Period: c20th
Steeling Stirling & Gowan’s Isle of Wight House
28.07.2021
Steeling Stirling & Gowan’s Isle of Wight House28.07.2021
The editors were thrilled to receive this response from Neil Jackson to our publication of drawings and literature relating to Stirling & Gowan’s Isle of Wight house. We are always interested in receiving comments and feedback from our readers: editors@drawingmatter.org. In taking the plan of the Stirling & Gowan’s Isle… Read More
Leicester Engineering Building: Completed!
14.07.2021
Leicester Engineering Building: Completed!14.07.2021
In this pendant piece to Leicester Engineering Building: Under Construction, follow James Gowan, once again, as the photographer of his own architecture. The text below is transcribed from an annotated typescript titled ‘Aspects of Humanism’, July 1989, archived at Drawing Matter. The text was published in Architecture Today as ‘Anatomy… Read More
Leicester Engineering Building: Under Construction
08.07.2021
Leicester Engineering Building: Under Construction08.07.2021
Follow James Gowan, through his own photographs, as he inspects the construction progress of the Leicester Engineering Building. While these photographs may have been taken for immediate use at the time, they now serve as a permanent record of the temporary and internal structures that were later disassembled or concealed.… Read More
Luc Deleu & T.O.P. OFFICE: Future Plans, 1970–2020 (2021) – Review
07.07.2021
Luc Deleu & T.O.P. OFFICE: Future Plans, 1970–2020 (2021) – Review07.07.2021
Future Plans is one of those titles with double and ambiguous meanings. Not exactly as twofold as the most famous ‘The Architecture of the City’ but maybe leaving us equally free to choose. Is the term ‘future’ to be considered as an adjective or a subject? Does this book thus… Read More
Letter to the Editors: What I See in Drawings Today…
05.07.2021
Letter to the Editors: What I See in Drawings Today…05.07.2021
All the discussions, observations or decisions, concerning any of the projects of Aldo Rossi, by clients, city mayors, commissions or whoever had to approve or express a comment, were always made over his first sketch. There you had everything, the building – or whatever was the project for – was… Read More
The Cottage at Bromley
28.06.2021
The Cottage at Bromley28.06.2021
– Tim Anstey and Mari Lending
Enjoyable finds in archives often emerge between the lines. Inside RIBA Collections, which is organised to form a narrative celebrating architects and their works, we found a gem of modern cultural history, consisting of three architectural plans and four letters (ten pages altogether, eight in transcript, two typed). [1] The… Read More
Keeping a Notebook
24.06.2021
Keeping a Notebook24.06.2021
Looking into other people’s notebooks is to witness moments of creative exploration and growth. A graphic facility in others can provoke envy, but being given access into someone else’s mind and seeing where it wanders is always stimulating. As the examples published by Drawing Matter illustrate, architects’ notebooks harbour many… Read More
From Diderot to Tokyo: Mechanical, Subjective and Digital Time
23.06.2021
From Diderot to Tokyo: Mechanical, Subjective and Digital Time23.06.2021
The absolute precision and technical specificity of Diderot’s encyclopaedia plates, particularly those devoted to Horlogerie, mark a critical moment in the transition from speculative to operative science, from the pre-industrial to a modernist ontology of technical instrumentalisation. Here on these pages, artisan craft is ransomed to the immanent logic of… Read More
Folding Landscapes: The Maps of Tim Robinson
23.06.2021
Folding Landscapes: The Maps of Tim Robinson23.06.2021
While walking the land, I am the pen on the paper; while drawing this map, my pen is myself walking the land. I wanted to short circuit the polarities of objectivity and subjectivity, and try keep faith with reality. – Robinson We should maintain an awareness of the stories hidden… Read More
Architectural Drawing (1983)
22.06.2021
Architectural Drawing (1983)22.06.2021
This essay was first published in the catalogue for Drawings by Architects (25 February – 3 April 1983), held at the ICA in London. A period piece, for sure, the text sits at the cusp of changing attitudes to the display and value attributed to architect’s drawings. In recent years… Read More
26 Kingly Street Co-Op
21.06.2021
26 Kingly Street Co-Op21.06.2021
– Editors
Throughout the 1960s, the Artists’ Own Gallery at 26 Kingly Street in Soho held exhibitions, events and gigs. It was run by a group of artists, including Keith Albarn and his wife, Hazel, who exhibited her work there. Malcolm McLaren presented the first public showing of his work at the Gallery… Read More
The Language of Architecture: Peter Märkli’s system of proportion
15.06.2021
The Language of Architecture: Peter Märkli’s system of proportion15.06.2021
Peter Märkli’s hand-drawn section of the ancient monument Hagia Sophia (532–7) is part of a working process developed alongside his design work. The output is a collection of investigative drawings that document sacred archetypal buildings, and articulate his resolved thesis that ‘architecture has a language’. The drawing illustrates a system… Read More
