Period: c19th

The Meaning of Lines

The Meaning of Lines

Laura Bonell and Daniel López-Dòriga

A series of seemingly abstract lines occupy the whole space of the paper. Each of them is formed by a thin black line that defines the geometry, accompanied by a thicker, semi-transparent brown line, which highlights it. Written annotations are placed on top, sometimes following the drawing’s wavy shape like… Read More

Anna Atkins: Laying Out the Blueprints

Anna Atkins: Laying Out the Blueprints

Nicholas Herrmann

They began to bloom on websites a couple of years or so ago – stretching out on social media, unfurling in the arts sections. Pale alien shapes suspended in deep blue: something like lightning flattened in a flower press; a sleeping creature emerging from a cloud of coral; a spectral… Read More

Soane’s Temple Stye

Soane’s Temple Stye

Rosie Ellison-Balaam

A temple for pigs? for swine? for hogs? Not a temple to worship them in, nor a temple for them to be sacrificed in. A temple for them to live in. These are not the pigs which invented their own form of latin, or those powerful Orwellian pigs, but normal… Read More

Drawing, Collaging, Rendering

Drawing, Collaging, Rendering

Cameron Lintott

When the ‘hard-line drawing’ has become so synonymous with the image of the architect it is easy to forget that the convenience of the everyday pen is relatively recent. For most of the long history of the world’s second-oldest profession, pen, paint and ink were reserved for competition boards or… Read More

Collection of Sections

Collection of Sections

Allen Keith Yee

The following drawings and commentaries have been excerpted from Visual Discoveries: A Collection of Sections (Oro Editions, 2020). The publication surveys the use of section drawings in the histories of architecture and other professions, from the 17th century to the present. More information on the book can be found here.… Read More

William Heath Robinson ‘Tightening the Green Belt’

William Heath Robinson ‘Tightening the Green Belt’

Laura Freeman

On 22 March 1921, The Times reported on ‘the urgent need of a green belt being preserved round London.’ It was the first recorded use of the phrase. By the time William Heath Robinson came to makes sketches for ‘Tightening the Green Belt’ (c.1935–47), the urban ring o’ roses was familiar enough… Read More

Startha Éagsula: David Leech Architects on Barthélemy Enfantin

Startha Éagsula: David Leech Architects on Barthélemy Enfantin

David Leech

The colourful ink and pencil drawing of Barthélemy Enfantin seeks to establish a set of rules for a new open metropolis. Without site, set out in all axes, and with the edges of the drawing alluding to a non-determined repetition, it was possibly drawn for continuous reuse and translation. Like… Read More

Sigurd Lewerentz: Siting the Axonometric

Sigurd Lewerentz: Siting the Axonometric

Stan Allen

One way to think about an axonometric drawing is as a perspective with the vanishing point at infinity. This means that the lines of projection are parallel, which assures dimensional consistency. Early treatises, for example, spoke of parallel projection as analogous to shadows cast by the sun; not, strictly speaking,… Read More

A New Administration Center For Los Angeles (1936)

A New Administration Center For Los Angeles (1936)

William Hamilton

Excerpted from ‘Architect and Engineer’ 1936 January by William Hamilton.

Raymond Erith On Soane at Tendring Hall

Raymond Erith On Soane at Tendring Hall

Pierre du Prey

The following notes were composed by Pierre du Prey to accompany his gift of the sketches pictured above to Drawing Matter, 16 September 2020. The circumstances surrounding two detailed sketches by Raymond Erithof the John Soane gate lodges at Tendring Hall, Suffolk, remain stronglyimpressed on the tablets of my memory.… Read More

Soane’s Designs for Combe House, Continued

Soane’s Designs for Combe House, Continued

Pierre du Prey

When Drawing Matter recently reproduced a preliminary ground plan for Combe House near Gittisham, Devon, by John Soane, I had a moment’s sudden recollection. Ptolemy Dean’s penetrating analysis of this precious if battered sheet of paper – entirely in the astonishingly fluid and energetic hand of the architect – set me to search… Read More

The Birds’ Morning Hymn (1929)

The Birds’ Morning Hymn (1929)

Robert Lorimer

From a letter to The Times of April 18, 1929: At this season of the resurrection of Nature — that ever-fresh miracle — one thing happens that even keen bird-lovers seem hardly to appreciate to the full. I mean the birds’ Morning Hymn. We have all heard vaguely about ‘Bird… Read More

