Period: c20th
Protected: Frank Lloyd Wright in London
19.07.2023
Protected: Frank Lloyd Wright in London19.07.2023
There is no excerpt because this is a protected post.
A Christmas Card from Ralph Erskine
06.07.2023
A Christmas Card from Ralph Erskine06.07.2023
Most of us must sometimes receive a message or a drawing that in retrospect we wish we’d retained—but they go astray. In my own case I can recall three: a note from the philosopher Bernard Williams about his friend Thomas Nagel (lost without record) a postcard from Göran Schildt clarifying our… Read More
Trevor Dannatt: St Mary’s Grove — House Number & Gate
04.07.2023
Trevor Dannatt: St Mary’s Grove — House Number & Gate04.07.2023
This is the second part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, and the first text, here. The other sign on the street—blue baked enamel as ur-signifier… Read More
John Hejduk’s Bye House: An Object in the Landscape
29.06.2023
John Hejduk’s Bye House: An Object in the Landscape29.06.2023
– Stan Allen and Marina Correia
‘Life has to do with walls; we are continuously going in and out back and forth and through them; a wall is the quickest, the thinnest, the thing we’re always transgressing, and that is why I see it as the present, the most surface condition.’ — John Hejduk[1] The series… Read More
Alberto Ponis: Studio di Yasmin
23.06.2023
Alberto Ponis: Studio di Yasmin23.06.2023
This is the first of a series of posts pairing films made by team SHICHAI拾柴 with drawings from the Drawing Matter Collection. The films, of houses designed by Alberto Ponis on Sardinia, were made for the exhibition ‘Drawing Landscape: Alberto Ponis,’ exhibited at Tongji University, Shanghai, 10 April—20 May 2023.… Read More
Álvaro Siza: A Vertical Dream
21.06.2023
Álvaro Siza: A Vertical Dream21.06.2023
– António Choupina and Álvaro Siza
In this short video, António Choupina and Álvaro Siza discuss a sketch for an imaginary skyscraper from Caderno 32 (1979), now in the Drawing Matter Collection. Siza describes his interest in Frank Lloyd Wright’s ‘Mile-High Illinois’ or ‘Sky City’ tower (1957), and his work for Rogério de Azevedo on the… Read More
Casa Ugalde Sketch
19.06.2023
Casa Ugalde Sketch19.06.2023
– Laura Bonell and Daniel Lopez-Doriga
As José Antonio Coderch told it, Mr. Ugalde climbed on the hill, sat in the shadow of a carob tree and looked around him. He then hired Coderch and his partner Manuel Valls with the unique proposal of building a house in the outskirts of Barcelona that could preserve the… Read More
Trevor Dannatt: St Mary’s Grove — Gap and Sign
13.06.2023
Trevor Dannatt: St Mary’s Grove — Gap and Sign13.06.2023
When my parents bought the house in 1955—for £1,000—one of the first things Trevor did was design this distinctive gap in the wall of the front garden, a modest modernist castle crenelation. This was deliberately aligned with the edge of the house, on a line with the front steps, so… Read More
‘A free composition of bodies’: the Härlanda Church
30.05.2023
‘A free composition of bodies’: the Härlanda Church30.05.2023
Peter Celsing won the competition to design the Härlanda Church, Gothenburg, Sweden, in 1952, and the church was completed seven years later in 1959. The design of the project is a fragmented list of reflections by the architect in the account reproduced below—which was first drafted on receipts from the… Read More
Sverre Fehn and the Territorial Eye
18.05.2023
Sverre Fehn and the Territorial Eye18.05.2023
This text is adapted from an abstract to Erika Brandl’s short paper which she presented last year at the ‘Nordic Nature: Art, Ecology, Landscape’ conference in Bergen. Architectural histories of Norway have been inexorably tied to landscape and localism, framed as the romantic wedlock of nature and the built form.… Read More
Bruno Taut’s ‘Alpine Architektur’
12.05.2023
Bruno Taut’s ‘Alpine Architektur’12.05.2023
This text was first published in DMJournal No.1: The Geological Imagination (2023). Print copies of the Journal, and subscriptions for the first three issues, are now available through our online bookshop. We are currently accepting abstracts for the third issue of DMJournal. Find more information here. In January 1917, the architect Bruno… Read More
Futures of the Architectural Exhibition (2023) – Review
05.05.2023
Futures of the Architectural Exhibition (2023) – Review05.05.2023
In recent decades, architectural exhibitions have emerged as a principal site for advancing architectural discourse within the design professions and as a primary stage for drawing interest in public audiences to architecture. Many architectural exhibitions have proven the medium an intellectual leaven for new generations of discursive content and styles,… Read More
