Category: commentaries, rants & reflections
Fragmentary Notes on Unclaiming the Life of a Drawing
13.10.2023
Fragmentary Notes on Unclaiming the Life of a Drawing13.10.2023
The following notes reflect on a first year teaching studio led by Bahar Avanoğlu at Istanbul Bilgi University. The studio took Niall McLaughlin’s Alternative Histories model, an interpretation of a sketch by Basil Spence for extending the Houses of Parliament in London, as a starting point to continue a chain… Read More
Judit Reigl: Invisible Cities
10.10.2023
Judit Reigl: Invisible Cities10.10.2023
Judit Reigl was ninety-two years old in 2015 when she started Dance of Death, her transcendent series of small-scale vanitas drawings. Having reached a stage where she could barely see her own pencil marks, Reigl found skulls to be a ready subject. She said she had drawn many skulls in… Read More
Gathered Moments: Asplund’s Villa Snellman
28.09.2023
Gathered Moments: Asplund’s Villa Snellman28.09.2023
Virginia Woolf’s use of short stories to form larger works, and her bracketing of inner discourse with physical objects and phenomena, suggest a similar episodic approach to architectural composition. Discrete moments are assembled to form a whole which is often held within an overarching temporal structure. This structure does not… Read More
Hans Hollein & Spiritual Expression in Architecture
22.09.2023
Hans Hollein & Spiritual Expression in Architecture22.09.2023
The defining characteristics of modern architecture took shape against a host of disorientating shifts in the 19th century. On the theoretical side, the instantiation and development of aesthetics as an autonomous realm strained a sacred harmony between beauty, truth, and goodness. On the practical side, technological, social, and cultural advancements… Read More
Work with your hands: AUB Summer School 2023
21.09.2023
Work with your hands: AUB Summer School 202321.09.2023
‘Work with your hands, so that your daily life may win the respect of outsiders and so that you will not be dependent on anybody.’1 Thess. 4:11-12 All architecture begins with our hands. We make physical what we understand in order to communicate the invisible to the outside world. The translation… Read More
Architecture and Real Abstraction: Adler & Sullivan
12.09.2023
Architecture and Real Abstraction: Adler & Sullivan12.09.2023
This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. The… Read More
Fraser Stables: Remembering Architecture
06.09.2023
Fraser Stables: Remembering Architecture 06.09.2023
Fraser Stables speaks quietly through his series Remembering Architecture. There is a staid documentarian quality to his photographs, but not that of architectural photography. When architectural details—the meeting of nature and architecture, light falling on surfaces—are made the focus, the images speak more to a sensitive process of recording moments; and in many… Read More
Trevor Dannatt: St Mary’s Grove — Hook & Extension
28.08.2023
Trevor Dannatt: St Mary’s Grove — Hook & Extension28.08.2023
Liza Fior, whose phone was used to take these snaps (I still refuse the portable-telephone obligation), was particularly taken by this hook for the garage door, the way it hangs, the perhaps deliberate chipping into the stone, ‘I am sure he planned it’. That minute attention to the smallest thing,… Read More
Quinta da Malagueira
11.08.2023
Quinta da Malagueira11.08.2023
In this short text Pier Vittorio Aureli reflects on Quinta da Malagueira housing project in what he sees as a potential convergence between formal principals and political intentions. Quinta da Malagueira is perhaps the last great ‘social housing project’. That is, it is the last great architectural contribution to the… Read More
The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso
17.07.2023
The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso17.07.2023
Alberto Cruz presented the principles of The Palace of Dawn and Dusk (Palacio del Alba y del Ocaso) in the Open City’s Music Room on 19 January 1981[1]. While the initial project comprised four lodges with communal rooms, courtyards, and public baths, ultimately, as Cruz describes, following a ‘poetic revelation’… Read More
Building as Drawing: The Cowshed (2021) at Shatwell Farm
07.07.2023
Building as Drawing: The Cowshed (2021) at Shatwell Farm07.07.2023
This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here.… Read More
Instagram, Indifference, and Postcritique in US Architectural Discourse
05.07.2023
Instagram, Indifference, and Postcritique in US Architectural Discourse05.07.2023
The following text is reproduced from The Hybrid Practitioner: Building, Teaching, Researching Architecture (2022), edited by Caroline Voet, Eireen Schreurs, and Helen Thomas. The publication is available in print or as an ebook, here. You can find Joseph Bedford on Instagram here. From the 1970s through the 1990s, many architects… Read More
Trevor Dannatt: St Mary’s Grove — House Number & Gate
04.07.2023
Trevor Dannatt: St Mary’s Grove — House Number & Gate04.07.2023
This is the second part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, and the first text, here. The other sign on the street—blue baked enamel as ur-signifier… Read More
Trevor Dannatt: St Mary’s Grove — Gap and Sign
13.06.2023
Trevor Dannatt: St Mary’s Grove — Gap and Sign13.06.2023
When my parents bought the house in 1955—for £1,000—one of the first things Trevor did was design this distinctive gap in the wall of the front garden, a modest modernist castle crenelation. This was deliberately aligned with the edge of the house, on a line with the front steps, so… Read More
Hardman & Co.
