Tag: concept & diagram

The Captive Globe

The Captive Globe

Reinier de Graaf

This essay is about a drawing—or rather, about the insight embedded within that drawing and the life it has taken on in the forty-five years since it was made. The drawing in question is The City of the Captive Globe. It was created in 1972, first published in 1978 by… Read More

DMJ – Pencils, Computers, Cameras

DMJ – Pencils, Computers, Cameras

Ahmed Belkhodja

Is distance the raw material of architecture? The early work of Itsuko Hasegawa seems to address this question. In her own words, these projects allowed human beings and architecture to ‘come close and react to each other’, by setting up ‘long distances’. She developed an array of representation techniques through… Read More

Connor Street: Made by Many Hands

Connor Street: Made by Many Hands

Kieran Hawkins

The following text is the second in a series by architect Kieran Hawkins, Director of Cairn, tracing the design and construction of an extension to a Victorian House in East London, recounting the everyday realities of the project and, in the green text, the broader environmental issues incumbent on architects to address. The texts have been developed… Read More

Heinz Isler: Natural Hills on Different Edge Lines

Heinz Isler: Natural Hills on Different Edge Lines

John Chilton

I first encountered Heinz Isler’s thin reinforced concrete shells when I saw his presentation ‘Third Decade of Structural Shells’ at the thirtieth anniversary symposium of the International Association for Shell and Spatial Structures (IASS), in Madrid, in September 1989. This was the first time I saw his inspirational drawing ‘Natural Hills on… Read More

Connor Street: Made by Many Hands

Connor Street: Made by Many Hands

Kieran Hawkins

The following text is the first in a series by architect Kieran Hawkins, Director of Cairn, tracing the design and construction of an extension to a Victorian House in East London, recounting the everyday realities of the project and, in the green text, the broader environmental issues incumbent on architects to address. The texts have been developed… Read More

François Cointeraux: the Architect of the ‘Agricultural Proletariat’

François Cointeraux: the Architect of the ‘Agricultural Proletariat’

Anja Segmüller

François Cointeraux was born in Lyon in 1740 and was introduced to agriculture and construction at an early age through his family’s business ventures. When his uncle designated him the ‘universal heir’ of his company, Cointeraux inherited several buildings in Lyon and around 24 houses in the area. His marriage… Read More

Capilla Pajaritos

Capilla Pajaritos

Alberto Cruz

The following text was written by Alberto Cruz as an account of the project for a small chapel outside of Santiago (1952–3; first published in Spanish in 1954). It describes an unfolding process of design, framed around the guiding principles of observation, act, and, form—the key tenets of Cruz’s architectural… Read More

fala: butterflies

fala: butterflies

fala

This is the final of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Every discussion ends in a few drawn lines as words don’t do the job as well. A project is usually sketched between the lines that… Read More

Heinz Isler Model

Heinz Isler Model

John Chilton and Paul Shepherd

This text was written by Paul Shepherd. The interjections, in italic, are additions by his friend and Heinz Isler expert John Chilton. If you go down to the woods today… Since our son was away on Scout camp all weekend, my plans for Sunday involved a much-needed lie-in and an… Read More

fala: comprehensive

fala: comprehensive

fala

This is the second of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Normally, a project is depicted through a series of plans, sections, elevations, and some axonometric drawings, perhaps – every aspect of it explained and documented. We… Read More

Alberto Pérez-Gómez: Architecture as Drawing

Alberto Pérez-Gómez: Architecture as Drawing

Mark Dorrian and Alberto Pérez-Gómez

Drawing Matter is delighted to present three texts by Alberto Pérez-Gómez on architecture and its representation, the first writings by him to be carried on the Drawing Matter website. The first, ‘Architecture as Drawing’, is an early essay that initially appeared in the Journal of Architectural Education in 1982, a… Read More

Elia Zenghelis: The Image as Emblem and Storyteller

Elia Zenghelis: The Image as Emblem and Storyteller

Richard Hall

We recently arranged for Elia Zenghelis to give a presentation under the title ‘The Image as Emblem and Storyteller’ via the Architecture Foundation’s YouTube channel. The talk summarises a thesis that Elia has been continuously developing throughout his career: from OMA’s polemical early work, via decades as one of the… Read More

Exhibition Design: Charging the Void

Exhibition Design: Charging the Void

Claire Oster

Last year at Cornell University, five students in Alessandra Cianchetta’s design studio Global Artscapes worked on designs for a gallery in the valley at Shatwell. For this, they used photographs and videos in default of a site visit. The brief was for an exhibition space to accommodate the display of… Read More

