Period: c20th
The Project of Independence: Architectures of Decolonization in South Asia, 1947-1985 (2022) – Review
10.11.2022
The Project of Independence: Architectures of Decolonization in South Asia, 1947-1985 (2022) – Review10.11.2022
“The history of modern architecture is the history of its exhibitions,” states the introduction of the anthology ‘Exhibiting Architecture’, [1] and it is hard to deny the central role of exhibitions in the writing of the canonic and the public history of architecture. Yet the exclusionary nature of the history… Read More
Drawing Conversations: Letters to Clients
26.10.2022
Drawing Conversations: Letters to Clients26.10.2022
In October 1925 Le Corbusier wrote to his client Madame Meyer a remarkable letter about his proposal with Pierre Jeanneret for her villa. It combined drawings with a highly scripted text that carefully guided her through each space, from the entrance to the roof garden. Like the pioneers of early… Read More
Vilanova Artigas: Drawing Models – Review
20.10.2022
Vilanova Artigas: Drawing Models – Review20.10.2022
The basement exhibition space at F’AR Lausanne is dominated by a forest of delicate metal and glass tilting tables within which drawings have been placed. When rotated from the horizontal, they give the large, artificially lit room the feeling of a drawing studio at the end of the day; the… Read More
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism
19.10.2022
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism19.10.2022
As my title indicates, this text will focus on John Hejduk’s Silent Witnesses project from the mid-1970s, but I want to approach it in the first instance by way of Roland Barthes’s reflections on the ‘Neutral’. This is the topic of the lectures that Barthes delivered at the Collège de France… Read More
Missing Link: Strategies of a Viennese Architecture Group (1970-1980) – Review
10.10.2022
Missing Link: Strategies of a Viennese Architecture Group (1970-1980) – Review10.10.2022
There is a strange moment in the second room of the exhibition, where all kinds of great works are hung on the walls to admire, organised around a central display of plastic and aluminium furniture: a collage of a car hovering like the golden calf amidst a crazed crowd; a… Read More
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář
04.10.2022
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář04.10.2022
Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. In The Library at Night, Alberto Manguel likens a library to a human brain and… Read More
Materia 3: Red Oxide
30.09.2022
Materia 3: Red Oxide30.09.2022
This text is the third in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products. The first and second texts in the series, on render and corrugated iron, can be read here. Architects are subsumed within… Read More
Kay Fisker: Danish Functionalism and Block-based Housing (2022) – Review
29.09.2022
Kay Fisker: Danish Functionalism and Block-based Housing (2022) – Review29.09.2022
This is a useful book. It is also a book that might be thought of as a vehicle or encouragement towards another book, a foundation for future work, either by the editors, or other architects, architectural historians, or even sociologists. It arose from the fascination of two Irish architects, Andrew… Read More
Superstudio’s Collage Chest: A Chance Machine
26.09.2022
Superstudio’s Collage Chest: A Chance Machine26.09.2022
In 1968 Adolfo Natalini’s partner, Frances Brunton, returned to Florence from London with their newborn daughter and a small wooden chest with five drawers. On three sides of the chest, Natalini hand painted sky-blue flowers on an orange background. The chest of drawers was then taken to the Superstudio-studio in… Read More
Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture
23.09.2022
Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture23.09.2022
– Editors
These three sketches are from a sketchbook that Robert Maxwell used while studying at the Liverpool School of Architecture in 1944. They are reproduced here to mark the publication of Robert Maxwell: the Letter, the Lost Sketchbook and the Lecture, edited by Celia Scott, which is now available through Drawing… Read More
Ulmer House Extension Proposal: Baumschlager & Eberle
12.09.2022
Ulmer House Extension Proposal: Baumschlager & Eberle12.09.2022
