Period: c20th

Forecast and Fantasy: Architecture without Borders 1960s to 1980s – Review

Forecast and Fantasy: Architecture without Borders 1960s to 1980s – Review

Markus Lähteenmäki

This carefully curated and beautifully displayed exhibition brings together 150 drawings with numerous publications and films to display a wave of rebellion and research by architects across the European continent, with a focus on the east, over three decades.  The abundance of visionary thinking that followed the boom of post-war… Read More

Historic England Image Archive

Historic England Image Archive

Arthur Prior-Palmer

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

Geography of Hope: Adolfo Natalini and Superstudio

Geography of Hope: Adolfo Natalini and Superstudio

Nicholas Olsberg

This is the first of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. As we descended into a World War that threatened the obliteration of decency and history, the poet Archibald Macleish, then Librarian of Congress,… Read More

Robert Bray: Design for a Playboy Duplex Penthouse, 1970

Robert Bray: Design for a Playboy Duplex Penthouse, 1970

Philippa Lewis

Watch Philippa Lewis’s recent lecture, ‘From Drawing to Text’, on how we tell stories from architecture, for The Berlage Center for Advanced Studies in Architecture and Urban Design at Delft University of Technology here. Geoff Freeman, sales director of a Northamptonshire shoe company, arrives at JFK Airport for his flight… Read More

The Sasada Lab

The Sasada Lab

Felix Wilson

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

The ESB’s New Clothes

The ESB’s New Clothes

Colum O'Riordan

In 1965 sixteen late-eighteenth-century houses on the east side of Fitzwilliam Street Lower, Dublin were demolished. They had served as headquarters of the Electricity Supply Board (ESB) and in their place was to be a new company HQ, a 1961 competition-winning scheme by the partnership of Sam Stephenson and Arthur… Read More

Materia 4: Brick

Materia 4: Brick

Gordon Shrigley

This text is the fourth in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products.  Coarse rectangular lumps of clay mixed with straw and water, small enough to be carried in one or two hands, are laid… Read More

The City of Design

The City of Design

Emilio Ambasz

Italy has remained a federation of city-states. There are museum cities and factory cities. There is a city whose streets are made of water and another where all streets are hollowed walls. There is a city where all its inhabitants work on the manufacture of equipment for amusement parks, a… Read More

The Wessex Project: Thomas Hardy, Architect: Part III

The Wessex Project: Thomas Hardy, Architect: Part III

Kester Rattenbury

This is the final of three extracts, each a series of vignette studies; they are all taken from Kester Rattenbury’s fascinating full-length study: The Wessex Project: Thomas Hardy, Architect, which approaches the great author from the perspective of his first career as a young architect in London and Dorset. As he… Read More

The Work of Ernest and Esther Born: World’s Fair

The Work of Ernest and Esther Born: World’s Fair

Nicholas Olsberg

Ernest and Esther Born trained as architects at Berkeley in the early 1920s and worked with great distinction in all aspects of architecture and the allied arts, from graphics and illustration to display design and architectural photography. This project marks one of their first endeavours on returning to San Francisco… Read More

Owen Luder: Practice at Work

Owen Luder: Practice at Work

Kate Wharton

The day-to-day workings of a practice such as OLP fall into two separate yet overlapping sectors: administration and job organisation. Unless these two are properly related and maintained, no amount of design talent, no amount of entrepreneurial vigour or personal charm will keep the practice alive and flourishing. For, despite… Read More

Drawing for James Stirling

Drawing for James Stirling

Walter Nageli

Looking back forty years or so on my time in the basement of Jim Stirling’s office in Gloucester Place feels like travelling centuries. Today it is inconceivable that a world-renowned architect and Pritzker Laureate would show a client around the office wanting him to look at the equipment and be… Read More

Beverly Buchanan: here I am; I’m still here

Beverly Buchanan: here I am; I’m still here

Clara Maria Blasius

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

DMJ – The Sound of Magma: Geographies of Infrasound, Vibrating Bodies, and Representing the Earth

