Period: c20th
Startha Éagsula: Níall McLaughlin Architects on Basil Spence
4 November 2020
Startha Éagsula: Níall McLaughlin Architects on Basil Spence4 November 2020
This text has been excerpted from Startha Éagsula / Alternative Histories (2020), a companion catalogue to Alternative Histories (2019) and published to accompany the third installation of Alternative Histories at the Irish Architectural Archive. Startha Éagsula / Alternative Histories is now available to purchase from Drawing Matter’s bookshop, here. The… Read More
Writing Prize 2020: Held Fast: SITE’s Ghost Parking Lot
3 November 2020
Writing Prize 2020: Held Fast: SITE’s Ghost Parking Lot3 November 2020
The scene might not appear unusual at first: cars are parked in a row near a commercial building with pedestrians passing on a sidewalk. On closer examination, though, the edges of the finely crosshatched cars appear softer than those of the building and roads. The cars seem to be draped… Read More
Writing Prize 2020: The Best Future
2 November 2020
Writing Prize 2020: The Best Future2 November 2020
When James Wines was commissioned to design a series of big-box-retail sheds for ‘Best Products’—a now defunct chain of mail-order catalogue showrooms—it couldn’t have seemed illustrious. A shed’s objective is to enclose maximum space for minimum cost. The only real design element is the front facade, typically topped with a… Read More
Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright
29 October 2020
Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright29 October 2020
a vanished gardenthe oriental plan eclipses an obsession with circlesall spaces on their way to evaporateany momentthe terrible weight of void implodes into a dome turned sidewayson its way down, breast-feeding earthmidway of life – garden of deathlight words lift like invisible balloonsthe perspective of cantilevered canopies is relentlessin heavy… Read More
Tony Fretton: Tolerance
27 October 2020
Tony Fretton: Tolerance27 October 2020
The following text is an excerpt from AMAG 20 | Tony Fretton Architects. Drawing Matter would like to thank the author and the editors of the magazine for allowing us to reproduce the text on drawingmatter.org. To order a copy of AMAG 20, click here. Tolerance is a measure of… Read More
A New Administration Center For Los Angeles (1936)
27 October 2020
A New Administration Center For Los Angeles (1936)27 October 2020
Excerpted from ‘Architect and Engineer’ 1936 January by William Hamilton.
Startha Éagsula: Grafton Architects on Paulo Mendes da Rocha
20 October 2020
Startha Éagsula: Grafton Architects on Paulo Mendes da Rocha20 October 2020
– Yvonne Farrell and Shelley McNamara
This text has been excerpted from Startha Éagsula / Alternative Histories (2020), a companion catalogue to Alternative Histories (2019) and published to accompany the third installation of Alternative Histories at the Irish Architectural Archive. Startha Éagsula / Alternative Histories is now available to purchase from Drawing Matter’s bookshop, here. We… Read More
Raymond Erith On Soane at Tendring Hall
13 October 2020
Raymond Erith On Soane at Tendring Hall13 October 2020
The following notes were composed by Pierre du Prey to accompany his gift of the sketches pictured above to Drawing Matter, 16 September 2020. The circumstances surrounding two detailed sketches by Raymond Erithof the John Soane gate lodges at Tendring Hall, Suffolk, remain stronglyimpressed on the tablets of my memory.… Read More
S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of
13 October 2020
S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of13 October 2020
– Gerard Carty, Elizabeth Hatz and Fionn O'Leary
In the Autumn of 2019, tutors Elizabeth Hatz and Gerard Carty visited the Drawing Matter archive with their fourth-year students from the School of Architecture and the University of Limerick (SAUL). Below is a record of their visit and its place in the context of the fourth-year studio. Tutors interested… Read More
The Empire State Building: Elevators (1931)
13 October 2020
The Empire State Building: Elevators (1931)13 October 2020
The following was first published as ‘The Empire State Building: Shreve, Lamb & Harmon, Architects: VIII. Elevators’, Architectural Forum (January 1931). Drawing Matter would like to thank Nicholas Olsberg for sending us this text. Digital copies of Architectural Forum’s series on the Empire State Building can be found at usmodernist.org.
