Period: c18th
On origins and originality
15 November 2024
On origins and originality15 November 2024
The following text by Niall Hobhouse is included in the exhibition catalogue for Begin Again. Fail Better: Preliminary Drawings in Architecture. The exhibition, previously shown at the Kunstmuseum in Olten, opened at EPFL on the 5th of November and will close on the 2nd of December 2024. It includes nearly 100 drawings from… Read More
DMJ – Five Episodes from the History of Drawing Instruments
14 November 2024
DMJ – Five Episodes from the History of Drawing Instruments14 November 2024
Instruments of Building in Ancient Rome Vitruvius, writing in the first century BC, portrays being an architect (architectus) in ancient Rome as a daunting task. The knowledge of the architect, he notes, must encompass the understanding of geometry, engineering, optics, history, philosophy, astronomy, and even music and medicine. At a… Read More
DMJ – Sir John Soane’s Office
9 September 2024
DMJ – Sir John Soane’s Office9 September 2024
Sir John Soane’s drawing offices at Nos 12 and 13 Lincoln’s Inn Fields were the fulcrum of his practice between 1794 and his retirement in 1833. His unique surviving ‘upper’ office was restored in 2022–23. In this article, I will trace the history of the office and recount its use… Read More
In the Archive: New and Found 4
26 July 2024
In the Archive: New and Found 426 July 2024
– Editors
Click on drawings to move. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New On the digital planchest this time is a collection… Read More
In the Archive: New and Found 3
3 May 2024
In the Archive: New and Found 33 May 2024
– Editors
Click on drawings to move and enlarge. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New There was excitement when Enzo Mari’s resin… Read More
DMJ – The Sun as Drawing Machine: Towards the Unification of Projection Systems from Villalpando to Farish
20 March 2024
DMJ – The Sun as Drawing Machine: Towards the Unification of Projection Systems from Villalpando to Farish20 March 2024
– Francisco Javier Girón Sierra
At the beginning of the 17th century, the Spanish Jesuit Juan Bautista Villalpando spent his last years of life in Rome obsessively working on an interpretation of the Temple of Solomon. When he came to the question of how to represent its plan, he envisioned a new, almost ghostly, way… Read More
DMJ – Canaletto’s Venetian Sketches and the Camera Obscura
13 December 2023
DMJ – Canaletto’s Venetian Sketches and the Camera Obscura13 December 2023
Antonio Canaletto used a camera obscura to make careful sketches of the buildings of Venice. The Gallerie dell’ Accademia has a quaderno, a notebook containing 140 pages of these sketches, which provided the raw material for paintings made in the 1730s, as well as finished drawings that Canaletto offered for sale.… Read More
Repton does a Bernini – A crescent for The Ham
24 October 2023
Repton does a Bernini – A crescent for The Ham24 October 2023
Ever since 1743, when John Wood failed to get backers for his vast Royal Forum, the area to the south of South Parade has been treated like the campus of a nondescript university. The chequered gardens of Abbey Orchard have been supplanted by Manvers Street car park, while to the… Read More
François Cointeraux: the Architect of the ‘Agricultural Proletariat’
5 October 2023
François Cointeraux: the Architect of the ‘Agricultural Proletariat’5 October 2023
François Cointeraux was born in Lyon in 1740 and was introduced to agriculture and construction at an early age through his family’s business ventures. When his uncle designated him the ‘universal heir’ of his company, Cointeraux inherited several buildings in Lyon and around 24 houses in the area. His marriage… Read More
Grotto-Heavens: Rockeries, Dreamscapes and the Chinese Garden
20 January 2023
Grotto-Heavens: Rockeries, Dreamscapes and the Chinese Garden20 January 2023
Stone, hard and unfeeling, appears in our contemporary lexicon as a metaphor for the lifeless and the immutable. Yet in the classical gardens and paintings of China, stones were objects of fascination for the élite literati for precisely the opposite reason: the cosmic forces of creation and dissolution they, and… Read More
DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope
9 December 2022
DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope9 December 2022
In 1739, the English poet Alexander Pope transformed his grotto – a subterranean passage that used to consist of a cryptoporticus with architectural orders – into ‘a mine’. Minerals were encrusted into the walls in a manner that imitated those found underground. Previous scholars have considered this to be a… Read More
Two Way Traffic: Japanese Woodblock Prints
12 October 2022
Two Way Traffic: Japanese Woodblock Prints12 October 2022
