Period: c20th
Hans Poelzig: Der Golem
11 March 2021
Hans Poelzig: Der Golem11 March 2021
I gaze at the screen, engrossed in the German horror film Der Golem (originally released in 1915 and reworked for reissue in 1920), a masterpiece of performance art. This cinematographic journey is my latest odyssey into the work of Hans Poelzig. The film catalogues his lesser-known work in the art… Read More
The MARS Group’s Plan for London, 1933-1944
8 March 2021
The MARS Group’s Plan for London, 1933-19448 March 2021
Collaboration within the field of architecture is as important as ever before. Construction projects grow increasingly complex, and pressing social issues need addressing. Yet we think of architects as unique and outstanding personalities that profoundly shape our built environment. This image of the architect as ‘genius’ is more present among… Read More
Glasgow School of Art: The Measure of Things
8 March 2021
Glasgow School of Art: The Measure of Things8 March 2021
The following text was first published in The Library: Glasgow School of Art (2014), edited by Mark Baines, John Barr and Christopher Platt. The text describes Paul Clarke’s process of surveying Charles Rennie Mackintosh’s library at the Glasgow School of Art, which he undertook in 1993. When the library was… Read More
Stanley Peach: Church Plan based on the Figure of Christ
8 March 2021
Stanley Peach: Church Plan based on the Figure of Christ8 March 2021
Charles Stanley Peach’s watercolour over pencil painting is executed by overlaying two forms of religious representation: figural images over a church plan reflecting a ceiling plan. The figurative depictions narrate accounts of Christianity through various portrayals of Christ; the most prominent being God, benevolent, and Jesus crucified. Other portraits of… Read More
Tradition and Modernity, Continuity and Critique
4 March 2021
Tradition and Modernity, Continuity and Critique4 March 2021
The following text is excerpted from Rebecca Siefert’s recent book Into the Light, the first comprehensive study of the work of Lauretta Vinciarelli. The book is available to purchase here. The grid has served as ‘the image of an absolute beginning’, as Rosalind Krauss affirmed in 1986 in ‘The Originality of… Read More
Cedric Price: Westal Market Stall Prototypes
1 March 2021
Cedric Price: Westal Market Stall Prototypes1 March 2021
Architecture’s Mirror Stage
26 February 2021
Architecture’s Mirror Stage26 February 2021
Mirrors and mirrored glass, perhaps the most characteristically postmodern of surface treatments, were not only a material choice but also emblematized a turn inward toward what Sylvia Lavin has taken to calling ‘architecture itself.’ As the psychoanalyst Jacques Lacan might have put it, it was at this moment that modernist… Read More
Re-presenting the Rococo
24 February 2021
Re-presenting the Rococo24 February 2021
In October 2017, I travelled to the outskirts of Munich to spend three days in the company of Johann Michael Fischer’s church of St Michael at Berg am Laim with the purpose of presenting it in drawings and photographs. The trip was sponsored by the Drawing Matter Trust and was intended to act as… Read More
Take One: Architects on Drawing
23 February 2021
Take One: Architects on Drawing23 February 2021
– Editors
Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More
In search of an honest map
22 February 2021
In search of an honest map22 February 2021
We don’t experience place as maps would have us believe. We might technically exist within the map, an orientation marker besieged by the total sum of data, every landmark, park and street swarming around us at all times. But our perspective is only partial – a patchwork of neighbourhoods, structures… Read More
Walter Pichler: Mystery and Mysticism
19 February 2021
Walter Pichler: Mystery and Mysticism19 February 2021
Walter Pichler’s sketches for the utopian city projects he developed with Hans Hollein in the early 1960s appear like arrangements of magnetised iron filings, blowing about the page to reveal mysterious momentary structures. Though they would later inform hardened isometric drawings, these forms are full of plasticity and, in this… Read More
Superstudio: Another Mirror Image
17 February 2021
Superstudio: Another Mirror Image17 February 2021
Superstudio’s Campo di Mais is a hybrid of the group’s concepts and a treasure trove of unintended (and unforeseeable) references. As such, it is a quite perfect Superstudio collage – another mirror image inviting the observer to reflect their own coordinates of understanding the world through the group’s ambiguous visual… Read More
Signature
15 February 2021
Signature15 February 2021
