Period: c20th

Language & the Doorn Manifesto

Language & the Doorn Manifesto

Peter Smithson

The following audio clips are extracts from an interview with Peter Smithson conducted in 1997 for the Architects’ Lives oral history project run by National Life Stories. To listen to the full interview, click here. On language Peter Smithson on the change from the use of French to English as the predominant language of… Read More

The Garden of Earthly Delights

The Garden of Earthly Delights

Hamed Khosravi

The essay is an excerpt from Gabriel Guevrekian: The Elusive Modernist, by Hamed Khosravi, published by Hatje Cantz. Pre-order through the publisher’s website or visiting www.guevrekian.org.

Postcard from Nowhere (Counterswimming)

Postcard from Nowhere (Counterswimming)

Teresa Stoppani

Sixteen swim in synchrony. Bright red trunks, blue swim caps, in a perfectly choreographed 4 x 4 grid of bodies in motion. They swim in the shallow pale blue pool that contains them, as it floats in the ocean. They are about to collide with a dock that is too… Read More

Where Words Fail

Where Words Fail

Cyril Babeev and Matt Page

This drawing, a sketched site plan annotated in cursive old-Russian, was published in May 1903 in the Saint Petersburg-based architecture magazine Zodchiy (Зодчій). [1] The plan describes a nearly-square plot sited perpendicular to a street (ulitza, улица) and divided into three areas: a house, represented by a white void; a garden in the… Read More

Web of Intrigue

Web of Intrigue

Michael Webb

Searching the internet for the drawings of Michael Sorkin, one comes across a lengthy list of the projects that have emerged from his eponymously titled studio. Halfway down the list can be found an exotic beauty of a drawing soberly captioned thus: House of the Future. 1999. Coloured Pencil, Hand… Read More

Drawing Culture at SOM New York

Drawing Culture at SOM New York

Tom Killian

When I joined SOM in 1963, design drawings were done in pencil on yellow tracing paper with occasional use of coloured pencils. In the mid-60s this changed to magic markers. When working on a project under Sherwood Smith for a college campus, we drew the site plans with thin pen… Read More

Gowan on the English House

Gowan on the English House

James Gowan

When asked to write for Zodiac about his villa at Chester, built in 1982 for the furniture magnate Chaim Schreiber, James Gowan choses Robert Lorimer and Edwin Lutyens as his references. It is clear that he identifies with Lorimer particularly – another Scotsman, asked to build a house for a good client… Read More

Retail Therapy

Retail Therapy

A. Trystan Edwards

In architectural design the size of the human unit must always be borne in mind. It is nowhere more necessary to observe this maxim than in the determination of the scale of shop fronts, for here not only is the tendency to an undue magnification of parts most strongly encouraged… Read More

Houses of Work and Play

Houses of Work and Play

Patrick Lynch

The Faculty of Architecture at the University of Porto (FAUP), designed by Álvaro Siza, is set on a hillside, close to a road bridge at the mouth of the river Douro. The bridge seems to be part of the extended composition of the campus; the school-city a gateway to the… Read More

Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art

Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

Peter Blake & Adolfo Natalini: From Mies to Mickey Mouse

Peter Blake & Adolfo Natalini: From Mies to Mickey Mouse

Peter Blake

Sometimes, in the space between the archive and the library at Shatwell, we make nice conjunctions. Here together are Peter Blake in 1992, old and very angry, writing for Abitare about the decline of architecture in late twentieth-century America; and Adolfo Natalini in 1972, young and thrilled to have got there, sketching… Read More

‘I chose a distant meadow’: The House that Neutra Built

‘I chose a distant meadow’: The House that Neutra Built

Stephen Bayley

There are several curiosities in the plan of this classic modernist house by Richard Neutra. First, more area is allowed for dogs than for music. Second, there is a two-car garage, but a separate parking-space for a Rolls-Royce. Here is fine discrimination. But fine discrimination is exactly what you would… Read More

Aalto on Asplund: Stockholm Exhibition (1930)

Aalto on Asplund: Stockholm Exhibition (1930)

Alvar Aalto

Alvar Aalto, from an interview for the Swedish newspaper Åbo Underrättelser, May 22, 1930. Reprinted in Göran Schildt, ed., Alvar Aalto: Sketches, trans. Stuart Wrede (London: MIT Press, 1979), 16.

Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building

Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

Colin Rowe: Piazza Augusto Imperatore (1995)

Colin Rowe: Piazza Augusto Imperatore (1995)

Colin Rowe

– Colin Rowe, 1995. Excerpted from Colin Rowe, As I Was Saying: Recollections and Miscellaneous Essays, ed. Alexander Caragonne (London: MIT Press, 1996).

Biba Dow on Giorgio Morandi: Group and Threshold

Biba Dow on Giorgio Morandi: Group and Threshold

Biba Dow

Giorgio Morandi’s work focused on studying again and again a small group of domestic objects – vases, jugs, bottles – in his home in Bologna. During his adult life, he produced a large quantity of paintings and etchings which together build up a shimmering representation of his field of focus.… Read More

Seeing, and Disbelieving

Seeing, and Disbelieving

Niall Hobhouse

It is easy enough to say that the analysis of any architectural drawing begins with asking what it is for. But trying to answer this innocent question, which applies equally to the purpose for which the drawing was intended and for which we are now looking at it, presents many… Read More

In the Archive: OMA, Neutelings, Hejduk, Gowan

In the Archive: OMA, Neutelings, Hejduk, Gowan

Richard Hall and Emma Rutherford

Click on drawings to move and enlarge (fullscreen version). In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. When faced with a mass of unknown information, one tends to start with… Read More

Ronchamp: ‘Rough to the Touch’

Ronchamp: ‘Rough to the Touch’

Robin Evans

– Robin Evans, excerpted from ‘Comic Lines,’ in The Projective Cast: Architecture and its Three Geometries (London: MIT Press, 1995), 282.

Leto Litho Leningrad

Leto Litho Leningrad

William Firebrace

Joseph Brodsky, in his short essay ‘A Guide to a Renamed City’ (1979), wrote: The characteristic features of Leningraders are: bad teeth (because of lack of vitamins during the siege), clarity in pronunciation of sibilants, self-mockery, and a degree of haughtiness towards the rest of the country. Mentally this city… Read More

Buckminster Fuller: Geodesic Chandelier

Buckminster Fuller: Geodesic Chandelier

The Iconography of Desolation

The Iconography of Desolation

Robert Smithson

‘We now discover an iconoscope that shall forgive the divorce of heaven and hell while it flashes before us for our selective graces – the bits and pieces of Divine Catastrophe. Such a scope has lost all division and order. One must pick over the scattered icons the way a… Read More

Next Year in Yemen

Next Year in Yemen

Thomas Padmanabhan

‘Next year, there will be a civil war in Yemen. Please lend me the money so I can go now,’ I had the wit to ask my parents. It was after my first year in architecture school, not knowing that this journey would come to define me as an architect.… Read More

Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library

Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library

Editors

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More