Medium: drawing
The ‘Typewriter’ Drawing
01.05.2026
The ‘Typewriter’ Drawing01.05.2026
The ‘Typewriter’ drawing is made on brown paper mounted on a black backing, its surface carrying both the mechanical impressions of a typewriter and the analogue traces of a black pen layered above them. But unlike later typewriter drawings, which use typed characters as grids, codes, or proto-digital marks, this… Read More
Protected: Vanbrugh in the Best Light: Sir John Soane’s Lecture Drawings of Blenheim Palace
27.04.2026
Protected: Vanbrugh in the Best Light: Sir John Soane’s Lecture Drawings of Blenheim Palace27.04.2026
There is no excerpt because this is a protected post.
Protected: Carlos Bedoya, PRODUCTORA: Thinking through Drawing
27.04.2026
Protected: Carlos Bedoya, PRODUCTORA: Thinking through Drawing27.04.2026
There is no excerpt because this is a protected post.
The Open Hand Reloaded
24.04.2026
The Open Hand Reloaded24.04.2026
* Maristella Casciato (architect, architectural historian, and educator) is senior curator, head of architectural collections at the Getty Research Institute in Los Angeles.
Protected: Collection Guide: Cedric Price
23.04.2026
Protected: Collection Guide: Cedric Price23.04.2026
– Editors
There is no excerpt because this is a protected post.
Vaucher’s Shadows
21.04.2026
Vaucher’s Shadows21.04.2026
It is a curious drawing, one that exudes an almost Magritte-like aroma of the surreal—the kind that depends upon the rendering of a visual-conceptual oxymoron with an extreme degree of realism. The subject has something to do with this, an isolated Ionic capital cut off at the neck from its… Read More
Protected: Owen Luder: Sunderland Stadium
20.04.2026
Protected: Owen Luder: Sunderland Stadium20.04.2026
There is no excerpt because this is a protected post.
The House Stands Still While Life Moves
17.04.2026
The House Stands Still While Life Moves17.04.2026
The house has a floor sticky like honey; our feet cling to it and we cannot get away from it. The house is a rucksack so huge and full on our shoulders that every movement becomes impossible. The house is an unconditional refuge for those who fear all the mishaps… Read More
Protected: Drawing Motion as Thought
15.04.2026
Protected: Drawing Motion as Thought15.04.2026
– MRND
There is no excerpt because this is a protected post.
A House to Live With: 16 Variations by Dom Hans van der Laan and His Companions
15.04.2026
A House to Live With: 16 Variations by Dom Hans van der Laan and His Companions15.04.2026
Walking around the exhibition Beauty of the Earth: The Art of May, Jane and William Morris in Winchester library, observing first hand their devout interest in nature and its depiction in books and fabrics, I began to reflect on a similar devotion that Hans van der Laan and his pupils show… Read More
Desire and Pain: John Hejduk’s Thirteen Watchtowers of Cannaregio
13.04.2026
Desire and Pain: John Hejduk’s Thirteen Watchtowers of Cannaregio13.04.2026
– Mehrshad Atashi and Lida Badafareh
In his conversation with Don Wall in Mask of Medusa, John Hejduk recalls the programme of the Schatzalp sanatorium in Thomas Mann’s The Magic Mountain. ‘[…] the hero is going up the mountain in a carriage in the deep snow, he sees the dead bodies of those who had died in the sanatorium… Read More
Wedging a Shrine
10.04.2026
Wedging a Shrine10.04.2026
This drawing by an unknown author can be appreciated from two different perspectives. On the one hand, it depicts a jinja, a Japanese Shinto shrine. From a historical point of view, the image can be read as an ezu—an illustrated map from the late Edo period (mid-nineteenth century)—featuring premodern calligraphy and the… Read More
Rewriting Eisenman
06.04.2026
Rewriting Eisenman06.04.2026
In his new book Rewriting Alberti, Peter Eisenman applies the ‘most important lesson in architecture’ that he ever received to a study of the origin of the discipline in the Western tradition.[1] Standing at the fount of that tradition is the fifteenth-century Florentine scholar and architect Leon Battista Alberti.[2] From… Read More
Tracing Air with Light
03.04.2026
Tracing Air with Light03.04.2026
