Tag: urban form

Tree Speech

Tree Speech

Sylvia Lavin

The following text is the fourth of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us reproduce the essays on www.drawingmatter.org.… Read More

Trees Push Back

Trees Push Back

Sylvia Lavin

The following text is the third of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us reproduce the essays on www.drawingmatter.org.… Read More

Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright

Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright

Elizabeth Hatz

a vanished gardenthe oriental plan eclipses an obsession with circlesall spaces on their way to evaporateany momentthe terrible weight of void implodes into a dome turned sidewayson its way down, breast-feeding earthmidway of life – garden of deathlight words lift like invisible balloonsthe perspective of cantilevered canopies is relentlessin heavy… Read More

Echo: SuperStudio & Hans Hollein

Echo: SuperStudio & Hans Hollein

Matt Page

A New Administration Center For Los Angeles (1936)

A New Administration Center For Los Angeles (1936)

William Hamilton

Excerpted from ‘Architect and Engineer’ 1936 January by William Hamilton.

The Empire State Building: Elevators (1931)

The Empire State Building: Elevators (1931)

Bassett Jones

The following was first published as ‘The Empire State Building: Shreve, Lamb & Harmon, Architects: VIII. Elevators’, Architectural Forum (January 1931). Drawing Matter would like to thank Nicholas Olsberg for sending us this text. Digital copies of Architectural Forum’s series on the Empire State Building can be found at usmodernist.org.

Superstudio: Monument Interrupted

Superstudio: Monument Interrupted

Julian Lewis

The collages of Superstudio’s ‘Continuous Monument’ have always seemed to me like stills from an unseen film, each image framing a part of a wider scenography. Combining the collages does not make the larger reality of the monument any less elusive or fragmentary, akin to the way that remembered dreams… Read More

The wobbly line: Asplund, Johansson and the influence of Tessenow in Sweden 1915–1925

The wobbly line: Asplund, Johansson and the influence of Tessenow in Sweden 1915–1925

Jan Rydén

There is a drawing in a 1923 issue of the Swedish trade journal Byggmästaren (The Master-Builder). It is part of a presentation of a new three-storey house by the architect Cyrillus Johansson. To illustrate his text the architect has included photos and a drawing of the front elevation and a plan of… Read More

Dating Siza: The Malagueira ‘Cupula’

Dating Siza: The Malagueira ‘Cupula’

Manuel Montenegro

The unbuilt half-dome (referred to by the architect as the ‘cupula’) at the Quinta da Malagueira is the subject of a protracted design process that has lasted for over four decades. At the start of 2020, Álvaro Siza sent a drawing of the half-dome to Drawing Matter accompanied by letter… Read More

OMA in Scheveningen

OMA in Scheveningen

Willem Jan Neutelings

Scheveningen is a reef on which different architectonic and urban visions have run ashore. – Rem Koolhaas [1] What a surprise to see this 40 year old drawing! I made it as a young collaborator of OMA in Rotterdam in 1982. It is an analytic sketch in ink and color… Read More

A Glasgow Effect

A Glasgow Effect

Paul Stallan

I draw and make dens to counter the weather of Scotland and the urban dislocation that I experienced from growing up in Glasgow, a city that suffered disproportionately from devastating post-war planning policy and the imposition of industrial modern architecture. The consequences of this are described by the medical term… Read More

Venice Biennale (1985)

Venice Biennale (1985)

Dario Passi

The third edition of the Venice Biennale in 1985, ‘Progetto Venezia’, directed by Aldo Rossi, had two major themes: the priority given to the moment of planning and the comparison with the Venetian landscape. For the 1985 exhibition, architects were invited to display their designs for the ‘requalification or the… Read More

The Conservative (1941)

The Conservative (1941)

Graham Greene

All along the wide stony high street of Chipping Campden one is aware of stopped clocks. Time has been strenuously and persistently defied – almost successfully. Even the public telephone box – after a short struggle with the Post Office – has been allowed to wear the protective colouring of… Read More

Fresh and Surprised

Fresh and Surprised

Julian Lewis

Indische Buurt is a suburban area at the eastern edge of Amsterdam that is rich with diverse ethnicities, building ages and spatial experiences. The streets are named after islands and, as a territory historically built upon reclaimed land, there is an overriding feeling of an archipelago: islands that are places… Read More

Álvaro Siza: Drawn Closer

Álvaro Siza: Drawn Closer

Álvaro Siza

This text was originally published in Architecture through Drawing. Drawn Closer is a year-long collaboration between Domus and Drawing Matter, edited by Sarah Handelman. Each issue of the magazine features one architect discussing a drawing which they recognise as a transformative moment in their work. Domus 2020 is guest-edited by David Chipperfield. I began using… Read More

Welfare Palace Hotel (1978)

Welfare Palace Hotel (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these… Read More

Michael Graves’ Rooftop Village (1985)

Michael Graves’ Rooftop Village (1985)

David L. Gilbert

excerpted from The Critical Edge: Controversy in Recent American Architecture (Cambridge, Mass: MIT Press, 1985)

New Welfare Island (1978)

New Welfare Island (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More

Hotel Sphinx (1978)

Hotel Sphinx (1978)

Rem Koolhaas

In the appendix to Delirious New York, Rem Koolhaas’s retroactive manifesto for the island of Manhattan, the tacit logic of ‘Manhattanism’ is set free from its origins in the form of five architectural projects: The City of the Captive Globe, Hotel Sphinx, New Welfare Island, the Welfare Palace Hotel and the Floating Pool. Four of these projects are… Read More

L’Invasion de la Viande (1980)

L’Invasion de la Viande (1980)

Elie Delamare-Debouteville

As part of an imagined intervention in the subterranean spaces of the redeveloped Les Halles, Jean Criton’s project describes the new Metro station invaded, in a sinister process of parthenogenesis, by the meat from the Pavillon de la Boucherie, which had stood on the site until its controversial demolition eight… Read More

Animals

Animals

James Gowan and Ellis Woodman

excerpted from The Architecture of James Gowan: Modernity and Reinvention (2008)

Drawing on the Nolli Plan

Drawing on the Nolli Plan

Sheila O'Donnell

Every January, when John and I visit Rome, I bring a set of A3 photocopies of the Nolli plan (Giambattista Nolli’s Nuova Topografia di Roma, 1748). I don’t bring the whole map – it stretches to twelve sheets, each about A2 in size – so before arriving I am already editing… Read More

Plan with the form of a growling dog

Plan with the form of a growling dog

Tony Fretton

I was drawing, endlessly it seemed, a hotel for a competition in Switzerland – fruitlessly as it turned out. I cheered myself along by seeing in the plan the face of an animal, a friendly bear, or more likely a dog. James’ ‘building with the form of a howling dog,’ which he… Read More