Medium: drawing

Aldo Rossi: Transforming Artefacts into Objects of Affection

Aldo Rossi: Transforming Artefacts into Objects of Affection

Marianna Charitonidou

Michael Sorkin, in Drawings for Sale, draws a distinction between two levels of the impact of architectural drawings on their spectator: ‘the drawing as artefact and the drawing as the representation of certain ideas about some architecture’. Sorkin argues that the power of the impact of a drawing on its spectator… Read More

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Editors

Late last year Emilio Ambasz offered us a fascinating text in which he reflects on ‘Italy, The New Domestic Landscape’, the seminal exhibition he curated in 1972 for MoMA. We have taken his text as an invitation to informally bring together drawings and objects related both to the exhibition and to the radical practices… Read More

Pier Vittorio Aureli: Ambiguous Drawings

Pier Vittorio Aureli: Ambiguous Drawings

Paco Alfaro Anguita

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

Letter of Authorisation to Discuss Late Ottoman Archive Drawings as Operational Images

Letter of Authorisation to Discuss Late Ottoman Archive Drawings as Operational Images

Ecem Arslanay and Mina Gürsel Tabanlıoğlu

Southeastern Turkey and Northern Syria have been struck by a 7.7 magnitude earthquake, followed by a 7.5 tremor, killing more than 46,000 people. Ecem and Mina’s local NGO is AHBAP. Please click here if you would like to make a donation. For the past two years, our Writing Prize has… Read More

Le Corbusier: The ‘Open hand’ as an expression of freedom?

Le Corbusier: The ‘Open hand’ as an expression of freedom?

Marianna Charitonidou

Le Corbusier placed particular emphasis on the notion of freedom. In Où en est l’architecture?, he declares: ‘I accept a poem only if it is made of “words in freedom”’. [1] In the same text, Le Corbusier describes his conception of art as ‘individual manifestation of freedom’. [2] In Sur… Read More

Geography of Hope: John Lautner

Geography of Hope: John Lautner

Nicholas Olsberg

This is the second of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. Suspension and Poise: Lautner at Mountainside The first photograph of John Lautner that we know, shows him as a boy of about fourteen, standing… Read More

Shed for Carolyn

Shed for Carolyn

George Gibbs

The drawing shown below was highly commended in the Working Drawing Award of the Trinity Buoy Wharf Drawing Prize 2022. The Working Drawing Award is a special category within the exhibition that celebrates the role of drawing within architecture, design and making processes. Context Shed for Carolyn was a project to rehabilitate… Read More

Geography of Hope: Adolfo Natalini and Superstudio

Geography of Hope: Adolfo Natalini and Superstudio

Nicholas Olsberg

This is the first of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. As we descended into a World War that threatened the obliteration of decency and history, the poet Archibald Macleish, then Librarian of Congress,… Read More

Robert Bray: Design for a Playboy Duplex Penthouse, 1970

Robert Bray: Design for a Playboy Duplex Penthouse, 1970

Philippa Lewis

Watch Philippa Lewis’s recent lecture, ‘From Drawing to Text’, on how we tell stories from architecture, for The Berlage Center for Advanced Studies in Architecture and Urban Design at Delft University of Technology here. Geoff Freeman, sales director of a Northamptonshire shoe company, arrives at JFK Airport for his flight… Read More

W. R. Lethaby: Apprenticeship and Education

W. R. Lethaby: Apprenticeship and Education

Hugh Strange

This is the fourth text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. The building sites of London in the late nineteenth century desperately lacked adequate skills, and this need was being addressed neither on the job nor through appropriate training. The first prospectus of… Read More

The ESB’s New Clothes

The ESB’s New Clothes

Colum O'Riordan

In 1965 sixteen late-eighteenth-century houses on the east side of Fitzwilliam Street Lower, Dublin were demolished. They had served as headquarters of the Electricity Supply Board (ESB) and in their place was to be a new company HQ, a 1961 competition-winning scheme by the partnership of Sam Stephenson and Arthur… Read More

