Medium: drawing

Protected: Trevor Dannatt: St Mary’s Grove – Conclusions

Protected: Trevor Dannatt: St Mary’s Grove – Conclusions

Adrian Dannatt

There is no excerpt because this is a protected post.

Protected: Trevor Dannatt: St Mary’s Grove – Curtains, Lights, Bookcases

Protected: Trevor Dannatt: St Mary’s Grove – Curtains, Lights, Bookcases

Adrian Dannatt

There is no excerpt because this is a protected post.

Protected: Surveying Sierra Nevada

Protected: Surveying Sierra Nevada

Alejandro Morales Martín

There is no excerpt because this is a protected post.

Protected: DMJ – Show

Protected: DMJ – Show

Freddie Phillipson

There is no excerpt because this is a protected post.

Printed Matters 

Printed Matters 

Maria Mitsoula

Few objects stage anticipation as effectively as a box, especially one whose contents are revealed slowly, piece by piece. The sense of something concealed within prepares the viewer for an experience at once intimate and tactile, one that is focused by the box itself, but that—in the act of unpacking—becomes… Read More

Protected: Collection Guide: Peter Wilson & BOLLES+WILSON

Protected: Collection Guide: Peter Wilson & BOLLES+WILSON

Editors

There is no excerpt because this is a protected post.

Protected: Viollet-le-Duc: Drawing Worlds

Protected: Viollet-le-Duc: Drawing Worlds

Peter Sealy

There is no excerpt because this is a protected post.

Protected: Figuring Out

Protected: Figuring Out

Issi Nanabeyin

There is no excerpt because this is a protected post.

My Parish Drawings

My Parish Drawings

Marina Warner

From an early age I was in love with China and all things Chinese. I don’t know what inspired this passion, but a few years ago I came upon a Rupert Bear cartoon strip and there was the Emperor of China aloft on a flying carpet. I know my father… Read More

Siza on Paper (Exhibition + Talk)

Siza on Paper (Exhibition + Talk)

Editors

On Saturday 28 and Sunday 29 March, Drawing Matter presented an exhibition of drawings by the Portuguese architect Álvaro Siza. The exhibition focused on Siza as a designer of public housing after the Carnation Revolution (1974) and his approaches to drawing. At the centre of the exhibition were three housing… Read More

Protected: Three Drawings

Protected: Three Drawings

atelier local

There is no excerpt because this is a protected post.

Provenance in Architecture, A Dictionary: Architectural Drawing

Provenance in Architecture, A Dictionary: Architectural Drawing

Niall Hobhouse

The following text is one of the entries included in the book Provenance in Architecture, A Dictionary (Berlin: Hatje Cantz Verlag, 2025) edited by Uwe Fleckner and Mari Lending. The book, presented in the form of a dictionary, examines architectural provenance across 101 key concepts, from acquisition to will. Each… Read More

Protected: Unseen Bodies

Protected: Unseen Bodies

Christine Bjerke

There is no excerpt because this is a protected post.

Protected: An Attardé Draftsman: Giacomo Beverati

Protected: An Attardé Draftsman: Giacomo Beverati

Manuel Orazi

There is no excerpt because this is a protected post.

Scaletales: Dr Franz Gibarian’s Lecture

Scaletales: Dr Franz Gibarian’s Lecture

William Firebrace

The following fictional text was extracted from William Firebrace’s Scaletales (Cologne: Verlag der Buchhandlung Walther und Franz König, Köln, 2026). The book investigates the various meanings of the word scale through a story about two elderly women on a journey from Finland through central Europe to the Black Sea. They… Read More

Protected: Collection Guide: Carlo Marchionni

Protected: Collection Guide: Carlo Marchionni

Elizabeth Kieven

There is no excerpt because this is a protected post.

Protected: Concept of Proof

Protected: Concept of Proof

Beth George

There is no excerpt because this is a protected post.

The Incessant Power of Drawings

The Incessant Power of Drawings

Fabrizio Gallanti

We have come to doubt the real necessity of being exposed to original artefacts, as we find ourselves drowned in a deluge of endless reproductions. Why bother visiting galleries and museums when one can check stuff on the web? A picture of teenagers scrolling their cellphones in front of a… Read More

The ‘Typewriter’ Drawing

The ‘Typewriter’ Drawing

Valeriia Chemerisova

The ‘Typewriter’ drawing is made on brown paper mounted on a black backing, its surface carrying both the mechanical impressions of a typewriter and the analogue traces of a black pen layered above them. But unlike later typewriter drawings, which use typed characters as grids, codes, or proto-digital marks, this… Read More

Ian Hamilton Finlay’s Cloud Board and the Architectural Drawing

Ian Hamilton Finlay’s Cloud Board and the Architectural Drawing

Lola Gabellini-Fava

On the 12th of March 1968, Scottish concrete poet Ian Hamilton Finlay wrote, as he did frequently throughout the late 1960s, to friend and architect Philip Steadman. ‘Dear Phil,’ he began, ‘I have been meaning for some time to ask if you could help me with some rough drawings, of… Read More

The Open Hand Reloaded

The Open Hand Reloaded

Maristella Casciato

The above notes are based on a paper first presented at the workshop Long Table Conversation on ‘NonAligned Modernism’ held at the University of Washington in Seattle on October 31, 2025, moderated by Adair Rounthwaite (Art History) and with an introduction by Vikram Prakash (HHF/Architecture). * Maristella Casciato (architect, architectural… Read More

Protected: Collection Guide: Cedric Price

Protected: Collection Guide: Cedric Price

Editors

There is no excerpt because this is a protected post.

Vaucher’s Shadows

Vaucher’s Shadows

Mark Dorrian

It is a curious drawing, one that exudes an almost Magritte-like aroma of the surreal—the kind that depends upon the rendering of a visual-conceptual oxymoron with an extreme degree of realism. The subject has something to do with this, an isolated Ionic capital cut off at the neck from its… Read More

The House Stands Still While Life Moves

The House Stands Still While Life Moves

Alessandro Mendini

The house has a floor sticky like honey; our feet cling to it and we cannot get away from it. The house is a rucksack so huge and full on our shoulders that every movement becomes impossible. The house is an unconditional refuge for those who fear all the mishaps… Read More