pacis. The Forma Urbis Romae or Severan Marble Plan, as… Read More
Writing Prize 2020: Smudgy Logic – A Short Story
30 November 2020
Writing Prize 2020: Smudgy Logic – A Short Story30 November 2020
‘it is dangerous to unmask images, since they dissimulate the fact that there is nothing behind them.’– Jean Baudrillard, Simulacra and Simulation ‘so you compute with smudgy pictures?’– K-32, Universal Fabricator ‘But what does it do?’ insisted Kei in his eerily smooth, synthetic voice. ‘Are you really asking me what my drawing does?’ Miho’s… Read More
S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of
13 October 2020
S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of13 October 2020
– Gerard Carty, Elizabeth Hatz and Fionn O'Leary
In the Autumn of 2019, tutors Elizabeth Hatz and Gerard Carty visited the Drawing Matter archive with their fourth-year students from the School of Architecture and the University of Limerick (SAUL). Below is a record of their visit and its place in the context of the fourth-year studio. Tutors interested… Read More
Writing Prize 2020: Drawing People
23 September 2020
Writing Prize 2020: Drawing People23 September 2020
Representations of people are central to our ability to inhabit drawings, to make sense of them, understand their scale, their atmosphere, their character: to exist in the world that the drawing constructs. These images of people are immediately recognisable by all, but are we all able to recognise ourselves amongst… Read More
Pan Scroll Zoom 1: Fabrizio Gallanti
30 July 2020
Pan Scroll Zoom 1: Fabrizio Gallanti30 July 2020
This is the first in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of the drawings in presentations and reviews. In this episode Fabrizio writes of his own experience as a tutor and… Read More
Just Begin: The Convent Sainte-Marie-de-la-Tourette
28 July 2020
Just Begin: The Convent Sainte-Marie-de-la-Tourette28 July 2020
– Stan Allen and José Oubrerie
‘The first line on paper,’ Louis Kahn once said, ‘is already a measure of what cannot be expressed fully.’ This captures perfectly the anxiety of beginnings: not what is to be expressed, but everything that will be left out, and an inevitable sense of loss over all the unexplored possibilities.… Read More
Library of Babel
29 June 2020
Library of Babel29 June 2020
In its most rudimentary form, a LIDAR scan is a simple act of call and response. Thousands of beams of light leave the scanner and receive a measurement based on the distance and intensity (essentially a value of reflectivity) of the objects they collide with. The fascination in these scans… Read More
SUPA Architects: Naked Plans
6 June 2020
SUPA Architects: Naked Plans6 June 2020
– Christian Schweitzer and Ryul Song
This drawing, the first in our ‘Naked Plan’ series, overlaps 107 A3 sheets of construction drawings for House P, a private house in Pyeonchang-dong, Seoul (2013-15). Stripped in Autocad of all information, such as image, text and mtext, line weight, saturation and lightness, only the basic lines remain. Through the… Read More
Calculated Aesthetics
19 May 2020
Calculated Aesthetics19 May 2020
The floor plan of the Losone gymnasium (1990–1997) by Livio Vacchini is a computer drawing made through the repetition of four basic elements: a rectangular black solid, and three types of short lines – one vertical and two diagonals in opposite directions. The black solid is copied with equal distance… Read More
Drawing on the Nolli Plan
1 May 2020
Drawing on the Nolli Plan1 May 2020
Every January, when John and I visit Rome, I bring a set of A3 photocopies of the Nolli plan (Giambattista Nolli’s Nuova Topografia di Roma, 1748). I don’t bring the whole map – it stretches to twelve sheets, each about A2 in size – so before arriving I am already editing… Read More
Scanning Shatwell
30 April 2020
Scanning Shatwell30 April 2020
Every image you see on your screen is known as a raster image. Every image is made up of millions of squares of colour, or pixels. Each file has a particular size, height and width, and within that frame, each pixel has a particular size, colour, intensity and location in… Read More
Physical & Digital Drawing
19 April 2021
Physical & Digital Drawing19 April 2021
– Reuben Roberts
When we use a Computer Aided Design (CAD) programme we invoke the act of drawing as we draw the mouse around on the desk. The cursor is drawn across the screen, albeit with a level of discontinuity as the lines of code convert the signals of the optical sensor into… Read More