Notes on Twelve drawings for the Governor’s Palace at Chandigarh
15.06.2021
Notes on Twelve drawings for the Governor’s Palace at Chandigarh15.06.2021
Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris in 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More
Insignificance 3: Mourning Work
09.06.2021
Insignificance 3: Mourning Work09.06.2021
All drawings contain traces of all previously drawn mediations. [1] All drawings are silent acts of memorialising (by employing inter-subjective readings of iconography, lineage, parody, reverie and reflexivity) what has been drawn before, or thought to have been so, or simply, what has been, consciously misplaced. [2] The text above… Read More
The Future City
09.06.2021
The Future City09.06.2021
Antonio Sant’Elia foresees the technological cities of the mid to late 20th century. High-rise towers shooting skyward, train lines and highways articulated as horizontally streaking into vanishing points, and aeroplanes arriving and departing omnidirectionally. Similarly, Winold Reiss’s Future City: Study for a Mural, is an homage to technological advancement, and… Read More
Notes on The Palace of the Assembly and Museum at Chandigarh
07.06.2021
Notes on The Palace of the Assembly and Museum at Chandigarh07.06.2021
Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris in 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More
Cartographies of the Imagination
04.06.2021
Cartographies of the Imagination04.06.2021
– Kirsty Badenoch and Sayan Skandarajah
Drawing place is illusory. Maps may begin as transcriptions of a worldly order – a semblance of truth and objectivity – but in doing so, become acts of world-building that both belong to and are entirely removed from their starting point. In 2019, we first visited Shatwell Farm in the… Read More
This Blue Love: Aldo Rossi in Samos in late Summer 1989
02.06.2021
This Blue Love: Aldo Rossi in Samos in late Summer 198902.06.2021
In his voyage to Samos in the Summer of 1989 Aldo Rossi gathered a collection of fragments in accordance with a Palladian education. The image repeats itself, following what Johns had written in 1984: ‘I like to repeat an image in another medium to observe the play between the two:… Read More
Peekaboo! Stanford White and the Mystery Lantern for Madison Square Presbyterian Church
01.06.2021
Peekaboo! Stanford White and the Mystery Lantern for Madison Square Presbyterian Church01.06.2021
Up until the turn of the twentieth century architectural renderings tended to be created for clients early in the design process to give them an idea of how a proposed building would look. At that point however they began to be used more widely for publicity purposes as well, thanks… Read More
Hans Poelzig: Decorating the Empty Centre
01.06.2021
Hans Poelzig: Decorating the Empty Centre01.06.2021
‘Artists such as Poelzig, prevented from building in real life, have been driven to create Expressionist cinema architecture […] But in the long run, pasteboard fantasy creations […] can never be satisfying fodder for the architect; he has an inner urge to conceive and erect buildings in which real people… Read More
68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt
26.05.2021
68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt26.05.2021
Review By preserving the trees on the site within his pavilion in the Giardini, Sverre Fehn offered Venice an insight into a unique Nordic sensitivity towards nature and the environment. He tempered the harsh Mediterranean sun to evoke the horizontal light of the Baltic through a spectacularly innovative technical design… Read More
Fernand Pouillon’s Survey of the Abbey of Le Thoronet
17.05.2021
Fernand Pouillon’s Survey of the Abbey of Le Thoronet17.05.2021
The following text by Oscar Mather is excerpted from Issue 6 of the Journal of Civic Architecture, edited by Patrick Lynch: https://www.canalsidepress.com/joca-issue-6/. Fernand Pouillon insisted throughout his life that his sole concern in architecture was construction, and he described himself as a maître d’œuvre, in a sense closest to the… Read More
Hans Hollein’s Immunological City
12.05.2021
Hans Hollein’s Immunological City12.05.2021
Hans Hollein’s city structures look awry to someone familiar with his retail work. In the time that these drawings were made, Hollein completed his UC Berkeley degree, travelled across the USA, and did an exhibition with Walter Pichler in Austria. His most influential visit was to the Native American pueblos.… Read More
Stirling & Gowan: The Isle of Wight House
21.07.2021
Stirling & Gowan: The Isle of Wight House21.07.2021
– James Gowan, J. M. Richards, Laurent Stalder, James Stirling and Ellis Woodman
This first impetus for this article was provided by Laurent Stalder’s discussion of the sectional perspective drawing for the Isle of Wight house, reproduced here, which led us to J. M. Richards’ seminal essay, and then onward through the literature. In addition, we asked the Deutsches Architekturmuseum and the Canadian… Read More
plan section domestic DMC