Medium: drawing

Alberto Campo Baeza: Sketchbook No. 37

Alberto Campo Baeza: Sketchbook No. 37

Neil Bingham

Drawings, personal notes and poems flow across nearly 170 little pages and three months of Alberto Campo Baeza’s life, recorded during 2010 in an architectural sketchbook that he presented to the V&A in 2015. While scripted predominantly in Spanish, much is penned in English in which Campo Baeza is fluent.… Read More

Behind the Lines 5

Behind the Lines 5

Philippa Lewis

Boughton MonchelseaMaidstone September 26, 1828 My lord,  Please be so good as to find designs for the lodge that you commissioned, a habitation for your woodman, John Platt. I earnestly hope that it will be the ornament that you desired for your park improvements. I also enclose the books that… Read More

Empathy

Empathy

Andrew Clancy

Being that can be understood is language. – Hans-Georg Gadamer One of the items in the Drawing Matter collection is a notebook once owned by Álvaro Siza. In it is this sketch, made of the Royal Academy London, where he was asked to consider making some work for an exhibition.… Read More

Remembered Space

Remembered Space

Deanna Petherbridge

A subtle and beguiling assemblage of recent works by Celia Scott is appropriately mounted on the plywood walls of the intimate Velorose Gallery, Charterhouse Square, London (13th April to 18th May 2018). Plywood, aluminium and carefully modulated surfaces that are revealed or obscured by spray paint are the stuff of… Read More

David Kohn Architects

David Kohn Architects

David Kohn

These two drawings of the Hounslow gate, however, belong to a different kind of drawing, which happens less frequently, possible only every few months. It often happens at a moment in the design process when progress is slowing, the range of issues we are exploring seems too restricted, a sense… Read More

Eurolandschaft Dérive

Eurolandschaft Dérive

Peter Wilson

The format is Japanese: a concertina sketchbook presented empty to me by Akira Suzuki shortly after the 1983 completion of our Tokyo Suzuki House design. The drawing format is also Japanese – influenced by our reading of Tokyo (documented in Western Objects + Eastern Fields, AA 1989). Tokyo is difficult for… Read More

Behind the Lines 4

Behind the Lines 4

Philippa Lewis

Isabella Puddefoot settled herself on the sofa, picked up her embroidery, and after enquiring about his day at the bank, remarked to her husband Samuel: ‘I do declare I am quite spent; running up and down stairs all day is very trying to my constitution. It is eight flights from dealing… Read More

Niall McLaughlin

Niall McLaughlin

Níall McLaughlin

ALZHEIMER’S RESPITE CENTRE, DUBLIN We had six sites to look at and we did a feasibility study for each one. We eventually ended up with one which in many ways is not very satisfactory for people with dementia because it is an eighteenth-century walled garden. But what we did was… Read More

A. W. N. Pugin

A. W. N. Pugin

Peter Howell

In 1846 Viscount Feilding (later 8th Earl of Denbigh) married Louisa Pennant. She was the great-granddaughter of the topographer Thomas Pennant, and inherited his house, Downing Hall, in Flintshire. They decided to build a church to celebrate their marriage. The architect was Thomas Henry Wyatt (who also added to Downing). Building… Read More

R. Norman Shaw

R. Norman Shaw

Andrew Saint

R. Norman Shaw (1831–1912) is commonly thought of as a domestic architect, but he built a fair number of churches, sixteen altogether, many of them original and remarkable in one way or another. There is an evolution in Shaw’s church designs from the emotional ardour of his earliest efforts, like… Read More

Take Courage

Take Courage

Freddie Phillipson

Architecture is born of experience, yet its realisation depends in no small measure on belief. Most buildings owe their existence primarily to evidence – the demonstrable proofs of the benefits they provide – for intuition must always be interrogated to justify the confidence placed in the architect. But the mysterious… Read More

Louis Le Vau: Château de Meudon

Louis Le Vau: Château de Meudon

Basile Baudez, Alexandre Cojannot and Alexandre Gady

Built in the 16th century on the banks of the river Seine, west of Paris, the castle of Meudon stands amidst the great French Renaissance monuments that were ultimately destroyed. When it was bought by Abel Servien in 1654, the old castle – built under François I in brick and stone… Read More