Writing Prize 2020: Figures of War
29 September 2020
Writing Prize 2020: Figures of War29 September 2020
Niccolò Machiavelli concludes his treatise on the art of war (Dell’Arte della Guerra, 1521) with a series of diagrammatic ‘figures’ illustrating the arrangements of troops known as ordinanze. Rather than using human silhouettes, the ordinanza links alphabetical signs to specific roles and positions of the soldiers, reducing the army to… Read More
Superstudio: Monument Interrupted
31 August 2020
Superstudio: Monument Interrupted31 August 2020
The collages of Superstudio’s ‘Continuous Monument’ have always seemed to me like stills from an unseen film, each image framing a part of a wider scenography. Combining the collages does not make the larger reality of the monument any less elusive or fragmentary, akin to the way that remembered dreams… Read More
Paul László: Hertz Fallout Shelter
31 August 2020
Paul László: Hertz Fallout Shelter31 August 2020
The mid-century architect Paul László knew what it was like to live in uncertain times. He served in both world wars, first for his native land and then for his adopted country. He was Hungarian-born and schooled in Vienna, and his earliest notable achievements were in Germany. László began to… Read More
Just Begin: The Convent Sainte-Marie-de-la-Tourette
28 July 2020
Just Begin: The Convent Sainte-Marie-de-la-Tourette28 July 2020
– Stan Allen and José Oubrerie
‘The first line on paper,’ Louis Kahn once said, ‘is already a measure of what cannot be expressed fully.’ This captures perfectly the anxiety of beginnings: not what is to be expressed, but everything that will be left out, and an inevitable sense of loss over all the unexplored possibilities.… Read More
The wobbly line: Asplund, Johansson and the influence of Tessenow in Sweden 1915–1925
27 July 2020
The wobbly line: Asplund, Johansson and the influence of Tessenow in Sweden 1915–192527 July 2020
There is a drawing in a 1923 issue of the Swedish trade journal Byggmästaren (The Master-Builder). It is part of a presentation of a new three-storey house by the architect Cyrillus Johansson. To illustrate his text the architect has included photos and a drawing of the front elevation and a plan of… Read More
Dating Siza: The Malagueira ‘Cupula’
23 July 2020
Dating Siza: The Malagueira ‘Cupula’23 July 2020
The unbuilt half-dome (referred to by the architect as the ‘cupula’) at the Quinta da Malagueira is the subject of a protracted design process that has lasted for over four decades. At the start of 2020, Álvaro Siza sent a drawing of the half-dome to Drawing Matter accompanied by letter… Read More
OMA in Scheveningen
22 July 2020
OMA in Scheveningen22 July 2020
Scheveningen is a reef on which different architectonic and urban visions have run ashore. – Rem Koolhaas [1] What a surprise to see this 40 year old drawing! I made it as a young collaborator of OMA in Rotterdam in 1982. It is an analytic sketch in ink and color… Read More
The Birds’ Morning Hymn (1929)
10 July 2020
The Birds’ Morning Hymn (1929)10 July 2020
From a letter to The Times of April 18, 1929: At this season of the resurrection of Nature — that ever-fresh miracle — one thing happens that even keen bird-lovers seem hardly to appreciate to the full. I mean the birds’ Morning Hymn. We have all heard vaguely about ‘Bird… Read More
Siza at sixteen
10 July 2020
Siza at sixteen10 July 2020
– Manuel Montenegro and Álvaro Siza
Pouco a pouco, quase sem dar por isso, o carvão começou a não partir, o papel a não manchar, o miolo de pão a manter a plasticidade, o fôlego a aumentar. E a confiança. Slowly but steadily, unwittingly, the lead began to not break, paper to not stain, the bread… Read More
Notes on Port Royal, Jamaica
7 July 2020
Notes on Port Royal, Jamaica7 July 2020
– Paul Cox
My parents Oliver and Jean Cox were devoted ‘Jamaicophiles’, having worked on many projects in the country since the 1960s. One of the most enduring and absorbing was a proposed redevelopment of Port Royal as a renewal and upgrade of the historic city, rebuilding and restoring while making an interesting… Read More
The Conservative (1941)
6 July 2020
The Conservative (1941)6 July 2020
All along the wide stony high street of Chipping Campden one is aware of stopped clocks. Time has been strenuously and persistently defied – almost successfully. Even the public telephone box – after a short struggle with the Post Office – has been allowed to wear the protective colouring of… Read More
The Real and Imagined Worlds of Álvaro Siza
26 June 2020
The Real and Imagined Worlds of Álvaro Siza26 June 2020
Inside the cover of Álvaro Siza’s sketchbooks, there is a whole world: the real and the imagined. In his personal registers of the real, Siza accepts the world as it is. He uses drawing in a playful but productive way, learns when he apprehends, absorbs when drawing. This process of… Read More
Trees Push Back
3 November 2020
Trees Push Back3 November 2020
– Sylvia Lavin
The following text is the third of a series of four essays on trees in architectural drawings by Sylvia Lavin. The essays were first published in Log 49 (Summer 2020). Drawing Matter would like to thank the author and the journal’s editors for allowing us reproduce the essays on www.drawingmatter.org.… Read More
landscape urban form nature DMC