Drawing Programme: A Drawing Matter Workshop
02.05.2023
Drawing Programme: A Drawing Matter Workshop02.05.2023
– Niall Hobhouse, Manuel Montenegro and Amy Teh
This audio recording documents a workshop on architects’ drawings exploring the relationship between form, space and programme. It was delivered by Manuel Montenegro and Niall Hobhouse to Masters students from the School of Engineering and Architecture, Fribourg, and their tutors Patricia Guaita and Raffael Baur. The recording was made live… Read More
Accademia Bridge Proposals: Venice Biennale 1985
28.04.2023
Accademia Bridge Proposals: Venice Biennale 198528.04.2023
– Editors
This project scrapbook was prompted by Drawing Matter’s recent acquisition of drawings by Peter Wilson and Luc Deleu, made in response to Aldo Rossi’s ‘Progetto Venezia’ brief for the 1985 Venice Biennale, which invited proposals for a new Accademia Bridge to replace the wooden one constructed in the 1930s. Wilson… Read More
Peter Wilson: Ponte dell’Accademia
26.04.2023
Peter Wilson: Ponte dell’Accademia26.04.2023
In the years prior to the commencement of his major built works, Bridgebuilding No.4 Ponte dell’Accademia holds a critical position within the formative projects of the architect Peter Wilson. The design was prepared in response to an open international architecture competition that was launched under Aldo Rossi’s directorship of the… Read More
T.O.P. Office and the Accademia Bridge
24.04.2023
T.O.P. Office and the Accademia Bridge24.04.2023
In a way, this project was architecturally ‘ready-made’. Our proposal for the Accademia Bridge can best be seen as an example of recycling and reuse. Formally, it sublimates what is available from a limitation of resources and materials. In the concept lies a wink to the (still naive in my… Read More
Materia 5: Timber
18.04.2023
Materia 5: Timber18.04.2023
This text is the final instalment in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products. The language of architectural drawing, although appearing to promise an infinite arena for self-projection, ultimately fails to contain and express… Read More
Avant-Garde as Method, Vkhutemas and the Pedagogy of Space, 1920 – 1930 (2020) – Review
12.04.2023
Avant-Garde as Method, Vkhutemas and the Pedagogy of Space, 1920 – 1930 (2020) – Review12.04.2023
Much of the research for this book was consolidated for Anna Bokov’s PhD at Yale, but it is clear that she had been exploring the issues throughout her career, from the Moscow Architectural Institute to Syracuse University to Harvard, before Yale. The acknowledgments include many well-known luminaries in the USA,… Read More
The City in Dispute (2023) – Review
10.04.2023
The City in Dispute (2023) – Review 10.04.2023
Climbing the majestic double staircase of the Palau de la Virreina, a building that hovers somewhere between the Baroque and the Rococo, one arrives at a small but intense exhibition on show at [La Virreina] Centre de la Imatge, Barcelona. Curated by María García Ruiz and Moisés Puente, it presents… Read More
Abelardo Morell
06.04.2023
Abelardo Morell06.04.2023
In 2006 Abelardo Morell was invited by a collector with a Palazzo in Venice to photograph a camera obscura image of the Grand Canal in his mother’s bedroom. Morell returned to the city a year later. His host, pointing at a window in a Canaletto painting, said he knew a… Read More
Aldo Rossi: ‘Shards’ and Smooth Surfaces for an Architecture of Longue Durée
03.04.2023
Aldo Rossi: ‘Shards’ and Smooth Surfaces for an Architecture of Longue Durée03.04.2023
This text is excerpted from Aldo Rossi. Insulae, edited by Nadejda Bartels, a catalogue that accompanies an exhibition of the same name at the Museum for Architectural Drawing in Berlin, run by the Tchoban Foundation (on display from 4 February – 14 May 2023). Drawing represented for Aldo Rossi the privileged… Read More
MJ Long’s Doll House
31.03.2023
MJ Long’s Doll House31.03.2023
In 2018, I met the architect MJ Long at her home. Located in a building designed and constructed in the 1930s by Thomas Tait, it doubled as Long’s studio. It was formerly the home and studio of the sculptor Sir William Dick Reid; MJ Long and her husband Sandy (Colin… Read More
The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso
17.07.2023
The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso17.07.2023
– Alberto Cruz
Alberto Cruz presented the principles of The Palace of Dawn and Dusk (Palacio del Alba y del Ocaso) in the Open City’s Music Room on 19 January 1981[1]. While the initial project comprised four lodges with communal rooms, courtyards, and public baths, ultimately, as Cruz describes, following a ‘poetic revelation’… Read More
landscape