Tag: exhibition design
Fuglsang Kunstmuseum: Facts and interpretation in staging a museum
11 November 2024
Fuglsang Kunstmuseum: Facts and interpretation in staging a museum11 November 2024
The following text was first published in OASE #111: Staging the Museum (2022). Drawing Matter would like to thank Tony Fretton and the issue’s editors Aslı Çiçek, Jantje Engels, and Maarten Liefooghe, for allowing us to reproduce the text. Purchase a copy of OASE #111 here. Fuglsang Kunstmuseum is located on the… Read More
Schmitz and Drévet: The Egyptian Pavilions at the 1867 ‘Exposition Universelle’
15 December 2023
Schmitz and Drévet: The Egyptian Pavilions at the 1867 ‘Exposition Universelle’15 December 2023
The 1867 Paris Exposition Universelle was one of the most frivolous and lavish events in late-19th-century European history. Erected along the Champs-de-Mars, it encompassed a huge, covered arena surrounded by dozens of pavilions and gardens.[1] It was conceived by Napoleon III to showcase of industrial and technological progress, to promote… Read More
The City in Dispute (2023) – Review
10 April 2023
The City in Dispute (2023) – Review 10 April 2023
Climbing the majestic double staircase of the Palau de la Virreina, a building that hovers somewhere between the Baroque and the Rococo, one arrives at a small but intense exhibition on show at [La Virreina] Centre de la Imatge, Barcelona. Curated by María García Ruiz and Moisés Puente, it presents… Read More
Richard Neutra’s Corona Avenue School
22 March 2023
Richard Neutra’s Corona Avenue School22 March 2023
This project scrapbook traces the publication and exhibition history of Richard Neutra’s experimental Corona Avenue School, built in 1935 after the Los Angeles earthquake of 1933. The material for this scrapbook has been compiled by Nicholas Olsberg; his earlier text on the school for Drawing Matter can be read here.
Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)
9 February 2023
Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)9 February 2023
– Editors
Late last year Emilio Ambasz offered us a fascinating text in which he reflects on ‘Italy, The New Domestic Landscape’, the seminal exhibition he curated in 1972 for MoMA. We have taken his text as an invitation to informally bring together drawings and objects related both to the exhibition and to the radical practices… Read More
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism
19 October 2022
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism19 October 2022
As my title indicates, this text will focus on John Hejduk’s Silent Witnesses project from the mid-1970s, but I want to approach it in the first instance by way of Roland Barthes’s reflections on the ‘Neutral’. This is the topic of the lectures that Barthes delivered at the Collège de France… Read More
Les Fêtes de Nuit (1937)
30 May 2022
Les Fêtes de Nuit (1937)30 May 2022
This is the best concise account of the technical sophistication behind the light and water installations created along and beside the Seine, for the Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937). We have added a group of gouache drawings by the architect René-André Coulon, made in the design phase for… Read More
The Iterative Power of Architecture’s Absence
7 April 2022
The Iterative Power of Architecture’s Absence7 April 2022
In 1991, the Swiss architects Herzog & de Meuron prepared a submission with the artist Remy Zaugg for the Berlin Morgen (‘Berlin Tomorrow’) exhibition organised by the Deutsches Architekturmuseum in Frankfurt, Germany. By surrounding Berlin’s Tiergarten with four new buildings, they proposed to restructure the park – then perceived as… Read More
Exhibition Design: Charging the Void
9 March 2022
Exhibition Design: Charging the Void9 March 2022
Last year at Cornell University, five students in Alessandra Cianchetta’s design studio Global Artscapes worked on designs for a gallery in the valley at Shatwell. For this, they used photographs and videos in default of a site visit. The brief was for an exhibition space to accommodate the display of… Read More
Tom de Paor: ‘i see Earth’, Building and Ground 1991–2021 – Review
4 March 2022
Tom de Paor: ‘i see Earth’, Building and Ground 1991–2021 – Review4 March 2022
On the morning of 12 April 1961, the cosmonaut Yuri Gagarin was launched into orbit, strapped into a spherical capsule fixed to the top of a modified intercontinental ballistic missile. The first to see our planet in its totality, his words were simple: ‘I see Earth. It is so beautiful.’… Read More
The Philips Pavilion: Models as Structural Expression
23 November 2021
The Philips Pavilion: Models as Structural Expression23 November 2021
The following text discusses the use of models as an integral part of the architectural process. It is excerpted from Matthew Mindrup’s article on the roles of models in the design of the Sydney Opera House and Iannis Xenakis and Le Corbusier’s Philips Pavilion for the 1958 World’s Fair (arq:… Read More
An Overwhelming Concern with Shelter! (1966)
16 September 2021
An Overwhelming Concern with Shelter! (1966)16 September 2021
