Period: c20th

Trevor Dannatt: St Mary’s Grove — Stone Head & Slab

Trevor Dannatt: St Mary’s Grove — Stone Head & Slab

Adrian Dannatt

A carved stone head by Theo Crosby, given as a moving-in gift back in the mid-fifties and much weathered ever since, amongst the bosky foothills of the front steps. For aesthetic law insists that ‘outdoor’ sculpture must be shown as such and allowed to return to nature, obeying its original… Read More

Denise Scott Brown. In Other Eyes: Portraits of an Architect (2022) – Review

Denise Scott Brown. In Other Eyes: Portraits of an Architect (2022) – Review

Mark Pimlott

Denise Scott Brown In Other Eyes: Portraits of an Architect is a welcome and necessary publication. Its overview of the ideas and career of Denise Scott Brown establishes the rich foundations of her work in education, urban planning, and architecture, as informed by her attentions to the city as it… Read More

Sant’Elia and Global Futurist Architecture

Sant’Elia and Global Futurist Architecture

Filippo Tommaso Marinetti

‘Found’ in the archive at Drawing Matter, this wild text by Marinetti on his friend and collaborator Sant’Elia seems not to have been previously translated. Its occasion was a commemorative exhibition of the young architect’s work organized in 1930 by the commune of his native city, Como, fourteen years after… Read More

Protected: Frank Lloyd Wright in London

Protected: Frank Lloyd Wright in London

There is no excerpt because this is a protected post.

The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso

The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso

Alberto Cruz

Alberto Cruz presented the principles of The Palace of Dawn and Dusk (Palacio del Alba y del Ocaso) in the Open City’s Music Room on 19 January 1981[1]. While the initial project comprised four lodges with communal rooms, courtyards, and public baths, ultimately, as Cruz describes, following a ‘poetic revelation’… Read More

A Christmas Card from Ralph Erskine

A Christmas Card from Ralph Erskine

Nicholas Ray

Most of us must sometimes receive a message or a drawing that in retrospect we wish we’d retained—but they go astray. In my own case I can recall three: a note from the philosopher Bernard Williams about his friend Thomas Nagel (lost without record) a postcard from Göran Schildt clarifying our… Read More

Trevor Dannatt: St Mary’s Grove — House Number & Gate

Trevor Dannatt: St Mary’s Grove — House Number & Gate

Adrian Dannatt

This is the second part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, and the first text, here. The other sign on the street—blue baked enamel as ur-signifier… Read More

John Hejduk’s Bye House: An Object in the Landscape

John Hejduk’s Bye House: An Object in the Landscape

Stan Allen and Marina Correia

‘Life has to do with walls; we are continuously going in and out back and forth and through them; a wall is the quickest, the thinnest, the thing we’re always transgressing, and that is why I see it as the present, the most surface condition.’ — John Hejduk[1] The series… Read More

Alberto Ponis: Studio di Yasmin

Alberto Ponis: Studio di Yasmin

Team SHICHAI拾柴

This is the first of a series of posts pairing films made by team SHICHAI拾柴 with drawings from the Drawing Matter Collection. The films, of houses designed by Alberto Ponis on Sardinia, were made for the exhibition ‘Drawing Landscape: Alberto Ponis,’ exhibited at Tongji University, Shanghai, 10 April—20 May 2023.… Read More

Álvaro Siza: A Vertical Dream

Álvaro Siza: A Vertical Dream

António Choupina and Álvaro Siza

In this short video, António Choupina and Álvaro Siza discuss a sketch for an imaginary skyscraper from Caderno 32 (1979), now in the Drawing Matter Collection. Siza describes his interest in Frank Lloyd Wright’s ‘Mile-High Illinois’ or ‘Sky City’ tower (1957), and his work for Rogério de Azevedo on the… Read More

Casa Ugalde Sketch

Casa Ugalde Sketch

Laura Bonell and Daniel Lopez-Doriga

As José Antonio Coderch told it, Mr. Ugalde climbed on the hill, sat in the shadow of a carob tree and looked around him. He then hired Coderch and his partner Manuel Valls with the unique proposal of building a house in the outskirts of Barcelona that could preserve the… Read More

Trevor Dannatt: St Mary’s Grove — Gap and Sign

Trevor Dannatt: St Mary’s Grove — Gap and Sign

Adrian Dannatt

When my parents bought the house in 1955—for £1,000—one of the first things Trevor did was design this distinctive gap in the wall of the front garden, a modest modernist castle crenelation. This was deliberately aligned with the edge of the house, on a line with the front steps, so… Read More