09.06.2023
Hardman & Co.09.06.2023
My interest in seeing the Hardman & Co. drawings at Drawing Matter was quite personally motivated as I feel a connection to the company. Partially, because I come from Birmingham where the company was based, and because I visited the studios informally in the 1980s with my parents. I was… Read More
Through a Glass Darkly
06.06.2023
Through a Glass Darkly06.06.2023
This text was first published in DMJournal No.1: The Geological Imagination (2023). Print copies of the Journal, and subscriptions for the first three issues, are now available through our online bookshop. We are currently accepting abstracts for the third issue of DMJournal. Find more information here. Since Burckhardt’s discovery of Petra in 1812, Europeans and… Read More
The First Exercise, One Door and One Window
01.06.2023
The First Exercise, One Door and One Window01.06.2023
In 2003, at the troubled age of eighteen, I started a Bachelor’s degree in Interior Architecture at the Politecnico di Milano. The first semester was a disappointment, a disaster even. The extremely hierarchical and academic system in Italy was terribly discouraging for creativity and questioning. By raising your hand to… Read More
Nuno Melo Sousa: weight
26.05.2023
Nuno Melo Sousa: weight26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. They dance.They stand.They stare.They bend.They underline.They comply.They don’t comply.They question.They agree.They dismiss.They provoke.They ignore. Each and every one of them keeps a continuous movement between what… Read More
Nuno Melo Sousa: on big papers
26.05.2023
Nuno Melo Sousa: on big papers26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. First, there were a couple of tense drawings.One, two, three. At the very third second, it quickly escalated to a nonstop dry pastel scratch on A2… Read More
Nuno Melo Sousa: on small papers
26.05.2023
Nuno Melo Sousa: on small papers26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. Kept behind the scenes, singing like mantras: voices in low tune. They flourish and are planted like small seeds.Their synthesis is colourful and schematic.They are all… Read More
Nuno Melo Sousa: on walls
26.05.2023
Nuno Melo Sousa: on walls26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. Liberation.When I was a kid, I could not draw on walls. It was forbidden in my parents’ house. At school, we could pin pieces of paper.… Read More
Nuno Melo Sousa: authority
26.05.2023
Nuno Melo Sousa: authority26.05.2023
This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. there is no authority.there is no gravity.there is no fee.there is no programme.there is no agenda.there is no time.there is no client.there is no plot. Creatures.… Read More
Trevor Dannatt: St Mary’s Grove — I’m Going to Get Medieval on Your Ass!
16.11.2023
Trevor Dannatt: St Mary’s Grove — I’m Going to Get Medieval on Your Ass!16.11.2023
– Adrian Dannatt
‘I’m going to get medieval on your ass!’ Any analogy between the hefty massing of the middle-ages and soi-disant Brutalism is here revived in the bold metal hinges of our garage door, worthy of some château fort. Likewise the solid lead parapet of the roof could well guard a fortress, if also reminiscent of the… Read More
St Mary's Grove (series) DMC detail domestic