The Cornice: The Edge of Architecture

The Cornice: The Edge of Architecture

Maarten Delbeke

The following essay was first published as the introduction to ‘The Cornice’, GTA Papers 6 (2021). It is one of the outcomes of the work done in preparation for the exhibition The Hidden Horizontal: The Cornice in Architecture and Art, which was on show at the Graphische Sammlung of ETH… Read More

Growth or Composition? Colin Rowe to Louis Kahn

Growth or Composition? Colin Rowe to Louis Kahn

Michael Merrill

Extracted, with permission, from Louis Kahn: The Importance of a Drawing edited by Michael Merrill, published by Lars Müller Publishers © 2021. Click here to read a review of this book by Stan Allen. An auspicious meeting: At the end of 1955, a thirty-five-year-old academic named Colin Rowe visited the office… Read More

Decoding Wittgenstein’s Stonborough Villa

Decoding Wittgenstein’s Stonborough Villa

Akira Koyama

God does not reveal himself in the world. The facts all belong only to the task and not to its performance. — Ludwig Wittgenstein [1] In the 1980s, the beginning of widespread personal computing, we didn’t buy readymade software like today. Every night found me frantically writing a thousand lines… Read More

Infinite Patterns in I. M. Pei’s Furniture Diagrams

Infinite Patterns in I. M. Pei’s Furniture Diagrams

Daniel Luis Martinez

In 1969, the Cleo Rogers Memorial Library, designed by I. M. Pei & Partners, was completed in the small town of Columbus, Indiana. According to project architect Ken Carruthers, who was obsessed with the golden ratio, the building rigorously employs ancient proportional systems. Fully opaque on its east and west… Read More

Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance

Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance

Ahmed Belkhodja

Negatives Of the 120,027 items included in the archives of the Centre Pompidou in Paris, 16,010 are part of the collection called ‘Architecture’, and 22,877 are filed as ‘Negative film’. Astonishingly, only one entry sits in both: ‘Ensemble de 12 négatifs couleur (4 pour le projet Bizan, 6 pour le… Read More

Lines, Drawings, the Human Condition

Lines, Drawings, the Human Condition

Tim Ingold, Momoyo Kaijima, Andreas Kalpakci and Anh-linh Ngo

This conversation between Tim Ingold, Momoyo Kaijima, Andreas Kalpakci and Anh-linh Ngo was first published, in German translation, in issue 238 of ARCH+ (March 2020). Drawing Matter would like to thank the editors of ARCH+ for allowing us to publish the original English version of the text. Momoyo Kaijima: With… Read More

Disney: The Architecture of Staged Realities

Disney: The Architecture of Staged Realities

Saskia van Stein

‘Project Life Cycle’ provides a brief look into the complex work behind the scenes of a Walt Disney Company production. It is a meticulous formalisation that maps the industrial-organisational apparatus of the life cycle of a Disney project. The creative process is abstracted into a sequence of decisions, a neatly… Read More

Diagrams: Hans van der Heijden in Conversation with Richard Hall

Diagrams: Hans van der Heijden in Conversation with Richard Hall

Richard Hall

Hans van der Heijden is an Amsterdam-based architect. He co-founded biq in 1994 with Rick Wessels before establishing his own office, Hans van der Heijden Architect, in 2014. During this timeframe he has developed a recognisable and idiosyncratic drawing repertoire, the origins of which can be traced back to his… Read More

The Zilsel Thesis: A Review of Strata: William Smith’s Geological Maps (2020): Review

The Zilsel Thesis: A Review of Strata: William Smith’s Geological Maps (2020): Review

Stan Allen

In a series of essays and lectures developed between 1939 and 1943, the philosopher of science Edgar Zilsel identified three distinct sources of knowledge in the Renaissance. In the late-medieval period, writes Zilsel, the traditional learning associated with the universities was still theological and scholastic in character. The texts preserved… Read More

Peter Märkli: My Facade Material

Peter Märkli: My Facade Material

Editors

The following quotations are from ‘Mein Stoff für Fassaden (My Facade Material)’, a lecture delivered online by Peter Märkli to open a series of five talks for the Architecture Foundation. The quotations are presented here in a loose fashion, some treated as aphorisms about design, others illustrated with drawings from… Read More

The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple

The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple

Frank Lyons

The Architecture of Nothingness: Drawing the Drawings As architects we have learned to read drawings almost instantly. At a glance we see what the spaces feel like, what it will be like to move around the building and perhaps even get a sense of the appropriateness of the structure. This ‘presentational’ way… Read More