One of the great enigmas of ukiyo-e – Japanese woodblock prints of the eighteenth and nineteenth centuries – is the anachronistic intrusion of Western drawing into an apparently closed world; that the sophisticated culture of Edo (now modern Tokyo) seemingly closed off its borders since the Middle Ages. The widespread… Read More
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář
4 October 2022
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář4 October 2022
Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. In The Library at Night, Alberto Manguel likens a library to a human brain and… Read More
After the Revolution: Dugourc in Spain
16 September 2022
After the Revolution: Dugourc in Spain16 September 2022
After Jean Démosthène Dugourc’s forays into revolutionary paperwork, his return to silk and his migration to Spain to work for the Bourbons in 1800 places pressure on understanding his revolutionary activities, and whether he indeed had but briefly dabbled in the politics of the period before ultimately wishing, in his… Read More
Dugourc’s Playing Cards
14 September 2022
Dugourc’s Playing Cards14 September 2022
After the journée of 10 August, Jean Démosthène Dugourc sought to distance himself from Etienne Anisson-Dupéron. He turned his attention from wallpaper to playing cards, leasing a space with his Jacobin business partner Urbaine Jaume in the former warehouse of the Académie royale de musique, down the street from the… Read More
Alberto Pérez-Gómez: Architecture as Drawing
28 July 2022
Alberto Pérez-Gómez: Architecture as Drawing28 July 2022
– Mark Dorrian and Alberto Pérez-Gómez
Drawing Matter is delighted to present three texts by Alberto Pérez-Gómez on architecture and its representation, the first writings by him to be carried on the Drawing Matter website. The first, ‘Architecture as Drawing’, is an early essay that initially appeared in the Journal of Architectural Education in 1982, a… Read More
William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England
18 May 2022
William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England18 May 2022
During the upheavals of the Civil War, Westminster Abbey had functioned as the church of the state for the Commonwealth. Upon the Restoration of Charles II, the Abbey resumed its historic role as the coronation church for English monarchs. [1] Parliament voted towards restoring the fabric, reinstituting its monarchical function… Read More
Robert Adam: The Long Gallery at Syon
13 May 2022
Robert Adam: The Long Gallery at Syon13 May 2022
– Stephen Astley, Adriano Aymonino, Markus Lähteenmäki and Frances Sands
On 18 December 2015, Frances Sands and Stephen Astley took out two leather-bound volumes from the Robert Adam Archive and laid them on the long table in the first-floor library at Sir John Soane’s museum. Adriano Aymonino and Markus Lähteenmäki, the initiators and editors of the Soane Oral Project, joined… Read More
Syon House and the Afterlife of Architectural Drawing
22 April 2022
Syon House and the Afterlife of Architectural Drawing22 April 2022
His writing is not about something; it is that something itself. [1] I knew very little about the eighteenth-century architect Robert Adam prior to June 2014. When challenged to respond to his drawings of the Long Gallery at Syon House, my impulse was to visit and draw my way through… Read More
Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review
17 March 2022
Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review17 March 2022
From the frescoes of Pompeii to the Great Hall of Siedlecin, from the Book of Kells to the Book of Hours, architecture has been depicted in full colour. Where colour has been largely absent in the history of architectural representation, however, is in the more technical drawings of architects themselves.… Read More
The Edge of Architecture: Cornices in the Drawing Matter collection
21 February 2022
The Edge of Architecture: Cornices in the Drawing Matter collection21 February 2022
– Editors
The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.
The Cornice: The Edge of Architecture
21 February 2022
The Cornice: The Edge of Architecture21 February 2022
The following essay was first published as the introduction to ‘The Cornice’, GTA Papers 6 (2021). It is one of the outcomes of the work done in preparation for the exhibition The Hidden Horizontal: The Cornice in Architecture and Art, which was on show at the Graphische Sammlung of ETH… Read More
Streetscapes: Bath
7 October 2024
Streetscapes: Bath7 October 2024
– Ptolemy Dean
The following text is excerpted from Ptolemy Dean’s new book Streetscapes: Navigating Historic English Towns, published by Lund Humphries. Find out more about the book and purchase a copy here. ‘Bath is, beyond any question, the loveliest of English cities’, wrote Walter Ison, whose 1948 work on the city continued:… Read More
urban form sketch record