Period: c20th

Aldo Rossi: ‘Shards’ and Smooth Surfaces for an Architecture of Longue Durée

Aldo Rossi: ‘Shards’ and Smooth Surfaces for an Architecture of Longue Durée

Beatrice Lampariello

This text is excerpted from Aldo Rossi. Insulae, edited by Nadejda Bartels, a catalogue that accompanies an exhibition of the same name at the Museum for Architectural Drawing in Berlin, run by the Tchoban Foundation (on display from 4 February – 14 May 2023). Drawing represented for Aldo Rossi the privileged… Read More

MJ Long’s Doll House

MJ Long’s Doll House

Elena Palacios Carral

In 2018, I met the architect MJ Long at her home. Located in a building designed and constructed in the 1930s by Thomas Tait, it doubled as Long’s studio. It was formerly the home and studio of the sculptor Sir William Dick Reid; MJ Long and her husband Sandy (Colin… Read More

Drawing Construction: A Drawing Matter Workshop

Drawing Construction: A Drawing Matter Workshop

Niall Hobhouse, Manuel Montenegro and Amy Teh

This audio recording documents a workshop on construction drawings by architects architects and designers. It was delivered by Manuel Montenegro and Niall Hobhouse to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The recording was made live in the Drawing… Read More

Álvaro Siza — An ‘Amoral’ Architect

Álvaro Siza — An ‘Amoral’ Architect

Eduardo Souto de Moura

The fact that Álvaro Siza did not write about his work or about architecture is a conscious gesture, which goes beyond the mere neutrality of city walls. What is important in Siza is not the end result or the work, hence his lack of comment. His manner, his alibis, his… Read More

Richard Neutra’s Corona Avenue School

Richard Neutra’s Corona Avenue School

Nicholas Olsberg

This project scrapbook traces the publication and exhibition history of Richard Neutra’s experimental Corona Avenue School, built in 1935 after the Los Angeles earthquake of 1933. The material for this scrapbook has been compiled by Nicholas Olsberg; his earlier text on the school for Drawing Matter can be read here.

Nancy Goldring: Drawings and Foto-Projections

Nancy Goldring: Drawings and Foto-Projections

Leann Davis Alspaugh and Nancy Goldring

The following interview is reproduced from the publication Distillations: Nancy Goldring, Drawings and Foto-Projections, 1971–2021, published by ORO Editions. The interview was conducted by Leann Davis Alspaugh for The Hedgehog Review. The Hedgehog Review: In the 2014 summer issue of The Hedgehog Review, we ran two of your works ‘The… Read More

Construct

Construct

Richard Hall

In 1975, OMA (the Office for Metropolitan Architecture) produced two projects for Roosevelt Island (formerly Welfare Island), in New York’s East River, between Manhattan and Queens. The thin sliver of land—historically treated as ‘a storehouse for “undesirables”’ [1]—was undergoing a process of redevelopment under the New York State Urban Development… Read More

Protected: Collection News: Binazzi and UFO, Burton, Gounod, Siza, Visconti and more

Protected: Collection News: Binazzi and UFO, Burton, Gounod, Siza, Visconti and more

Editors

There is no excerpt because this is a protected post.

Ghost Parking Lot

Ghost Parking Lot

James Wines

SITE, an architecture and environmental art group, was founded in 1970 for the purpose of exploring new ways to bring a heightened level of communication and psychological content to buildings, interiors, and public spaces. Originally organised to research, assemble, and publish international documentation on other artists and architects of similar… Read More

Drawing Sites: A Drawing Matter Workshop

Drawing Sites: A Drawing Matter Workshop

Niall Hobhouse, Manuel Montenegro and Amy Teh

This audio recording documents a workshop on architects’ drawings in which the site is the designer’s focus. It was delivered by Manuel Montenegro and Niall Hobhouse to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The recording was made live… Read More

DMJ – Asphalt Tales and the Ends of History

DMJ – Asphalt Tales and the Ends of History

Nicholas Boyarsky

This paper explores how asphalt became a medium for architects and artists from the late 1950s to the 1970s to raise and articulate questions about memory, oblivion, communication and the environment. It questions to what extent T.J. Demos’ recent assertion that experimental visual culture is embedded ‘within social engagements and… Read More

DMJ – Shallow Cuts: the geological sectioning of Newcastle, NSW

DMJ – Shallow Cuts: the geological sectioning of Newcastle, NSW

Michael Chapman

This paper charts the emergence of the drawn section as a mode of documenting geological time and physical space. This is specifically mapped in the Antipodean context of colonisation, where vital resources underneath the ground were mediated with strategic ambitions above. The relatively small period in the history of the… Read More

