Period: c19th
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář
04.10.2022
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář04.10.2022
Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. In The Library at Night, Alberto Manguel likens a library to a human brain and… Read More
Alberto Pérez-Gómez: Architecture as Drawing
28.07.2022
Alberto Pérez-Gómez: Architecture as Drawing28.07.2022
– Mark Dorrian and Alberto Pérez-Gómez
Drawing Matter is delighted to present three texts by Alberto Pérez-Gómez on architecture and its representation, the first writings by him to be carried on the Drawing Matter website. The first, ‘Architecture as Drawing’, is an early essay that initially appeared in the Journal of Architectural Education in 1982, a… Read More
Time’s Witness. History in the Age of Romanticism (2021) – Review
25.07.2022
Time’s Witness. History in the Age of Romanticism (2021) – Review25.07.2022
Anxious Objects At some point in the annals of Western scholarship it was judged that the past could be restituted not only from textual sources but also from objects, that the material of history was equally important as its written archive. This major shift in historical approach was largely brought… Read More
Materia 2: Corrugated Iron
14.07.2022
Materia 2: Corrugated Iron14.07.2022
This text is the second in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products. Forthcoming texts will include thoughts on oxide-red paint, in-situ concrete, fired brick, plate glass and plastic. The first text… Read More
‘For the Curiosity of the Article’: Excerpts from Architectural Drawing (1870)
19.04.2022
‘For the Curiosity of the Article’: Excerpts from Architectural Drawing (1870)19.04.2022
The following introductory text and drawings are reproduced from William Burges’ Architectural Drawing (1870). Each of the drawings has been chosen for its graphic interest or for the content of Burges’ commentary – which covers the problems of surveying buildings, the limits of nineteenth-century book printing, and his personal curiosity in… Read More
The Ruined Temple and Oberrealta Chapel
14.04.2022
The Ruined Temple and Oberrealta Chapel14.04.2022
The plans of the Ruined Temple and Oberrealta Chapel were drawn nearly two hundred years apart, and yet they both speak to the Ruskian timelessness of the ruin. The temple and chapel are representative of their respective ages, with the former alluding to Romanticism’s longing for a pastoral past free… Read More
Entering the Imperial Palace
16.03.2022
Entering the Imperial Palace16.03.2022
‘What a subject for John Martin!’ exclaimed a passer-by, as the hungry flames flickered up York Minster. Maybe they had in mind his apocalyptic painting The Fall of Nineveh, exhibited that same year at the Western Exchange on Old Bond Street and reproduced widely as a mezzotint print. Unbeknown to… Read More
The Edge of Architecture: Cornices in the Drawing Matter collection
21.02.2022
The Edge of Architecture: Cornices in the Drawing Matter collection21.02.2022
– Editors
The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.
The Cornice: The Edge of Architecture
21.02.2022
The Cornice: The Edge of Architecture21.02.2022
The following essay was first published as the introduction to ‘The Cornice’, GTA Papers 6 (2021). It is one of the outcomes of the work done in preparation for the exhibition The Hidden Horizontal: The Cornice in Architecture and Art, which was on show at the Graphische Sammlung of ETH… Read More
In the Archive: New and Found 2
12.01.2022
In the Archive: New and Found 212.01.2022
– Editors
Click on drawings to move and enlarge. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New Julia Bloomfield recalls a dinner with Frank… Read More
Stories from Architecture: Behind the Lines at Drawing Matter
13.12.2021
Stories from Architecture: Behind the Lines at Drawing Matter13.12.2021
– Adrian Forty, Niall Hobhouse and Philippa Lewis
This film was recorded in the Drawing Matter archive on the afternoon of Friday 28 November. It records a conversation between Philippa Lewis, Adrian Forty and Niall Hobhouse, about some of the drawings behind Philippa’s new book, Stories from Architecture: Behind the Lines at Drawing Matter (2021). The film was… Read More
In the Archive: New and Found
01.12.2021
In the Archive: New and Found01.12.2021
– Editors
Click on drawings to move and enlarge. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New On the digital planchest this time is… Read More
The I’Ansons: A Dynasty of London Architects & Surveyors
30.11.2021
The I’Ansons: A Dynasty of London Architects & Surveyors30.11.2021
The following excerpt from Peter Jefferson Smith’s The I’Ansons: A Dynasty of London Architects & Surveyors (2019) charts the involvement of three generations of the I’Anson dynasty (Edward Sr [1775–1853]; Edward Jr [1812–1888]; and Edward Blakeway [1843–1912]) in the design of the Corn Exchange in Mark Lane, City of London.… Read More