The International Dialogue on Experimental Architecture (IDEA) was held at New Metropole Arts Centre in Folkestone, Kent, 10–11 June 1966. The symposium was organised by Archigram and included contributions from Hans Hollein, Joe Weber, Yona Friedman, Cedric Price, Arthur Quarmsby, Anthony G. William and Reyner Banham. The following text is… Read More
Architectural Drawing (1983)
22 June 2021
Architectural Drawing (1983)22 June 2021
This essay was first published in the catalogue for Drawings by Architects (25 February – 3 April 1983), held at the ICA in London. A period piece, for sure, the text sits at the cusp of changing attitudes to the display and value attributed to architect’s drawings. In recent years… Read More
68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt
26 May 2021
68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt26 May 2021
Review By preserving the trees on the site within his pavilion in the Giardini, Sverre Fehn offered Venice an insight into a unique Nordic sensitivity towards nature and the environment. He tempered the harsh Mediterranean sun to evoke the horizontal light of the Baltic through a spectacularly innovative technical design… Read More
Bulgakov’s ‘Golden City’ (1923)
3 May 2021
Bulgakov’s ‘Golden City’ (1923)3 May 2021
This text is an excerpt from Mikhail Bulgakov’s series of short vignettes that appeared under the overarching title ‘Golden City’ and were serialised in the Berlin-based Russian migrant ‘Nakanune’ newspaper between 30 September and 14 October 1923. Bulgakov was commissioned to write an account of the first and only All-Russian… Read More
Casino Royale: Stynen’s unrealised sculpture garden
30 March 2021
Casino Royale: Stynen’s unrealised sculpture garden30 March 2021
The city council of the seaside town Oostende organised a competition for its new casino-kursaal in 1945, and a design by Antwerp architect Léon Stynen was chosen as the winner the following year. Stynen was a prominent name by that time, having previously designed casinos for Knokke, Chaudfontaine, and Blankenberge.… Read More
On Tony Fretton and the Lisson Gallery
5 February 2021
On Tony Fretton and the Lisson Gallery5 February 2021
A conversation with Nicholas Logsdail, standing in the farmyard at Shatwell, on the day he came with Freeny Yanni her sons Yanis and Cassius Hammick, to look at Tony Fretton’s sketchbooks for the Lisson Gallery. By way of response, Tony gives us his account of the genesis of the commission.… Read More
Pan Scroll Zoom 4: Pezo von Ellrichshausen
18 November 2020
Pan Scroll Zoom 4: Pezo von Ellrichshausen18 November 2020
– Sofia von Ellrichshausen, Fabrizio Gallanti and Mauricio Pezo
This is the fourth in a series of texts edited by Fabrizio Gallanti on the challenges in the new world of online architectural teaching and, particularly, on the changing role of drawings in presentations and reviews. In this episode Fabrizio interviews Mauricio Pezo and Sofia von Ellrichshausen of Pezo von… Read More
Mies: The Berlin Building Expostition (1974)
25 June 2020
Mies: The Berlin Building Expostition (1974)25 June 2020
The following text is excerpted from Oppositions 2 (1974): 86–91. The Berlin Building Exposition of 1931 was the largest of its kind ever to be held. With Teutonic thoroughness every material, every method, every theory that had to do with building was shown in the Exposition. The result of this thoroughness, plus… Read More
Staging Brancusi
15 June 2020
Staging Brancusi15 June 2020
– Sarah Handelman and Asli Çiçek
Sarah Handelman: When we started talking about your work in scenography almost a year before, you were in the middle of designing the Brancusi exhibition, which opened last October at BOZAR in Brussels. Since then I’ve been wanting to have a conversation with you about the kinds of stages that… Read More
Mies: The Horizon
14 June 2020
Mies: The Horizon14 June 2020
Perusing the slides I had taken of the reconstructed pavilion, I found it difficult to decide which way up they went — an artefact of photography, no doubt. Then I changed my mind. It was not an artefact of photography, but a property of the pavilion itself, a property of… Read More
Paul Robbrecht: Drawn Closer
12 May 2020
Paul Robbrecht: Drawn Closer12 May 2020
Initiatief 86 was important because (as Robbrecht en Daem) it was more or less our first real work for art. It was also an important moment for the Belgian art scene. That summer Jan Hoet curated Chambres d’Amis, exhibiting the work of 50 artists in homes across Ghent. At the… Read More
Aalto on Asplund: Stockholm Exhibition (1930)
9 March 2020
Aalto on Asplund: Stockholm Exhibition (1930)9 March 2020
Alvar Aalto, from an interview for the Swedish newspaper Åbo Underrättelser, May 22, 1930. Reprinted in Göran Schildt, ed., Alvar Aalto: Sketches, trans. Stuart Wrede (London: MIT Press, 1979), 16.
L’architecture des réalités mises en scene: (re)construire Disney
28 October 2024
L’architecture des réalités mises en scene: (re)construire Disney28 October 2024
– Fabrizio Gallanti
Drawing Matter asked Fabrizio Gallanti, Director of the arc en rêve – centre d’architecture, for an informal commentary on the content and presentation of their current exhibition L’architecture des réalités mises en scene: (re)construire Disney, open until January 2025. We are arc en rêve. We do exhibitions. In Bordeaux, South-West of France.… Read More
DMC exhibition design presentation exhibition