Medium: drawing
Protected: ‘Not only a Building but also a City’
17.08.2026
Protected: ‘Not only a Building but also a City’ 17.08.2026
There is no excerpt because this is a protected post.
BOLLES+WILSON: Drawing Towards Building (Exhibition + Talk)
14.08.2026
BOLLES+WILSON: Drawing Towards Building (Exhibition + Talk)14.08.2026
– Editors
On Saturday 4 and Sunday 5 July, Drawing Matter presented an exhibition of drawings by BOLLES+WILSON (founded in London in 1980; based in Münster since 1988). The exhibition was the fourth in a series presenting the work of architects and practices that are represented in the Drawing Matter Collection by significant portfolios… Read More
DMJ – Storytelling by Omission: On Dixon Jones’s ‘Selective Axonometrics’
13.08.2026
DMJ – Storytelling by Omission: On Dixon Jones’s ‘Selective Axonometrics’13.08.2026
Architectural drawings tell stories through what they omit as much as what they depict. This article explores the role of thoughtful omission in axonometric drawing through two drawings made by British practice Dixon Jones Architects from the 1990s. While architectural practice has come to favour photorealistic representations that present a… Read More
Drawing Motion as Thought
10.08.2026
Drawing Motion as Thought10.08.2026
– MRND
A design (can) begin in the domain of the barely articulate, where drawing operates less as representation than as an instrument for sensing forces that precede form. The early sketches that remain unseen—those made without the burden of explanation—constitute a theoretical ground in which motion is not depicted but pursued.… Read More
Cartography of a Wound
06.08.2026
Cartography of a Wound06.08.2026
How do you draw a diamond mine? How do you depict a wound on the terrain, a spiral of extraction so powerful that it reorganises entire territories? On the sheet, the mine becomes a self-contained world—a floating territory of pits, conveyor belts, processing sheds, and housing blocks—but it also acts… Read More
Collection Guide: Cedric Price
03.08.2026
Collection Guide: Cedric Price03.08.2026
– Editors
Cedric Price (1934–2003) studied architecture at Cambridge University before receiving his diploma from the Architectural Association (AA) in 1957. He went on to teach at the AA and worked in the offices of Maxwell Fry and Denys Lasdun before founding his own practice in 1960. Though the majority of Price’s… Read More
Weave & Disturbance
27.07.2026
Weave & Disturbance27.07.2026
Against a polyhedral, reticulated pale blue background, a pale terracotta network of ducts spreads out like ivy. It twists, branches, and folds back upon itself: a technological nervous system recording the temperature of the seventies. The drawing is precise, informative, and aesthetically autonomous. Ink and graphite on tracing paper. It… Read More
Three Drawings
24.07.2026
Three Drawings24.07.2026
This first drawing is not ours. It is a clumsy sketch that clients brought to our first meeting. Although not particularly legible, let alone well-proportionated, it carried the noble ambition of speaking about many things at once: it addressed everything, everywhere, all at once. Close inspection revealed three floor plans,… Read More
Eye, Hand and Mind: An Interview on the Drawing Process
23.07.2026
Eye, Hand and Mind: An Interview on the Drawing Process 23.07.2026
– Bryan Cantley and Helen Castle
The following conversation between Bryan Cantley and Helen Castle, publishing director at RIBA, was conducted on 30 December 2021 and has been adapted from a text, originally presented in Speculative Coolness: Architecture, Media, the Real, and the Virtual (Routledge, 2023). It traces the development of Cantley’s experimental drawing practice through Form:uLA—a body of work sustained since… Read More
Yes, And
20.07.2026
Protected: A Palimpsest in Line: A Graphic Biography of the Hasselt Beguinage
17.07.2026
Protected: A Palimpsest in Line: A Graphic Biography of the Hasselt Beguinage17.07.2026
– Koenraad Van Cleempoel and Joshua Kempen
There is no excerpt because this is a protected post.