Notes on Port Royal, Jamaica

Notes on Port Royal, Jamaica

Paul Cox

My parents Oliver and Jean Cox were devoted ‘Jamaicophiles’, having worked on many projects in the country since the 1960s. One of the most enduring and absorbing was a proposed redevelopment of Port Royal as a renewal and upgrade of the historic city, rebuilding and restoring while making an interesting… Read More

Soane: Energy and Frustration

Soane: Energy and Frustration

Ptolemy Dean

This seemingly benign-looking plan is in fact a thrilling drawing. It shows Sir John Soane’s cerebral struggles in attempting to resolve a number of key competing design elements in the planning of a country house. The drawing exudes energy and frustration. The challenge of designing buildings symmetrically is hard work… Read More

Thomas Henry Wyatt’s Brook House

Thomas Henry Wyatt’s Brook House

Andrew Jones

There is no building that tells the social and aesthetic story of Park Lane better than Brook House. From its beginnings as a scrappy country lane (‘Tyburn Lane’) in the eighteenth century, Park Lane rose to become the millionaires’ row of the Victorian and Edwardian eras and went on in… Read More

The Decline of Architectural Drawing (1859)

The Decline of Architectural Drawing (1859)

C. H. Smith

The Royal Academy’s 1859 summer exhibition, combined with a number of architectural drawings on display in Conduit Street, left a less than positive impression on critic C. H. Smith. In an article published by The Builder, Smith describes what he sees as a decline in the quality of the architectural… Read More

Ruskin: Fairy Tales

Ruskin: Fairy Tales

John Ruskin

We all have a general and sufficient idea of imagination, and of its work with our hands and our hearts: we understand it, I suppose, as the imagining or picturing of new things in our thoughts; and we always show an involuntary respect for this power, wherever we can recognise… Read More

Charles Barry: Good and Bad Manners in Architecture

Charles Barry: Good and Bad Manners in Architecture

David Blissett

Architectural manners are […] known by a quality which money cannot buy, and which can le­nd distinction not only to the greatest building but to the smallest. T. A. Edwards, Good and Bad Manners in Architecture, 1924, Preface, vi. There is often an elegance in architectural simplicity that goes unrecognised… Read More

Summerson: The Little House

Summerson: The Little House

John Summerson

– John Summerson, ‘Heavenly Mansions: An Interpretation of Gothic,’ in Heavenly Mansions, and other Essays on Architecture (New York: W. W. Norton, 1963), 1-3.

ETH Zurich: Casting the Cornice in Ticino

ETH Zurich: Casting the Cornice in Ticino

Emma Letizia Jones and Erik Wegerhoff

From the fifteenth century onwards, the Swiss region of Ticino was famous for its stuccatori – the skilled decorative plaster workers that migrated down to Italy in search of work ornamenting the great palaces and churches of the Renaissance. Further generations of these craftsmen made their way over the Gotthard pass to… Read More

Adolphe Appia: ‘Luminous – Very Luminous’

Adolphe Appia: ‘Luminous – Very Luminous’

Ross Anderson

I. In a melancholy mood, the Swiss scenographer Adolphe Appia sat down at his drawing table in the little bed-sit he was renting in Geneva and took up his pencil and a little hardbound notebook to write down his ‘notes personelles / 1905’: ‘At my age, that of forty-three, I… Read More

Fontaine: Hide-and-Seek

Fontaine: Hide-and-Seek

Iris Moon

Republished to celebrate the release of Architecture through Drawing, edited by Desley Luscombe, Helen Thomas and Niall Hobhouse, published by Lund Humphries. Order your copy through our webshop or purchase directly from the publisher. The square and compass have long been architecture’s symbols of the trade, but practitioners sometimes used scissors to shape space.… Read More

Behind the Lines 12

Behind the Lines 12

Philippa Lewis

1870Colonel James Clifton-Brown, newly established at Holmbush, his Regency country house in Colgate, West Sussex, has political ambitions – namely, the parliamentary seat for Horsham. He observes that the villagers have only a small cramped chapel in which to fulfil their ambitions to be good Christians. The chapel is not… Read More

Learning from the tortoise

Learning from the tortoise

William Firebrace

I. The tortoise is certainly slow, but in the ancient fable it arrives sooner than the hare – or according to the even older paradox of Zeno it always arrives before the mighty runner Achilles. Slowness is usually seen as a negative characteristic, lacking the vibrancy of speed. But everything… Read More