DMJ – The Sound of Magma: Geographies of Infrasound, Vibrating Bodies, and Representing the Earth

Adam Bobbette

What does the inside of the earth sound like? Do continental margins have a signature key? Does magma whistle? These questions preoccupied the scientist Frank Perret in the early 20th century as he sought to develop the new science of volcanology. For Perret, though, listening to the earth was not… Read More

Open Letters: Harvard GSD

Open Letters: Harvard GSD

Paul Mosley

Drawing Matter has been enjoying Open Letters, published bi-weekly by Harvard University Graduate School Of Design, from the start. In part, this is because our own publishing initiative began at much at the same time – now ten years ago – and proceeds at the same pace, and with a little of the… Read More

Oscar Niemeyer’s Cathedral in Brasília

Oscar Niemeyer’s Cathedral in Brasília

Ciro Miguel

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

The Usonia Plot at Pleasantville

The Usonia Plot at Pleasantville

Editors

Pleasantville, Westchester County, New York, was one of three co-operative Usonian communities founded in the late 1940s. The other two, The Acres (also known as Galesburg Country Homes) and Parkwyn Village were both near Kalamazoo, Michigan. They all involved Frank Lloyd Wright as the overall site planner and in each… Read More

Joan Littlewood’s Memos to Cedric Price

Joan Littlewood’s Memos to Cedric Price

Ana Bonet Miró

In this text, Ana Bonet Miró reflects on the memos written by Joan Littlewood addressed to her company of actors, and to Cedric Price during their collaboration on the Fun Palace project. For more on Littlewood and Price’s collaboration, listen to Ana Bonet Miró and Matthew Blunderfield in conversation for… Read More

The Work of Ernest and Esther Born: Models for the City House

The Work of Ernest and Esther Born: Models for the City House

Nicholas Olsberg

Ernest and Esther Born trained as architects at Berkeley in the early 1920s and worked with great distinction in all aspects of architecture and the allied arts, from graphics and illustration to display design and architectural photography. This project marks one of their first endeavours on returning to San Francisco… Read More

DMJ – From Landscape to Mapscape: Robert Smithson’s Maps

DMJ – From Landscape to Mapscape: Robert Smithson’s Maps

Bernhard Siegert

This text, published alongside Jonathan Foote’s article ‘Borromini’s Smudge’, marks the launch of the first and second issues of DMJournal–Architecture and Representation. Over the coming months, we will be publishing articles from both DMJ 1: The Geological Imagination and DMJ 2: Drawing Instruments/Instrumental Drawings. The Geological Imagination will be published… Read More

The Project of Independence: Architectures of Decolonization in South Asia, 1947-1985 (2022) – Review

The Project of Independence: Architectures of Decolonization in South Asia, 1947-1985 (2022) – Review

Esra Akcan

“The history of modern architecture is the history of its exhibitions,” states the introduction of the anthology ‘Exhibiting Architecture’, [1] and it is hard to deny the central role of exhibitions in the writing of the canonic and the public history of architecture. Yet the exclusionary nature of the history… Read More

Heinz Isler Model

Heinz Isler Model

John Chilton and Paul Shepherd

This text was written by Paul Shepherd. The interjections, in italic, are additions by his friend and Heinz Isler expert John Chilton. If you go down to the woods today… Since our son was away on Scout camp all weekend, my plans for Sunday involved a much-needed lie-in and an… Read More

Drawing Conversations: Letters to Clients

Drawing Conversations: Letters to Clients

Paul Clarke

In October 1925 Le Corbusier wrote to his client Madame Meyer a remarkable letter about his proposal with Pierre Jeanneret for her villa. It combined drawings with a highly scripted text that carefully guided her through each space, from the entrance to the roof garden. Like the pioneers of early… Read More

Vilanova Artigas: Drawing Models – Review

Vilanova Artigas: Drawing Models – Review

Laura Evans

The basement exhibition space at F’AR Lausanne is dominated by a forest of delicate metal and glass tilting tables within which drawings have been placed. When rotated from the horizontal, they give the large, artificially lit room the feeling of a drawing studio at the end of the day; the… Read More