Time Theft
16.07.2026
Time Theft16.07.2026
* Jamie Lipson is a Canadian artist and architect. He received a Master of Architecture from Princeton University, where he was awarded the Howard Crosby Butler Travelling Fellowship and Alpha Rho Chi medal. His son Orion turns 2 in July. This text is one of the selected responses to the… Read More
A Suite for the Absent Addressee
13.07.2026
A Suite for the Absent Addressee13.07.2026
Prelude Construction has ceased abruptly. The inertia of instruction persists. When drawing is deprived of an addressee, the drift between the prescriptive and the descriptive intensifies. Act I: Villa Consider Villa Pisani Placco by Andrea Palladio, built for Francesco Pisani between 1552 and 1555 in Montagnana. Three elements are of interest:… Read More
Atlases: Drawings on Newspaper
10.07.2026
Atlases: Drawings on Newspaper10.07.2026
My drawings are done on an unusual medium: newspapers. Around 2016, I began to draw on news–paper to try to counteract that inescapable status of newspapers themselves: conveying daily words that are often forgotten the next day, a condition reflected in an idiom of the English language—yesterday’s paper—used to refer… Read More
The Visual Origins of Circulation in Architecture
09.07.2026
The Visual Origins of Circulation in Architecture09.07.2026
Amidst the architecture historians, the comparison between the plan of Borromini’s church of San Carlo alle Quattro Fontane and that of one of Bramante’s four pillars supporting the dome of St. Peter’s Basilica is well-known. Though I could not find the name of the historian who conceived it, it definitely… Read More
Gothic Design(ation)s
08.07.2026
Gothic Design(ation)s08.07.2026
Towards the end of an illustrious career as an administrator, an ambassador, a royal confidant, and one of the wealthiest men in Europe, Bishop Richard Fox of Winchester (1447/8–1528) followed in the footsteps of many a medieval grandee eager to ensure an enduring legacy, which is to say he commissioned… Read More
Collection Guide: Eugène-Emmanuel Viollet-le-Duc
06.07.2026
Collection Guide: Eugène-Emmanuel Viollet-le-Duc06.07.2026
The French Neo-Gothic architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) was one of the defining figures of nineteenth-century architecture worldwide. He transformed the restoration and interpretation of medieval monuments, championed structural rationalism, and reinvented drawing and publishing as tools for disseminating architectural knowledge. By the time of his death, he had become the… Read More
DMJ – SMS to Eternity
03.07.2026
DMJ – SMS to Eternity03.07.2026
Marlon and Elvis lived on opposite sides of Cutlers Wood.They were friends.They were immortal.One day Marlon sent Elvis an SMS: Marlon – Hey Elvis, cool cat, why don’t we see each other more often,We could talk about that geek Warhol who put us here! Elvis – Sure, but I am scared to… Read More
An Attardé Draftsman: Giacomo Beverati
02.07.2026
An Attardé Draftsman: Giacomo Beverati02.07.2026
‘In a certain sense the past is far more real, or at any rate more stable, more resilient than the present. The present slips and vanishes like sand between the fingers, acquiring material weight, only in its recollection’ —Andrei Tarkovsky Italian culture has always produced artists who were attardé, either… Read More
Protected: Colour in Architectural Drawings
29.06.2026
Protected: Colour in Architectural Drawings29.06.2026
– Editors
There is no excerpt because this is a protected post.
Protected: The Temple
29.06.2026
Protected: The Temple29.06.2026
There is no excerpt because this is a protected post.
Blow Up: Dante Bini and His House for a Film Director
25.06.2026
Blow Up: Dante Bini and His House for a Film Director25.06.2026
On July 4th, 1964, in Crespellano on the outskirts of Bologna, Italian architect Dante Bini successfully constructed (in less than three hours) a 12m diameter, 6m high, hemispherical reinforced concrete shell structure using the unique pneumatic formwork of a giant balloon. As a student, Dante Bini had studied and admired… Read More
Models of Models: The House Transformed
17.08.2026
Models of Models: The House Transformed17.08.2026
– Kyle Miller
The house is architecture’s most overdetermined subject. It carries the weight of every disciplinary trope, cultural norm, political aspiration, and sentimental projection that can be placed on a building. To approach it critically—and to argue that its conventions have been an instrument of exclusion rather than a neutral container—is itself… Read More
domestic exhibition exhibition design model