Geography of Hope: Hans Hollein and John Hejduk

Geography of Hope: Hans Hollein and John Hejduk

Nicholas Olsberg

This is the final of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. Extrusion: Hollein in the Southwest The Austrian architect Hans Hollein, for many years a leading figure in the international avant-garde, was a student at… Read More

Alison and Peter Smithson’s Collages as Reinventing Established Reality

Alison and Peter Smithson’s Collages as Reinventing Established Reality

Marianna Charitonidou

Alison and Peter Smithson often introduced figures that were protagonists in the news, such as Marilyn Monroe and Joe DiMaggio, French actor Gérard Philipe, and the first prime minister of Independent India, Jawaharlal Nehru into their architectural drawings for social housing projects—as in the case of their collages for the… Read More

Caruso St John Collected Works: Volume 1, 1990 – 2005 – Review

Caruso St John Collected Works: Volume 1, 1990 – 2005 – Review

Sofie De Caigny

Collected Works opens with a lecture that Adam Caruso and Peter St John gave at the Architecture Foundation in London, in 1998. The text sets the tone of the publication. As a reader, one is invited to enter the universe of two architects who are searching for their position in the… Read More

About Malagueira: Siza’s Poem on Page 27 of Sketchbook 01

About Malagueira: Siza’s Poem on Page 27 of Sketchbook 01

Rodrigo Lino Gaspar

The following translation proposed for Álvaro Siza’s writings on page 27 of his sketchbook 01 in Drawing Matter Collections is part of an ongoing investigation into the Malagueira project at DA/UAL PhD Programme in Contemporary Architecture. Siza’s sketchbooks are a precious tool for understanding his work and interpreting his concerns.… Read More

Geography of Hope: Bruce Goff

Geography of Hope: Bruce Goff

Nicholas Olsberg

This is the third of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. ‘Aparture’: Bruce Goff in the Parched Land ‘For the Panhandle, …1956 became the seventh straight year of drouth. Except for one savage blizzard, it… Read More

In the Archive: de la Fuente, Unknown, OMA, Ellwood and Ponis

In the Archive: de la Fuente, Unknown, OMA, Ellwood and Ponis

Sarah Hearne

Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. I first found myself at Drawing Matter to view the voiles produced by the Chilean… Read More

Porto: Paving Work on Rua de António Sardinha

Porto: Paving Work on Rua de António Sardinha

Ivo Martins

In the photograph on the left from 1939, found in the municipal digital archive, Porto’s civic centre is still under construction. The image captures half-paved new roads, with curious people milling around the freshly built City Hall. Viewing this photograph recalls the collages of Fernando Barroso and Mário Ramos, where… Read More

Aldo Rossi: Transforming Artefacts into Objects of Affection

Aldo Rossi: Transforming Artefacts into Objects of Affection

Marianna Charitonidou

Michael Sorkin, in Drawings for Sale, draws a distinction between two levels of the impact of architectural drawings on their spectator: ‘the drawing as artefact and the drawing as the representation of certain ideas about some architecture’. Sorkin argues that the power of the impact of a drawing on its spectator… Read More

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Editors

Late last year Emilio Ambasz offered us a fascinating text in which he reflects on ‘Italy, The New Domestic Landscape’, the seminal exhibition he curated in 1972 for MoMA. We have taken his text as an invitation to informally bring together drawings and objects related both to the exhibition and to the radical practices… Read More

W. R. Lethaby: Philip Webb and His Work

W. R. Lethaby: Philip Webb and His Work

Hugh Strange

This is the fifth and final text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Philip Webb was William Lethaby’s great hero; he considered his life and work the model for an architect. Webb was a generation older than Lethaby, and the two men most… Read More

Le Corbusier: The ‘Open hand’ as an expression of freedom?

Le Corbusier: The ‘Open hand’ as an expression of freedom?

Marianna Charitonidou

Le Corbusier placed particular emphasis on the notion of freedom. In Où en est l’architecture?, he declares: ‘I accept a poem only if it is made of “words in freedom”’. [1] In the same text, Le Corbusier describes his conception of art as ‘individual manifestation of freedom’. [2] In Sur… Read More

Geography of Hope: John Lautner

Geography of Hope: John Lautner

Nicholas Olsberg

This is the second of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. Suspension and Poise: Lautner at Mountainside The first photograph of John Lautner that we know, shows him as a boy of about fourteen, standing… Read More