Materia 4: Brick

Materia 4: Brick

Gordon Shrigley

This text is the fourth in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products.  Coarse rectangular lumps of clay mixed with straw and water, small enough to be carried in one or two hands, are laid… Read More

The Wessex Project: Thomas Hardy, Architect: Part III

The Wessex Project: Thomas Hardy, Architect: Part III

Kester Rattenbury

This is the final of three extracts, each a series of vignette studies; they are all taken from Kester Rattenbury’s fascinating full-length study: The Wessex Project: Thomas Hardy, Architect, which approaches the great author from the perspective of his first career as a young architect in London and Dorset. As he… Read More

The Work of Ernest and Esther Born: World’s Fair

The Work of Ernest and Esther Born: World’s Fair

Nicholas Olsberg

Ernest and Esther Born trained as architects at Berkeley in the early 1920s and worked with great distinction in all aspects of architecture and the allied arts, from graphics and illustration to display design and architectural photography. This project marks one of their first endeavours on returning to San Francisco… Read More

Drawing for James Stirling

Drawing for James Stirling

Walter Nageli

Looking back forty years or so on my time in the basement of Jim Stirling’s office in Gloucester Place feels like travelling centuries. Today it is inconceivable that a world-renowned architect and Pritzker Laureate would show a client around the office wanting him to look at the equipment and be… Read More

fala: butterflies

fala: butterflies

fala

This is the final of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Every discussion ends in a few drawn lines as words don’t do the job as well. A project is usually sketched between the lines that… Read More

The Garden Transcripts

The Garden Transcripts

Eleanor Evason

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

The Wessex Project: Thomas Hardy, Architect: Part I

The Wessex Project: Thomas Hardy, Architect: Part I

Kester Rattenbury

This is the first of three extracts, each a series of vignette studies, that we will publish over the next few weeks; they are all taken from Kester Rattenbury’s fascinating full-length study: The Wessex Project: Thomas Hardy, Architect, which approaches the great author from the perspective of his first career as… Read More

DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope

DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope

Yue Zhuang

In 1739, the English poet Alexander Pope transformed his grotto – a subterranean passage that used to consist of a cryptoporticus with architectural orders – into ‘a mine’. Minerals were encrusted into the walls in a manner that imitated those found underground. Previous scholars have considered this to be a… Read More

Useless Terrain: The Ballynagrenia and Ballinderry Bog

Useless Terrain: The Ballynagrenia and Ballinderry Bog

Joseph Heffernan

Every hectare of drained peatland emits two tonnes of carbon a year. Known peatlands only cover about 3% of the world’s land surface, but they store at least twice as much carbon as all of Earth’s standing forests. Cutting turf for fuel has been practiced for centuries, and communities have… Read More

Gothic Sublime

Gothic Sublime

Sonny Evans

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

W. R. Lethaby: The Church of Sancta Sophia, Constantinople

W. R. Lethaby: The Church of Sancta Sophia, Constantinople

Hugh Strange

This is the third text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. William Lethaby’s second book, The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building, published in 1894, could hardly have started on its subject more emphatically, ‘Sancta Sophia is the most… Read More

DMJ – Borromini’s Smudge

DMJ – Borromini’s Smudge

Jonathan Foote

This text, published alongside Bernhard Siegert’s article ‘From Landscape to Mapscape: Robert Smithson’s Maps’ marks the launch of the first and second issues of DMJournal–Architecture and Representation. Over the coming months, we will be publishing articles from both DMJ 1: The Geological Imagination and DMJ 2: Drawing Instruments/Instrumental Drawings. The… Read More

DMJ – From Landscape to Mapscape: Robert Smithson’s Maps

DMJ – From Landscape to Mapscape: Robert Smithson’s Maps

Bernhard Siegert

This text, published alongside Jonathan Foote’s article ‘Borromini’s Smudge’, marks the launch of the first and second issues of DMJournal–Architecture and Representation. Over the coming months, we will be publishing articles from both DMJ 1: The Geological Imagination and DMJ 2: Drawing Instruments/Instrumental Drawings. The Geological Imagination will be published… Read More