It’s just a small loose sheet of paper ripped off a notepad. Along its margins, an elegant round-cornered brown border, once enclosing an anonymous blank space of empty expectancy, now ceremoniously frames a mysteriously attractive, harmonious, yet utterly cryptic mark, struck and left upon its surface: a signature. By whose… Read More
The Problem with Rainbows
12 February 2021
The Problem with Rainbows12 February 2021
Resta sempre insoluto il problema dell’arcobalenoPare que ce ne sia uno dopo la pioggiaE che dall’alto con l’aereoSi veda tutto tornaMa questo metterebbe in crisi tutto quelliChe cercano la pentola d’oro Alle fine dell’arcobaleno C’e sempre un arcobalenoAl di sopra di ogni questione sulla quantitàE qualità dei suoi coloriDopo la pioggiaMa non dopo ogni pioggia… Read More
Sir John Soane’s Museum: Bound Legacy
9 February 2021
Sir John Soane’s Museum: Bound Legacy9 February 2021
John Britton, a topographer and antiquarian by trade, began preparations to publish a guidebook to John Soane’s house-museum in 1825. The earliest mention of such an endeavour appears in a letter to Soane dated 3 November, in which Britton outlines his desire to ‘produce a vol to surprise the public, and… Read More
On Tony Fretton and the Lisson Gallery
5 February 2021
On Tony Fretton and the Lisson Gallery5 February 2021
A conversation with Nicholas Logsdail, standing in the farmyard at Shatwell, on the day he came with Freeny Yanni her sons Yanis and Cassius Hammick, to look at Tony Fretton’s sketchbooks for the Lisson Gallery. By way of response, Tony gives us his account of the genesis of the commission.… Read More
Louis Kahn: In Praise of shadows
3 February 2021
Louis Kahn: In Praise of shadows3 February 2021
The pale white touch The most exquisite glow and depth of shadows An immutable mystery in the crossbeam of tranquillity simply vanished when the sunlight flooded the atmosphere Of this small corner Where we as children would feel an inexpressible chill While waiting so quiet and pliant to the touch… Read More
Carlos Diniz and the World Trade Center
1 February 2021
Carlos Diniz and the World Trade Center1 February 2021
The landmark skyscrapers of SOM, the deconstructivism of Frank Gehry’s Disney Concert Hall, and the corporate modernist master plan of the World Trade Center all have something in common: long before they were constructed, they were represented in drawings by Carlos Diniz. In 1962, the architect Minoru Yamasaki hired Diniz… Read More
Drawing Sacred Forests and Courtyards in South Benin
29 January 2021
Drawing Sacred Forests and Courtyards in South Benin29 January 2021
The following conversation between the editors of Accattone and Quentin Nicolaï was first published in Accattone 6 (2019). It documents research carried out by Quentin Nicolaï in Abomey, Benin, between January 2014 and June 2018. Drawing Matter would like to thank the author and the magazine’s editors for allowing us reproduce… Read More
Hello Iwona
27 January 2021
Hello Iwona27 January 2021
A large, red ‘Hello!!’ and attribution to ‘Gowan, James’ is all I can see, at first, of image 3157.3r in Drawing Matter’s online archive. No date, no caption. The greeting is enthusiastic enough to stop scrolling: ‘Hi there, James!!’ I think. But when I zoom in, it’s not him at all. … Read More
Elliott Glushak vs. The City of New York
27 January 2021
Elliott Glushak vs. The City of New York27 January 2021
Is an architectural rendering the work of an artist? Or is it just a skilled service, like a plumber or plasterer? This was the question that was fought out in the Supreme Court of the State of New York in 1958. At stake was the payment of New York sales… Read More
Two Early Paintings with OMA
25 January 2021
Two Early Paintings with OMA25 January 2021
Here, Zoe Zenghelis, painter and founding member of OMA, recalls the making of two paintings now in the Drawing Matter collection. The first, pictured below, is an aerial view of the unbuilt Hotel Therma, and the second is a version of OMA’s entry to the Parc de la Villette competition.… Read More
Zahalternative Histories: O’Donnell + Tuomey on Zaha Hadid
19 January 2021
Zahalternative Histories: O’Donnell + Tuomey on Zaha Hadid19 January 2021
From a sheet of sketches by Zaha Hadid to rock formations at Ines Meáin and St Brigid’s Well, in this short film John Tuomey explains the thinking behind O’Donnell + Tuomey’s Alternative Histories model. This commentary is the first in a series organised by the Irish Architectural Archive. The series,… Read More
Excerpt: Shadow Places
15 March 2021
Excerpt: Shadow Places15 March 2021
– Simon Unwin
The following text is excerpted from Simon Unwin’s book on shadow, in his series Analysing Architecture Notebooks, available here. For 20% off until May 31st 2021, use code KHL20. The piece is illustrated with drawings specially selected by Simon from the Drawing Matter collection. ‘Yea, though I walk through the… Read More
publication theoretical & imaginary DMC