Period: pre-1700
The Language of Architecture: Peter Märkli’s system of proportion
15 June 2021
The Language of Architecture: Peter Märkli’s system of proportion15 June 2021
By Stacey Lewis
Peter Märkli’s hand-drawn section of the ancient monument Hagia Sophia (532–7) is part of a working process developed alongside his design work. The output is a collection of investigative drawings that document sacred archetypal buildings, and articulate his resolved thesis that ‘architecture has a language’. The weight of the drawing… Read More
Medieval Masons and tracing-floors
10 May 2021
Medieval Masons and tracing-floors10 May 2021
The tracing-floors of York Minster offer a rare glimpse into the relationship between drawing and the Cathedral, the most iconic monument to the medieval Gothic. Tucked away into the loft of a small vestibule connecting the North Transept to the Chapter House, the Mason’s Lodge, as it is known, is… Read More
The Vitruvian Man: with Fresh Eyes
14 April 2021
The Vitruvian Man: with Fresh Eyes14 April 2021
By Niamh Murphy
‘The Vitruvian Man of Leonardo da Vinci as a model of innovative entrepreneurship at the intersection of business, art and technology’ is shown in the first image. This is a ‘modern’ interpretation of the Renaissance drawing as a business model as published in the Journal of Innovation and Entrepreneurship in 2017. An… Read More
Vitruvius: Follow the Footprints
7 December 2020
Vitruvius: Follow the Footprints7 December 2020
By Paul Emmons
An intriguing Italian Renaissance drawing from the mid-sixteenth century has recently received critical attention through Drawing Matter. [1] Both the recto and the verso of the paper sheet have an ancient temple plan in perspective in a landscape setting, drawn in brown ink and attributed to the Sangallo circle as… Read More
Sigurd Lewerentz: Siting the Axonometric
17 November 2020
Sigurd Lewerentz: Siting the Axonometric17 November 2020
By Stan Allen
One way to think about an axonometric drawing is as a perspective with the vanishing point at infinity. This means that the lines of projection are parallel, which assures dimensional consistency. Early treatises, for example, spoke of parallel projection as analogous to shadows cast by the sun; not, strictly speaking,… Read More
Bramante: Five Dots
16 November 2020
Bramante: Five Dots16 November 2020
The remote past is distant and faded. Original objects and documents that might be used to study it are scarce. They are often uncooperative and most of the time they don’t tell the truth, because they have been reframed by history’s ‘victors’ over the centuries. We must always bear in… Read More
All back to front: D’Aviler’s Cours D’Architecture
9 November 2020
All back to front: D’Aviler’s Cours D’Architecture9 November 2020
In Louis de Boulogne’s drawing, now in the Drawing Matter collection, Architecture appears as a young woman. She sits leaning on an altar with a Corinthian capital at her feet, compasses in one hand and a portrait of Vignola in the other. Behind her are the ruins of Rome. It… Read More
Palladio’s Lines
15 October 2020
Palladio’s Lines15 October 2020
By Sezin Sarıca
Andrea Palladio’s Il Quattro Libri dell’architettura (Venice, 1570) is a seminal document in the history and theory of architecture. The treatise projects the knowledge of both architectural form and its image. The formation of this knowledge is documented within Palladio’s work textually and visually. The work conveys both the formation… Read More
Trees Make A Plan
7 October 2020
Trees Make A Plan7 October 2020
By Sylvia Lavin
In 1546, Antonio da Sangallo the Younger died of malaria while working in Umbria about 100 kilometres north of Rome. Unlike Claude Perrault, who in 1688 also contracted a fatal infection as part of his work – the source of his malady is said to have been a camel he… Read More
Architectural Typefaces
29 May 2020
Architectural Typefaces29 May 2020
It is a drawing of a C. A rather normal looking C, a bit condensed perhaps. Its thick and thin parts are distributed along a vertical axis, rather than a diagonal one, so in typographic terms it is a modern C. To me it also looks a bit British, because it only… Read More
Ink on his Hands: Montano’s Visceral Roman Architectures
18 May 2020
Ink on his Hands: Montano’s Visceral Roman Architectures18 May 2020
When he sat down to make the drawings that form this eight-page album of Roman buildings, Giovanni Battista Montano began by embossing lines onto the sheet with a stylus, straightedge and compass. Using natural black chalk, he then lightly sketched the principal parts and main particularities of the selected edifices.… Read More
Collection of Sections
2 December 2020
Collection of Sections2 December 2020
By Allen Keith Yee
The following drawings and commentaries have been excerpted from Visual Discoveries: A Collection of Sections (Oro Editions, 2020). The publication surveys the use of section drawings in the histories of architecture and other professions, from the 17th century to the present. More information on the book can be found here.… Read More
section housing