Period: c20th

Mies: The Berlin Building Expostition (1974)

Mies: The Berlin Building Expostition (1974)

Philip Johnson

The following text is excerpted from Oppositions 2 (1974): 86–91. The Berlin Building Exposition of 1931 was the largest of its kind ever to be held. With Teutonic thoroughness every material, every method, every theory that had to do with building was shown in the Exposition. The result of this thoroughness, plus… Read More

The Story of the Pool (1978)

The Story of the Pool (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More

James Gowan: The Sheet for the Job

James Gowan: The Sheet for the Job

Jantje Engels

The elevation of the Engineering Faculty in Leicester, a building by James Stirling and James Gowan, is in the centre of the tracing paper: a drawing composed of vertical, horizontal and diagonal black lines. A series of height lines and dimensions have been applied effectively, showing that the construction is… Read More

Stirling at Stuttgart: Rear View / Up Views

Stirling at Stuttgart: Rear View / Up Views

John Tuomey

Rear Views I joined the Stirling office in September 1976, working late hours through the length of four years until my return to Dublin towards the end of 1980. Straight out of college and into my first proper job, the critical years in my formation as an architect. I had… Read More

Mies: The Horizon

Mies: The Horizon

Robin Evans

Perusing the slides I had taken of the reconstructed pavilion, I found it difficult to decide which way up they went — an artefact of photography, no doubt. Then I changed my mind. It was not an artefact of photography, but a property of the pavilion itself, a property of… Read More

Ove Arup: Engineering the World

Ove Arup: Engineering the World

Hugh Pearman

My introduction to the work of Ove Arup, the great Anglo-Danish structural engineer whose firm made both the Sydney Opera House and the Pompidou Centre in Paris buildable, came over the course of three years as I walked, almost every day, across his Kingsgate foot-bridge in Durham. This is the… Read More

Thomas Henry Wyatt’s Brook House

Thomas Henry Wyatt’s Brook House

Andrew Jones

There is no building that tells the social and aesthetic story of Park Lane better than Brook House. From its beginnings as a scrappy country lane (‘Tyburn Lane’) in the eighteenth century, Park Lane rose to become the millionaires’ row of the Victorian and Edwardian eras and went on in… Read More

Álvaro Siza: Drawn Closer

Álvaro Siza: Drawn Closer

Álvaro Siza

This text was originally published in Architecture through Drawing. Drawn Closer is a year-long collaboration between Domus and Drawing Matter, edited by Sarah Handelman. Each issue of the magazine features one architect discussing a drawing which they recognise as a transformative moment in their work. Domus 2020 is guest-edited by David Chipperfield. I began using… Read More

Welfare Palace Hotel (1978)

Welfare Palace Hotel (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More

Instead of an Article (1958)

Instead of an Article (1958)

Alvar Aalto

‘As I cannot write an article, this dialogue is intended to replace it. It is only partially authentic, but that, of course, is also the case with the classical dialogues.’ Alvar Aalto in Arkkitehti-Arkitekten (1958): Sigfried Giedion: ‘What do I see, old friend, are you planning to write?’ Alvar Aalto:… Read More

W. E. B. Du Bois’ visionary infographics

W. E. B. Du Bois’ visionary infographics

Sarah Handelman

In 1900 W.E.B. Du Bois travelled to the Exposition Universelle in Paris to present the ‘American Negro’, an exhibition that sought ‘to give, in as systematic and compact a form as possible, the history and present condition of a large group of human beings’. In addition to Du Bois, then… Read More

Michael Graves’ Rooftop Village (1985)

Michael Graves’ Rooftop Village (1985)

David L. Gilbert

excerpted from The Critical Edge: Controversy in Recent American Architecture (Cambridge, Mass: MIT Press, 1985)

Architectural Typefaces

Architectural Typefaces

Adrien Vasquez

It is a drawing of a C. A rather normal looking C, a bit condensed perhaps. Its thick and thin parts are distributed along a vertical axis, rather than a diagonal one, so in typographic terms it is a modern C. To me it also looks a bit British, because it only… Read More

Working with Asplund

Working with Asplund

Herbert Korn

Asplund’s office was two floors up in an old building in Regeringsgatan, behind the NK department store. There were civil engineers there and Asplund collaborated with them as well. They worked on regional planning. Asplund’s office was a very smart room, a chapel for meditation you might say. It was… Read More

New Welfare Island (1978)

New Welfare Island (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More

Gallaratese & Fagnano Olona (1976)

Gallaratese & Fagnano Olona (1976)

Aldo Rossi

Two fragments of texts paired with two fragments of process. Writing in the May 1976 issue of Architecture + Urbanism, Rossi reflects on two projects: the Gallaratese Housing Complex, Milan and the Fagnano Olona in the Lombardy region. In both of the drawings placed alongside the architect’ s writing, the forms… Read More

Eisenman: House VI (1985)

Eisenman: House VI (1985)

Kathleen Enz Finken

The design of House VI was partly the result of Eisenman’s attempt to reconcile linguistic theories with architectural design. His interest in the work of Noam Chomsky, especially his theories of syntax, led to the investigation of possible analogies between language and architecture, and particularly the syntactic aspects of architectural… Read More

Calculated Aesthetics

Calculated Aesthetics

Asli Çiçek

The floor plan of the Losone gymnasium (1990–1997) by Livio Vacchini is a computer drawing made through the repetition of four basic elements: a rectangular black solid, and three types of short lines – one vertical and two diagonals in opposite directions. The black solid is copied with equal distance… Read More

Hotel Sphinx (1978)

Hotel Sphinx (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More

L’Invasion de la Viande (1980)

L’Invasion de la Viande (1980)

Elie Delamare-Debouteville

As part of an imagined intervention in the subterranean spaces of the redeveloped Les Halles, Jean Criton’s project describes the new Metro station invaded, in a sinister process of parthenogenesis, by the meat from the Pavillon de la Boucherie, which had stood on the site until its controversial demolition eight… Read More

Paul Robbrecht: Drawn Closer

Paul Robbrecht: Drawn Closer

Paul Robbrecht

Initiatief 86 was important because (as Robbrecht en Daem) it was more or less our first real work for art. It was also an important moment for the Belgian art scene. That summer Jan Hoet curated Chambres d’Amis, exhibiting the work of 50 artists in homes across Ghent. At the… Read More

Wright & Lautner: The Divorce

Wright & Lautner: The Divorce

Nicholas Olsberg

Wright’s Eaglefeather (1941) – hilltop Malibu extravaganza for the filmmaker Arch Oboler – was running into trouble. Lloyd Wright, Frank Lloyd Wright’s son, oversaw construction drawings and supervision, but Lloyd was fired by Oboler in March 1941. Wright came to Los Angeles and arranged for Lautner to complete the project… Read More

On plans

On plans

John Meunier

Plans, unlike many other architectural drawings, bear little or no relationship to what the building looks like, but they are crucial. First, they are essential as instructions for those involved with the construction of a building. Without a plan, the bits and pieces of a building could not be properly… Read More

Animals

Animals

James Gowan and Ellis Woodman

excerpted from The Architecture of James Gowan: Modernity and Reinvention (2008)