‘A free composition of bodies’: the Härlanda Church

‘A free composition of bodies’: the Härlanda Church

Peter Celsing

Peter Celsing won the competition to design the Härlanda Church, Gothenburg, Sweden, in 1952, and the church was completed seven years later in 1959. The design of the project is a fragmented list of reflections by the architect in the account reproduced below—which was first drafted on receipts from the… Read More

Sverre Fehn and the Territorial Eye

Sverre Fehn and the Territorial Eye

Erika Brandl

This text is adapted from an abstract to Erika Brandl’s short paper which she presented last year at the ‘Nordic Nature: Art, Ecology, Landscape’ conference in Bergen. Architectural histories of Norway have been inexorably tied to landscape and localism, framed as the romantic wedlock of nature and the built form.… Read More

Bruno Taut’s ‘Alpine Architektur’

Bruno Taut’s ‘Alpine Architektur’

Iain Boyd Whyte

This text was first published in DMJournal No.1: The Geological Imagination (2023). Print copies of the Journal, and subscriptions for the first three issues, are now available through our online bookshop. We are currently accepting abstracts for the third issue of DMJournal. Find more information here. In January 1917, the architect Bruno… Read More

Futures of the Architectural Exhibition (2023) – Review

Futures of the Architectural Exhibition (2023) – Review

Paul Mosley

In recent decades, architectural exhibitions have emerged as a principal site for advancing architectural discourse within the design professions and as a primary stage for drawing interest in public audiences to architecture. Many architectural exhibitions have proven the medium an intellectual leaven for new generations of discursive content and styles,… Read More

Drawing Programme: A Drawing Matter Workshop

Drawing Programme: A Drawing Matter Workshop

Niall Hobhouse, Manuel Montenegro and Amy Teh

This audio recording documents a workshop on architects’ drawings exploring the relationship between form, space and programme. It was delivered by Manuel Montenegro and Niall Hobhouse to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The recording was made live… Read More

Accademia Bridge Proposals: Venice Biennale 1985

Accademia Bridge Proposals: Venice Biennale 1985

Editors

This project scrapbook was prompted by Drawing Matter’s recent acquisition of drawings by Peter Wilson and Luc Deleu, made in response to Aldo Rossi’s ‘Progetto Venezia’ brief for the 1985 Venice Biennale, which invited proposals for a new Accademia Bridge to replace the wooden one constructed in the 1930s. Wilson… Read More

Peter Wilson: Ponte dell’Accademia

Peter Wilson: Ponte dell’Accademia

Adrian Hawker

In the years prior to the commencement of his major built works, Bridgebuilding No.4 Ponte dell’Accademia holds a critical position within the formative projects of the architect Peter Wilson. The design was prepared in response to an open international architecture competition that was launched under Aldo Rossi’s directorship of the… Read More

T.O.P. Office and the Accademia Bridge

T.O.P. Office and the Accademia Bridge

Luc Deleu

In a way, this project was architecturally ‘ready-made’. Our proposal for the Accademia Bridge can best be seen as an example of recycling and reuse. Formally, it sublimates what is available from a limitation of resources and materials. In the concept lies a wink to the (still naive in my… Read More

Materia 5: Timber

Materia 5: Timber

Gordon Shrigley

This text is the final instalment in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products.  The language of architectural drawing, although appearing to promise an infinite arena for self-projection, ultimately fails to contain and express… Read More

Avant-Garde as Method, Vkhutemas and the Pedagogy of Space, 1920 – 1930 (2020) – Review

Avant-Garde as Method, Vkhutemas and the Pedagogy of Space, 1920 – 1930 (2020) – Review

Peter Carl

Much of the research for this book was consolidated for Anna Bokov’s PhD at Yale, but it is clear that she had been exploring the issues throughout her career, from the Moscow Architectural Institute to Syracuse University to Harvard, before Yale. The acknowledgments include many well-known luminaries in the USA,… Read More

The City in Dispute (2023) – Review 

The City in Dispute (2023) – Review 

Aureli Mora

Climbing the majestic double staircase of the Palau de la Virreina, a building that hovers somewhere between the Baroque and the Rococo, one arrives at a small but intense exhibition on show at [La Virreina] Centre de la Imatge, Barcelona. Curated by María García Ruiz and Moisés Puente, it presents… Read More

Abelardo Morell

Abelardo Morell

Rebecca Connor Reading

In 2006 Abelardo Morell was invited by a collector with a Palazzo in Venice to photograph a camera obscura image of the Grand Canal in his mother’s bedroom. Morell returned to the city a year later. His host, pointing at a window in a Canaletto painting, said he knew a… Read More