This drawing is a print of a hand drawing I made eighteen years ago on a roll of tracing paper. The original drawing, made with rapidograph pens and a pencil, is now lost. Last month this blueprint was moved to Drawing Matter’s archive. Drawing Matter asked me to explain why… Read More
Aldo Rossi: Dieses Ist Lange Her/ora Questo e Perduto
09.09.2022
Aldo Rossi: Dieses Ist Lange Her/ora Questo e Perduto09.09.2022
Looking at This was a long time ago/now this is lost, as well as other drawings in Rossi’s unofficial collection of l’architettura assassinata, brings to mind the image of a feast. The scenes are funereal indeed, but they hold a festive aura, as if a celebration had just taken place… Read More
Krier/Culot: Architecture, language and process (1977)
07.09.2022
Krier/Culot: Architecture, language and process (1977)07.09.2022
The essay by Robert Maxwell linked below was sent to Drawing Matter by Celia Scott earlier this year. It was first published in Architectural Design, March 1977, as part of a longer feature titled ‘The Role of Ideology’, which discussed the theme through the writing of the architect and historian… Read More
Lenin’s Tomb, the Second Version
05.09.2022
Lenin’s Tomb, the Second Version05.09.2022
– Niall Hobhouse and Markus Lähteenmäki
The following email exchange took place between Niall Hobhouse, founder of Drawing Matter, and Markus Lähteenmäki in July 2022. Dear Markus, Came across these here in the archive… from god knows where exactly. Thought you might have something to say – had forgotten that it was originally ‘dummied’ in wood.… Read More
Mies van der Rohe and the Universal Space Project
30.08.2022
Mies van der Rohe and the Universal Space Project30.08.2022
I must say that I was far more riveted by another Mies . . . who, in perfect International Style manner continued to insist on architecture and the production of truth as generated by a set of a priori and universalizing laws, and who was caught up in the entirely… Read More
Edifice
19.08.2022
Edifice19.08.2022
These slides were sent to us by Philippa Lewis in response to Gordon Shrigley’s article on render; photographs to expand on the possibilities of the material, some results purposeful and some incidentally beautiful. Gillian Darley and Philippa Lewis started Edifice in around 1987 – a stock library source for the… Read More
Turning Point: The US Embassy in Dublin
17.08.2022
Turning Point: The US Embassy in Dublin17.08.2022
This is an extract of the construction drawings produced by John M. Johansen’s office in 1963 for the cylindrical US Embassy in Dublin. It is a three-dimensional ink drawing of the external precast concrete structure, describing two single-storey bays in isolation. Viewed abstractly it could almost be an anatomical study,… Read More
Objects That Meet
15.08.2022
Objects That Meet15.08.2022
Revered objects that move about in design circles and are found in publications, museums, and galleries earn their status through persistence over time. Take two famous chairs, Gerrit Rietveld’s Red Blue chair of 1918–23 and Thomas Lee’s Adirondack chair of 1903. All chairs have met just by being chairs, but… Read More
W. R. Lethaby: Architecture, Mysticism and Myth
10.08.2022
W. R. Lethaby: Architecture, Mysticism and Myth10.08.2022
This is the first text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Here we start at the beginning with Architecture, Mysticism and Myth, first published in 1891. In many respects, and certainly in relation to his later output, William Richard Lethaby’s first book,… Read More
Power & Public Space 9: Ana Bonet Miró – Fun Palace
03.08.2022
Power & Public Space 9: Ana Bonet Miró – Fun Palace03.08.2022
– Matthew Blunderfield and Ana Bonet Miró
Power & Public Space is a podcast from Drawing Matter and the Architecture Foundation hosted by Matthew Blunderfield. You can find the full podcast series here. Or listen now: Since its conception in the 1960s, the Fun Palace has circulated widely in architecture culture, and mainly through its provocative collages, characterised… Read More
Heinz Isler Model
02.11.2022
Heinz Isler Model02.11.2022
– John Chilton and Paul Shepherd
This text was written by Paul Shepherd. The interjections, in italic, are additions by his friend and Heinz Isler expert John Chilton. If you go down to the woods today… Since our son was away on Scout camp all weekend, my plans for Sunday involved a much-needed lie-in and an… Read More
DMC concept & diagram