The Pursuit of Gothic
10.11.2021
The Pursuit of Gothic10.11.2021
William Gilpin notoriously suggested that the ruins of Tintern Abbey could be improved by ‘a mallet judiciously used’. [1] The next generation saw in the architecture of the Middle Ages something more than an assortment of ornamental landscape features, but it did not begin to understand it. Uvedale Price, whose… Read More
The Italian Job: Anthony Salvin, Sir John Benson and the Royal Cork Yacht Club, Cóbh
27.10.2021
The Italian Job: Anthony Salvin, Sir John Benson and the Royal Cork Yacht Club, Cóbh27.10.2021
Anthony Salvin (1799–1881) was a noted English architect of country houses and a pioneer restorer of historic monuments. In the latter sphere, he undertook significant interventions at Windsor and Alnwick Castles and at the Tower of London. For example, he is largely responsible for the way we see the yards… Read More
Writing Prize 2021: Savinien Petit’s Chapelle a deux salles avec luminaire
18.10.2021
Writing Prize 2021: Savinien Petit’s Chapelle a deux salles avec luminaire18.10.2021
When art crosses paths with the language of architecture, odd things can occur. Savinien Petit was an academic painter who is little-known today. Conventional even for his own time, his taste at times did not exceed drawing children in clouds, but mostly he created religious scenes in traditional frescoes for churches, work which was… Read More
PC Harry Woodley: Plans of No 131 Cornwall Street, 1902
17.09.2021
PC Harry Woodley: Plans of No 131 Cornwall Street, 190217.09.2021
Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press © 2021. Preorder the book here. The drawings around which Stories from Architecture are written are all part of the Drawing Matter collection. Some of the texts were first published as ‘Behind the Lines’. It was a short walk… Read More
John Nash: Designs for Langham House, ca. 1812–1816
06.09.2021
John Nash: Designs for Langham House, ca. 1812–181606.09.2021
Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press © 2021. Preorder the book here. The drawings around which Stories from Architecture are written are all part of the Drawing Matter collection. Some of the texts were first published as ‘Behind the Lines’. Nash… Read More
Survey: John Goldicutt, Temple of Vespasian
25.08.2021
Survey: John Goldicutt, Temple of Vespasian25.08.2021
Climbing and surveying the ruins of Rome was potentially dangerous, and there are reports of near-fatal accidents involving falls from height. George Wightwick, who would be employed by Soane on his return from Italy, advised students ‘not to risk [their] neck in measuring, for the thousandth time, a Roman ruin’.… Read More
Cassius Goldsmith’s Grey Weather Gate House
25.07.2021
Cassius Goldsmith’s Grey Weather Gate House25.07.2021
I find myself lost in the woods, then reorientated, guided by the centralised chimney. Standing dead centre in front of the gate lodge, my gaze is lifted to the space between chimney and sky, between foreground or background. A cloud of white smoke disguises itself as an English cloud, passing… Read More
Cartographies of the Imagination
04.06.2021
Cartographies of the Imagination04.06.2021
– Kirsty Badenoch and Sayan Skandarajah
Drawing place is illusory. Maps may begin as transcriptions of a worldly order – a semblance of truth and objectivity – but in doing so, become acts of world-building that both belong to and are entirely removed from their starting point. In 2019, we first visited Shatwell Farm in the… Read More
Le Palais de Darius a Persepolis
27.05.2021
Le Palais de Darius a Persepolis27.05.2021
This study of Le Palais de Darius a Persepolis was made by Pascal Coste (b. 1787 Marseille, France) in 1840 as part of an archeological survey of the Persian City of Persepolis. Through a combination of plan and perspective, Coste portrayed the symmetrical arrangement and elaborate construction of the ancient… Read More
Keshi Ghat
13.05.2021
Keshi Ghat13.05.2021
Seeing is a reaching out, a kind of metaphorical touching that involves one’s whole being and is reciprocal. Amita Singh If you hadn’t read the title of the drawing, you would have probably guessed that this would have been a riverfront mosque in India. I did too. The courtyards reminding… Read More
William Burges: Architectural drawing
25.08.2022
William Burges: Architectural drawing25.08.2022
– Editors
William Burges was elected to the Royal Institute of British Architects in 1860 and to its council in 1862. The text reproduced below is the transcript of the paper he delivered upon joining the RIBA. Reproduced from Transactions v.9-11(1858–1861), digitised by the University of Illinois, here.
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