Tony Fretton: Lisson Gallery 1

Tony Fretton: Lisson Gallery 1

Tony Fretton

84-7-1 is a singular image, a drawing of Lisson 1 seen from Lisson Street. It shows the back gallery as it was first intended – but which is not what it became, because the client kept buying land and adding to it. This sketch explores how a piece of architecture… Read More

Notes on the Sketchbook

Notes on the Sketchbook

Mark Dorrian

When we talk about the sketchbook what do we mean? Its complexity is reflected in the difficulty we experience – in many examples, at any rate – in straightforwardly attaching a name to it, for there are times it might seem to be equally a notebook, a journal, a diary,… Read More

Carlos Diniz: United States Embassy, Moscow

Carlos Diniz: United States Embassy, Moscow

The Commons Overview These drawings were exhibited in ‘Off Location: Drawings for the US Embassy, Moscow’, an impromptu exhibition held at Pushkin House from 13–28 February 2018. In conjunction with the exhibition, curator Tim Abrahams gave a talk entitled ‘Fiction and Reality in Moscow’ at Pushkin House.

Lütjens Padmanabhan Architekten: Swiss Ambassador’s Residence

Lütjens Padmanabhan Architekten: Swiss Ambassador’s Residence

Oliver Lütjens and Thomas Padmanabhan

There is an uncanny gap between the cold precision of a computer drawing and the confusing uncertainty of the design process. We try to bridge that gap with a collaborative method that includes a lot of discussions and the use of computer-prints, scalpel, glue, pencil and Tipp-Ex.  The drawing above… Read More

Drawings’ Conclusions

Drawings’ Conclusions

Stan Allen

The Campo Marzio project had its origins in a series of drawings done as far back as 1979, when I was a student at Cooper Union. I entered Cooper as a transfer student with a BA already in hand. I was originally placed in second year, but after a semester… Read More

Behind the Lines 3

Behind the Lines 3

Philippa Lewis

“Lord, Fanny, I had such a very strange encounter this morning. It being a Friday, I was delivering muffins down to that mad Lady Lewson in Cold Bath Square – her maid says she never washes and is most provoking – and as I was walking along the wall by… Read More

Better with Sun from West: US Embassy Moscow, The Commons

Better with Sun from West: US Embassy Moscow, The Commons

Tim Abrahams

In an interview for the Chicago Architects Oral History Project, architect Charles Edward Bassett, the design lead in SOM’s San Francisco office, was asked by Betty J. Blum how architectural education changed in the US when modernism became accepted in architectural schools and the Beaux-Arts tradition side-lined. What happened when the… Read More

Shatwell DrawingScape

Shatwell DrawingScape

Ana Araujo

This year a group of 12 students from the Intermediate School at the Architectural Association, London, are developing proposals for the Shatwell site. They take inspiration from the Drawing Matter collection to create exhibition spaces to display and celebrate the culture of drawing. The work ranges from speculative interpretations of… Read More

Dom Hans Van Der Laan Saint Benedictusberg Abbey at Vaals

Dom Hans Van Der Laan Saint Benedictusberg Abbey at Vaals

The following text is excerpted from an interview with Hans Van der Laan and Antoine Bodar, broadcast by Nederlandse Omroep Stichting (NOS), 24 December 1988. Given that we have reduced architecture to proportions – to a matter of measurements, which is akin to solving a mathematical problem, the design has not been created visually. This… Read More

A Blueprint is… Blue

A Blueprint is… Blue

Neil Bingham

A common error in looking at architectural drawings is to mistake mechanical reproductions for originals. Original and copy drawings both physically consist of two elements: the material (like ink) and the support (usually paper). But – and it may seem obvious to say – lines on paper are made by… Read More

Florian Beigel & Kisa Kawakami

Florian Beigel & Kisa Kawakami

Florian Beigel and Philip Christou

Yokohama International Port Terminal Design Competition, Yokohama, Japan, 1994 The 500-metre-long, gently sloping body of the new pier lifts itself up over the water. It glows from the inside like the body of a transparent fish with all its internal organs visible. A model was made with clear perspex and… Read More

Studio Mumbai: Saatrasta-Mahindra Tape Drawing

Studio Mumbai: Saatrasta-Mahindra Tape Drawing

Studio Mumbai Bijoy Jain

The idea of using tape drawings originated for climatic reasons: India goes through a five-month monsoon season each year, and during this time it is very humid. For us this meant that the drawings we were producing, which were printed on paper, had a very short lifespan. Lines would slowly… Read More