When architects design buildings, they simultaneously construct environments for human habitation and activity. Whether through the warmth emanating from a hearth or the breeze generated by an air-conditioning unit, architecture is always implicated in the modulation of environmental conditions. However, environmental control—along with the elements that it seeks to temper—remains… Read More
On Cedric Price
02.04.2026
On Cedric Price02.04.2026
Cedric Price’s thinking and work have had a very particular influence on my work, in the sense that some fundamental choices I have made as an architect have been deeply influenced by his philosophy. In this sense, it seems to me that Cedric Price was one of the few architects… Read More
Louis Kahn: Sketch for a Mural
30.03.2026
Louis Kahn: Sketch for a Mural30.03.2026
Drawing Matter holds a large number of drawings, prints and other materials relating to a project for an office building in Kansas City designed by Louis Kahn. The project was one of the last that the architect worked on before his death in 1974, and many of the drawings carry… Read More
Working (with) Drawings from the Drawing Matter Collection
27.03.2026
Working (with) Drawings from the Drawing Matter Collection27.03.2026
– Rosie Ellison-Balaam and Maria Mitsoula
The following text was first published in Stoà 14 – SCUOLE, SYLLABUS / SCHOOLS, BRIEF (Autumn 2025). * Drawing Matter and its Collection The Drawing Matter Collection, carefully assembled by collector, curator, and critic Niall Hobhouse over thirty years, comprises around 20,000 objects—including architectural drawings, models, photographs, and sketchbooks, among others—from around the… Read More
Collection Guide: Futurism, Rationalism, and Stile Littorio
26.03.2026
Collection Guide: Futurism, Rationalism, and Stile Littorio26.03.2026
The Drawing Matter collection holds around 70 objects that speak to Italy’s architectural evolution in the early twentieth century. It should be noted that this period was characterised by tremendous stylistic diversity, with movements and groups—often unhappily—coexisting and shifting, ultimately culminating in the dominance of the Stile Littorio. At the… Read More
Shadows in the work of Canaletto
23.03.2026
Shadows in the work of Canaletto23.03.2026
Canaletto used a camera obscura to trace the architecture of Venice on site.[1] He used the camera sketches in turn to produce finished drawings and paintings. Fig.1 reproduces two pages from Canaletto’s sketchbook, his quaderno, now in the Accademia Galleries in Venice. They show the Campo and Church of SS Giovanni… Read More
The Architectural Competition: Shopfront to ‘The Trade’
20.03.2026
The Architectural Competition: Shopfront to ‘The Trade’20.03.2026
Alexander Scott Carter’s winning designs for single and double-fronted W.H. Smith shopfronts form a remote bookend to a troubled time for architectural competitions in Britain. The other arrived approximately 75 years earlier in the form of a satirical drawing produced to open Augustus Pugin’s Contrasts (1836). It too was a… Read More
Protected: James Gowan’s Schreiber House
19.03.2026
Protected: James Gowan’s Schreiber House19.03.2026
There is no excerpt because this is a protected post.
André des Gachons: Weather Warning
19.03.2026
André des Gachons: Weather Warning19.03.2026
The recent publication, La Veille du ciel: aquarelles météorologiques (Phénomène éditions), one of the most beautiful books published in 2025, gathers together forty years of daily weather reports by André des Gachons on the skies above the small rural commune of La Chaussée-sur-Marne, in eastern France. Des Gachons remained subjective… Read More
Protected: Time Theft
17.03.2026
Protected: Time Theft17.03.2026
There is no excerpt because this is a protected post.
Ian Hamilton Finlay’s Cloud Board and the Architectural Drawing
30.04.2026
Ian Hamilton Finlay’s Cloud Board and the Architectural Drawing30.04.2026
– Lola Gabellini-Fava
On the 12th of March 1968, Scottish concrete poet Ian Hamilton Finlay wrote, as he did frequently throughout the late 1960s, to friend and architect Philip Steadman. ‘Dear Phil,’ he began, ‘I have been meaning for some time to ask if you could help me with some rough drawings, of… Read More
garden sketch